In this interview, which took place in Center City in Philadelphia in September 2020, I ask Jean-Michel Rabaté to reflect on his personal and writerly relationship with Jacques Derrida, and to assess the legacies of Derrida and deconstruction across the globe today. In the last five years, Rabaté has published three books on Derrida: Les Guerres de Derrida, After Derrida, and Understanding Derrida, Understanding Modernism. In response to this flurry of publications, I ask Rabaté what has prompted his (...) recent and vigorous turn to Derrida and what his intentions were with these books. As we review their organising principles, the central thematic of this discussion is thus concerned with Derrida's relevance to the Humanities and Social Sciences as we enter the third decade of the twenty-first century. (shrink)

Jean-Michel Rabaté uses Nietzsche's image of a "pathos of distance," the notion that certain values cannot originate in a community but are created by a few gifted and lofty individuals, as the basis for a wide-ranging investigation into the ethics of the moderns. The expression of "pathos of distance" impressed would-be modernists like the American James Huneker and the Irish poet W. B. Yeats as they confronted the new in the arts. Later, it helped Deleuze and Barthes make (...) sense of modernity when they tried to tease out all the implications of "distance." Despite Benjamin criticism of Nietzsche's doctrine of the "eternal return of the same" in the Arcades Project, in his "Theses on the Philosophy of History" Benjamin envisions a redeemed history that follows Nietzsche's basic intuition about the need to make every moment count for history. By first establishing this unlikely meeting of Nietzsche and Benjamin through their ideas of history and ethics, Rabaté is able then to provide an original genealogy for the ethics of the modern, moving through figures and moments as varied as Yeats and the birth of Irish Modernism, the ethics of courage in Virginia Woolf, Rilke, Apollinaire, and others in 1910, Gide and Genet's ethical impulse to combine erotic liberation with the motivation for political revolution, and Derrida's reading of Joyce's Ulysses and a modern mode of writing that sought to get closer to the senses. The result is a fascinating critique of Nietzsche, Benjamin, affect theory, and the origins of the ethics of modernism. (shrink)

This volume is an introduction to the relationship between psychoanalysis and literature. Jean-Michel Rabaté takes Sigmund Freud as his point of departure, studying in detail Freud's integration of literature in the training of psychoanalysts and how literature provided crucial terms for his myriad theories, such as the Oedipus complex. Rabaté subsequently surveys other theoreticians such as Wilfred Bion, Marie Bonaparte, Carl Jung, Jacques Lacan, and Slavoj Žižek. This Introduction is organized thematically, examining in detail important terms like deferred (...) action, fantasy, hysteria, paranoia, sublimation, the uncanny, trauma, and perversion. Using examples from Miguel de Cervantes and William Shakespeare to Sophie Calle and Yann Martel, Rabaté demonstrates that the psychoanalytic approach to literature, despite its erstwhile controversy, has recently reemerged as a dynamic method of interpretation. (shrink)

This paper praises Martin Hägglund for his general take on Derrida, while objecting to a certain rigidity in the use of the concept of survival. This concept allowed Hägglund to reject the temptation of a ‘religious’ Derrida in Radical Atheism, but in Dying for Time, it leads to a hurried reading of psychoanalysis. My objections revolve around several forms: the role of gods for Plato and Greek thought; the reductive reading of Diotima's speech in the Sympoisum, and an all too (...) rapid rejection of the idea of the Todestrieb in Freud and Lacan. I go back to Derrida's reading of Freud in The Postcard to point out that he too had misread Freud's Beyond the Pleasure Principle. Finally, I argue that there can be something like a non-proper or improper immortality. (shrink)

In this book, Moati systematically replays the historical encounter between Austin, Derrida, and Searle and the disruption that caused the lasting break between Anglo-American language philosophy and continental traditions of phenomenology ...

Acknowledging that he cannot speak about the future of Theory without taking stock of its past, Rabaté starts by sketching its genealogy, particularly its ...

Jacques Lacan is renowned as a theoretician of psychoanalysis whose work is still influential in many countries. He refashioned psychoanalysis in the name of philosophy and linguistics at a time when it faced certain intellectual decline. Focusing on key terms in Lacan's often difficult, idiosyncratic development of psychoanalysis, this volume brings new perspectives to the work of an intimidating influential thinker.

