The paper deals with the problematic of concept and image as independent forms of mediating the thought. A specific role in incorporating the media of concept and image into the system of thought is played by the mediality itself, which operates as an entity mediating between heterogeneous worlds. The symbolized messages of the concept and image thus represent using the dispositive of representation between the visual and intellectual worlds. The author takes the concept as the initial form of thought, which (...) describes the object from the perspective of its being without making any propositions about it; the image, on the other hand, is taken as a sensory representation of the object. However, each of them is only a particular form of mediation. Representing a concept thus means taking the thought as a conceptual representation. (shrink)

The subject takes part in and constructs what it perceives, shifting, thus, the presuppositions, that is, the ‚pre-formats‘ of this construction into the background, out of reach of that which is manifesting itself. In fact, within the framework of its own construction, the subject does not dispose of any possibilities of transferring other heterogeneous settings into a unique target format upon which the world of objects is constructed. In order to achieve this the subject needs a determinate interactive interface, i. (...) e., mediation. Access to mediation, that is, to the interfaces combining the different settings, to complexity and to the real, helps us to understand the differences that become accessible to us. Furthermore, access helps us to reach an adequate understanding of the role of the subject in the world, a world in which the subject is not only mechanically constructed but, above all, mediated accordingly. (shrink)