The distinct French and Italian concepts of appareil/apparato and dispositif/dispositivo have frequently been rendered the same way as "apparatus" in English. This presents a double problem since it collapses distinct conceptual lineages from the home languages and produces a false identity in English. While there are good reasons for which translators have chosen to use "apparatus" for dispositif , there is growing cause for evaluating the theoretical and empirical specificity of each concept, and either to rethink the rendering as "apparatus" (...) or to keep in mind the specific philosophical trajectories of each one. In particular, the ongoing release of Michel Foucault’s Collège de France lecture courses (in which the term is frequently used), and the essays by Gilles Deleuze and Giorgio Agamben bearing directly on the dispositif and the dispositivo present a strong case for reevaluating the usage and rendering of these concepts. This paper presents a number of minute considerations on the productive distinction between them. (shrink)

A cross-section of the writings of Dominique Lestel, Vinciane Despret and Roberto Marchesini is presented here in translation across three special issues on philosophical ethology. These thinkers, relatively unknown in anglophone scholarship, offer important contributions to contemporary debates in posthumanism and animal studies. Particularly in so far as they scrutinise our often awkward attempts to understand the behaviour of animals in labs and fields – to know what animal bodies can do – they share in the rethinking of interspecies forms (...) of life, as domains of both empirical knowledge and zoo-political performance, and thereby take important steps towards a new philosophical ethology. (shrink)

:This interview ranges across a number of topics relevant to Vinciane Despret's thought: the history and philosophy of ethology; animal culture; stories and storytelling; feminism; philosophical anthropology; animal studies; collaborative research; and animals in laboratories, in the field, on farms, and in books. It touches on thinkers and artists including Isabelle Stengers, Donna Haraway, Bruno Latour, Jacques Derrida, Gilles Deleuze, and Luc Petton.

This interview ranges across a number of topics relevant to Roberto Marchesini’s thought: the history and philosophy of ethology and entomology; zooanthropology and animal culture; philosophical ethology and philosophical anthropology; animal studies; and animals in laboratories, in the field, on farms, and in household/urban settings. It touches on thinkers including Margherita Hack, Giorgio Celli, Donna Haraway, Giorgio Agamben, Roberto Esposito, Charles Darwin, and Jean-Baptiste Lamarck.

The meticulous observation and imitation of animals lies deeply within human culture and identity. Zoomimesis refers to this performative animal mimicry and to how animal references and interaction are woven into the conception of the human. Zoomimesis has an anthropodecentering effect that places animal–human interactions in horizontal rather than hierarchical relation. Music, dance, and clothing show influence from animal behaviors. Many types of body art and body modification are inspired by animals. Animal movements and behaviors become an extension of the (...) capabilities of human bodies and identities. The human sense of art and aesthetics itself is shaped by animals and animality. (shrink)

Vinciane Despret is a Belgian philosopher whose work proposes new questions and approaches to human–animal relations. Of central importance to her thought is an intellectual and cultural proposal to allow animals to show their agency and to be interesting. In scientific research animals are too often reduced to uninteresting, instinctive machines, whereas other modes of engagement allow us to see the wonderfully surprising, culturally rich, and intelligently inventive lives lived by animals. With genuine curiosity, Despret responds that humans and animals (...) transform one another through daily encounters, and she explores these metamorphoses through the history of philosophy, literature, science, field research, and art. In a playful though serious tone, Despret claims that animals are always more interesting than we give them credit for, and that the achievements of animals are never far from our own. (shrink)

ExcerptThis essay considers those aspects that, for lack of a better term, I call ongoing founding events in the work of Carl Schmitt and its interpretation by Giorgio Agamben. This term is meant to refer to decisive “events” in Schmitt that, although they may be exceptional (or perhaps because they are), play a continual role in generating and maintaining the political order. It is important that these events are not merely mythic or imaginary devices to describe politics, as are the (...) social contract and the veil of ignorance. These events are crucial also, in Schmitt's terms, in understanding “concrete reality.”. (shrink)