It is important for the materialist historian, in the most rigorous way possible, to differentiate the construction of a historical state of affairs from what one customarily calls its "reconstruction." The "reconstruction" in empathy is one- dimensional. "Construction" presupposes "destruction." Almost fourteen years after the death of Jacques Derrida, the least one can say is that his inheritance is as contested and fraught with rivalries, rejections, and appropriations as at the time of the flowering of Deconstruction in American universities in (...) the seventies and eighties. A halt was observed in 1988-89 after the posthumous revelations about Paul de Man's past in Belgium and Derrida's embattled defense of his friend. Today, in France, one often hears that "Derrida a fait l'Ecole mais n'a pas fait ecole," meaning that Derrida passed the entrance examination of the prestigious Ecole Normale Superieure where he taught for a long time, where he met Paul Celan, Louis Althusser, Michel Foucault and many other luminaries, whereas he never had a real "school" in France-no real institutional backing beyond the various Parisian places at which he taught later, or those that he founded like the College de Philosophie; his following constituted of young philosophers, only a few of whom became university professors in their turn and disseminated his teachings. However, the mechanisms of power within the French university remained closed to Derrida until the end; besides, he wanted to prevent the stereotyped reproduction currently observed from master to disciple. (shrink)

Derrida, quel diable d'homme! Preux de la pensée, partant en guerre contre tous et contre lui-même, chevalier de l'idéal comme Don Quichotte et politicien pragmatique comme Sancho Pança, il n'aura cessé de bouleverser de fond en comble nos idées reçues pour les relancer, accroître leur vélocité et en faire des armes concepƯtuelles redoutables. Ce livre s'attache à suivre certaines de ses campagnes, retraçant une trajectoire qui va de son enfance et adolescence algériennes vers un avenir messianique ouvert à l'Autre. Au (...) passage, il lui aura fallu en découdre avec un ami trop proche de certains thèmes éthiques, Emmanuel Levinas, ainsi qu'avec un ennemi plus vulnérable, Giorgio Agamben. À travers leurs méditations croisées, Derrida insiste sur le fait que la lutte polémique est préférable à la paix, car elle en fonde la possibilité tout en mettant en question les théologies guerrières. Le roman récent de J.M. Coetzee, Une enfance de Jésus, et les poésies de Stéphane Mallarmé vont servir à illustrer ces attentes et ces tensions entre chien et chat, entre futur et avenir, entre drôles de trêves et drôles de guerres : entre hospitalité et hostilité."--Back cover. (shrink)

This volume makes a significant contribution to both the study of Derrida and of modernist studies. The contributors argue, first, that deconstruction is not "modern"; neither is it "postmodern" nor simply "modernist." They also posit that deconstruction is intimately connected with literature, not because deconstruction would be a literary way of doing philosophy, but because literature stands out as a "modern" notion. The contributors investigate the nature and depth of Derrida's affinities with writers such as Joyce, Kafka, Antonin Artaud, Georges (...) Bataille, Paul Celan, Maurice Blanchot, Theodor Adorno, Samuel Beckett, and Walter Benjamin, among others. With its strong connection between philosophy and literary modernism, this highly original volume advances modernist literary study and the relationship of literature and philosophy. (shrink)

Starting from the various ways in which the name of James Joyce is evoked in Cixous's critical books and essays, I sketch her unique position as a writer between psychoanalysis and philosophy. If James Joyce's last name can be translated as ‘Freud’ in German, if his first name can be variously Jim, James or even Jacques, then we may translate him into French as Jacques Joyeux. Taking my cue from varying strategies of address deployed in The Exile of James Joyce, (...) I conclude by calling upon my own father, another Jacques, to provide a vignette that aims at replacing Joyce's gnomon between the psychoanalytic symptom and the deconstruction of the letter by the postcard. (shrink)

This article discusses Alfred Jarry as a precursor of French modernism. With a particular focus on Messaline, Roman de l’ancienne Rome and Le Surmâle, Roman moderne, I analyse the subtle ways in which the past and the future are intertwined and Jarry’s philosophy of sexual excess. In both novels, the main characters seek a paroxysmal erotic pleasure from which they die after reaching world records in sex-making. Read together, the novels work to create a lemniscate, the symbol of infinity symbolically (...) represented, in modernism, by the speeding bicycle. In both novels, sexual excess leads to a superhuman transformation of women and men into a rigid phallus, underlying which is the fantasy of bisexualism. (shrink)

