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  1.  19
    Hegel’s Theory of Imagination.Jennifer Ann Bates - 2004 - State University of New York Press.
    A comprehensive account of the role of the imagination in Hegel's philosophy.
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  2.  1
    Hegel's Theory of Imagination: Theory, Study, and Practice.Jennifer Ann Bates - 2004 - State University of New York Press.
    _A comprehensive account of the role of the imagination in Hegel's philosophy._.
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  3.  22
    Absolute Knowing: Consternation and Preservation in Hegel’s Phenomenology of Spirit and Shakespeare’s Troilus and Cressida.Jennifer Ann Bates - 2016 - Angelaki 21 (3):65-82.
    Hegel’s “Absolute Knowing” and Shakespeare’s Troilus and Cressida are tragi-comic consternations. They are theatres of ethical panentheism: they present dramatic “absolute” ethical interpretations and actions, each of which is at once ungrounded and completely seeded. I start with the etymology of “consternation.” Then I discuss the comic vs. tragic interpretations of Hegel’s Phenomenology of Spirit, arguing it is a consternating tragi-comedy. I analyze the predicate “absolute” in terms of consternations, in a few passages of the book. I elaborate especially upon (...)
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  4.  41
    Hegel and the Concept of Extinction.Jennifer Ann Bates - 2014 - Philosophy Compass 9 (4):238-252.
    Part I discusses what kind of ‘advances’ occur in Hegel's works, particularly his Philosophy of Nature. I then discuss evolution and extinction in relation to these advances. I summarize Errol Harris' view that Hegel's advances are consistent with current evolutionary theory and then critique this view using articles by Cinzia Ferinni and Alison Stone. I discuss an alternative, post-Kantian Hegelianism which dialectically unites the nature of our cognition with us as subjects that cognize (spirit). For that, I draw on Hegel's (...)
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  5.  68
    Hegel and Shakespeare on Moral Imagination.Jennifer Ann Bates - 2010 - State University of New York Press.
    A Hegelian reading of good and bad luck -- In Shakespearean drama (phen. of spirit, King Lear, Othello, Hamlet, a Midsummer night's dream) -- Tearing the fabric: Hegel's Antigone, Shakespeare's Coriolanus, and kinship-state conflict (phen. of spirit c. 6, Judith Butler's Antigone, Coriolanus) -- Aufhebung and anti-aufhebung: geist and ghosts in Hamlet (phen. of spirit, Hamlet) -- The problem of genius in King Lear: Hegel on the feeling soul and the tragedy of wonder (anthropology and psychology in the encyclopaedia, Philosophy (...)
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  6. Hegel and Shakespeare on Moral Imagination.Jennifer Ann Bates - 2011 - State University of New York Press.
    _Study of self-consciousness in Hegel and Shakespeare._.
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  7. The Genesis and Spirit of Imagination.Jennifer Ann Bates - 1997 - Dissertation, University of Toronto (Canada)
    Given the importance of imagination for Kant, Fichte and Schelling, it is significant that the word only comes up once in Hegel's Phenomenology of Spirit, and that it is not a chapter heading alongside "Sense-Certainty," "Perception," "Understanding" and "Reason." ;Part I. "Imagination in Theory" looks at the development in Hegel's theory of imagination from the Differenzschrift and Faith and Knowledge, through three different versions of the Philosophy of Spirit . Part II. "Imagination in Practice," focuses on the final moment of (...)
     
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  8.  15
    The Rub of the Negative.Jennifer Ann Bates - 2017 - Philosophy Today 61 (2):439-450.
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