Central to the work of Roberto Marchesini is a sustained critical engagement with the sciences of animal behavior. Drawing on veterinary, biological, and philosophical training, he critiques the legacy of Cartesianism that sees animals as machines at the same time as acknowledging the importance of biological knowledge and approaches for understanding animals. Further, he offers his own version of a zooanthropological and posthumanist method for the future of ethology as an interdisciplinary social science founded on shared existence, interaction, and understanding. (...) His reframing of questions around biological and cultural continuity in turn refigures received notions of identity, animality, and the origin of culture itself. (shrink)

Roberto Marchesini is an Italian philosopher and ethologist whose work is significant for the rethinking of animality and human–animal relations. Throughout such important books as _Il dio Pan_, _Il concetto di soglia_, _Post-human_, _Intelligenze plurime_, _Epifania animale_, and _Etologia filosofica_, he offers a scathing critique of reductive, mechanistic models of animal behaviour, as well as a positive contribution to zooanthropological and phenomenological methods for understanding animal life. Centred on the dynamic and performative field of interactions and relations in the world, (...) his critical and speculative approach to the cognitive life sciences offers a vision of animals as acting subjects and bearers of culture, whose action and agency is also indispensable to human culture. In tracing the ways in which we share our lives and histories with animals in different contexts of interaction, Marchesini’s cutting-edge philosophical ethology also contributes to an overarching philosophical anthropology of the human as the animal that most requires the present and input of other animals. This book was originally published as a special issue of _Angelaki: Journal of the Theoretical Humanities. _. (shrink)

Dominique Lestel is a French philosopher whose work is significant for the rethinking of animality and human–animal relations. Throughout such important books as L'Animalite? , Les Origines animales de la culture and L'Animal singulier , he offers a scathing critique of reductive, mechanistic models of animal behaviour, as well as a positive contribution to etho-ethnographic and phenomenological methods for understanding animal life. Centred around hybrid human–animal communities of shared interests, affects and meaning, his critical and speculative approach to the animal (...) sciences offers a vision of animals as acting subjects and bearers of culture, who form their own worlds and transform them in concert with human and other partners. In tracing the ways in which we share our lives with animals in the texture of animality, Lestel's cutting-edge philosophical ethology also contributes to an overarching philosophical anthropology of the human as the most animal of animals. (shrink)

Roberto Marchesini is an Italian philosopher and ethologist whose work is significant for the rethinking of animality and human–animal relations. Throughout such important books as Il dio Pan,Il concetto di soglia, Post-human, Intelligenze plurime, Epifania animale, and Etologia filosofica he offers a scathing critique of reductive, mechanistic models of animal behaviour, as well as a positive contribution to zooanthropological and phenomenological methods for understanding animal life. Centred on the dynamic and performative field of interactions and relations in the world, his (...) critical and speculative approach to the cognitive life sciences offers a vision of animals as acting subjects and bearers of culture, whose action and agency is also indispensable to human culture. In tracing the ways in which we share our lives and histories with animals in different contexts of interaction, Marchesini's cutting-edge philosophical ethology also contributes to an overarching philosophical anthropology of the human as the animal that most requires the presence and input of other animals. (shrink)

Dominique Lestel is a French philosopher whose work is significant for the rethinking of animality and human-animal relations. Throughout such important books as _L’Animalité _, _Les Origines animales de la culture _ and _L’Animal singulier_, he offers a fierce critique of reductive, mechanistic models of animal behaviour, as well as a positive contribution to etho-ethnographic and phenomenological methods for understanding animal life. Centred around hybrid human–animal communities of shared interests, affects and meaning, his critical and speculative approach to the animal (...) sciences offers a vision of animals as acting subjects and bearers of culture, who form their own worlds and transform them in concert with human and other partners. In tracing the ways in which we share our lives with animals in the texture of animality, Lestel’s cutting-edge philosophical ethology also contributes to an overarching philosophical anthropology of the human as the most animal of animals. This book was originally published as a special issue of _Angelaki: Journal of the Theoretical Humanities. _. (shrink)