This paper is a response to Jean-Michel Rabaté’s and Adrian Johnston's essays on my book Dying for Time. In responding, I further develop my notions of mortality and immortality, pleasure and pain, the flow of libido and the anticipation of loss. I also elaborate the stakes of my critique of Freud and Lacan, underlining why desire does not derive from a lack of timeless fullness. Rather, desire is both animated and agonized by temporal finitude.

Expectation is a major volume of Jean-Luc Nancy’s writings on literature, written across three decades but, for the most part, previously unavailable in English. More substantial than literary criticism, these essays collectively negotiate literature’s relation to philosophy. Nancy pursues such questions as literature’s claims to truth, the status of narrative, the relation of poetry and prose, and the unity of a book or of a text, and he addresses a number of major European writers, including Dante, Sterne, Rousseau, Hölderlin, (...) Proust, Joyce, and Blanchot. The final section offers a number of impressive pieces by Nancy that completely merge his concerns for philosophy and literature and philosophy-as-literature. These include a lengthy parody of Valéry’s “La Jeune Parque,” several original poems by Nancy, and a beautiful prose-poetic discourse on an installation by Italian artist Claudio Parmiggiani that incorporates the Faust theme. Opening with a substantial Introduction by Jean-Michel Rabaté that elaborates Nancy’s importance as a literary thinker, this book constitutes the most substantial statement to date by one of today’s leading philosophers on a discipline that has been central to his work across his career. (shrink)

Tous les textes publiés dans l'ouvrage parlent directement de l'œuvre de Jean-Michel Berthelot. La première partie, " Sociologie de Jean-Michel Berthelot ", rassemble les contributions restituant des traits de son œuvre à l'aide d'études de cas précis ou de panoramas plus larges, et balise des domaines de recherche dans lesquels il s'est illustré : sociologie de l'éducation, du corps, des sciences, épistémologie des sciences sociales. La deuxième partie rend compte des perspectives ouvertes par ses travaux et (...) de la manière dont des chercheurs ont mis en œuvre ses réflexions pour leurs propres recherches. Il s'agit donc de restituer la façon dont on peut faire de la sociologie " avec " Jean-Michel Berthelot - à l'aide de ses travaux et des jalons qu'ils posent. La troisième partie est biographique en restituant l'itinéraire académique, intellectuel et humain de Berthelot, que ce soit son parcours universitaire et social, notamment à l'ENS durant mai 68, ou encore sa période " toulousaine " où sa carrière universitaire a débuté et qui en constitue une partie essentielle. Dirigé par Jean-Christophe Marcel et Olivier Martin, cet ouvrage rassemble les contributions de collaborateurs, d'anciens étudiants ou de proches collègues de Jean-Michel Berthelot. (shrink)

Delivered at the Collège de France between January and March 1980, the lectures entitled On the Government of the Living (Du gouvernement des vivants) seem to be the missing piece in the Foucauldian puzzle. Still unpublished, those eleven lectures were intended to set the theoretical foundation for the book announced as the fourth and last volume of the History of Sexuality, under the title Confessions of the Flesh (Les aveux de la chair). This book, however, was never published, despite the (...) fact that his editor described it as the keystone for the entire History of Sexuality.1 The value of Michel…. (shrink)

La pensée du cinéma ne rencontre d'ordinaire Jean-François Lyotard, dans ses textes sur le cinéma ou non, que par le biais de deux activateurs : l'acinéma et le figurai. Ces deux activateurs, au demeurant, sont fortement représentatifs de la position paradoxale de Lyotard pour les études cinématographiques : si l'acinéma a été le plus souvent critiqué pour sa radicalité voire son sectarisme, n'ayant de fait guère de postérité, il en va tout autrement du figurai, lequel a trouvé dans les (...) films un terrain fertile d'investigation. Tout autant représentative est la méconnaissance en théorie du cinéma de nombreux autres textes de Lyotard portant sur le cinéma ou sur des films, et dont on ne parle jamais, ainsi que de sa philosophie postérieure à sa période libidinale, qui ne semble pas avoir encore trouvé d'échos particuliers en régime filmique. Le présent ouvrage fait précisément le pari de ces deux directions. A partir d'un autre Lyotard, ou du même mais envisagé très différemment, se dessinera progressivement une possibilité de penser le cinéma qui ne devra plus rien au figurai, à l'abstrait ou à l'expérimental, dont Lyotard le premier a fini par revenir, mais qui, singulièrement, ouvrira à une originale théorie du cinéma figuratif. " Méfiance envers les figuratifs quand ils ont de l'âme ", peut-on lire dans Que peindre?... (shrink)

Michel Henry démontre, par le biais d'une phénoménologie radicale, que cette vie est un sentiment, ou, mieux, un "pathos" qui ne relève en aucune façon du monde. A partir de là s'ouvrent de toutes nouvelles perspectives sur la destinée humaine et...

Jean-Michel Vienne; IX*—Locke on Real Essence and Internal Constitution1, Proceedings of the Aristotelian Society, Volume 93, Issue 1, 1 June 1993, Pages 139–15.

We seem to be abandoning the codes that told previous generations who they should love. But now that many of us are free to choose whoever we want, nothing is less certain. The proliferation of divorces and separations reveal a dynamic we would rather not see: others sometimes reject us as passionately as we are attracted to them. Our desire makes us sick. The throes of rivalry are at the heart of our attraction to one another. This is the central (...) thesis of Jean-Michel Oughourlian's _The Genesis of Desire_, where the war of the sexes is finally given a scientific explanation. The discovery of mirror neurons corroborates his ideas, clarifying the phenomena of empathy and the mechanisms of violent reciprocity. How can a couple be saved when they have declared war on one another? By helping them realize that desire originates not in the self but in the other. There are strategies that can help, which Dr. Oughourlian has prescribed successfully to his patients. This work, alternating between case studies and more theoretical statements, convincingly defends the possibility that breakups need not be permanent. (shrink)

Jean-Michel Roessli | : Cette brève contribution a pour but de revenir sur une question soulevée par Miguel Herrero de Jáuregui, à propos de la façon dont les historiens de l’Antiquité tardive envisagent les contacts ou échanges entre Juifs, chrétiens et païens et, plus particulièrement, les phénomènes d’acculturation ou d’appropriation culturelle. Cette question est abordée à la lumière de la figure d’Orphée, dont Miguel Herrero se sert pour illustrer sa thèse dans le domaine de l’iconographie religieuse, alors qu’il (...) recourt à d’autres thèmes ou motifs pour vérifier son hypothèse dans la sphère des rites et de la poésie. La question soulevée est de savoir si l’opinio communis selon laquelle certains éléments de la culture païenne ont été « assimilés » à et par la culture chrétienne est une représentation biaisée qui se fonde sur une construction apologétique plus ou moins inconsciente ou s’il s’agit d’une réalité culturelle historiquement attestée. | : This short paper aims to respond to a question raised by Miguel Herrero de Jáuregui with respect to the way historians of Late Antiquity see contacts or exchanges between Jews, Christians and Pagans and, more specifically, the phenomenon of acculturation or cultural appropriation. This question is addressed in the light of the mythological figure of Orpheus, which Miguel Herrero uses to illustrate his thesis in the field of religious iconography, while referring to other themes or motifs to verify his hypothesis in the area of rites and poetry. The issue raised is to know whether the opinio communis according to which elements of the pagan culture were “assimilated” to and by the Christian culture is a biased representation based on a more or less unconscious apologetic construction or if it relies on a historically attested reality. (shrink)

Jean-Michel Vienne; IX*—Locke on Real Essence and Internal Constitution1, Proceedings of the Aristotelian Society, Volume 93, Issue 1, 1 June 1993, Pages 139–15.

C’est, beaucoup plus que l’essai annoncé, une remarquable synthèse sur la philosophie des mathématiques que nous procure Jean-Michel Salanskis (J-M. S), synthèse qu’il faut placer dans la continuité de ses autres ouvrages, L’herméneutique formelle, Paris, Éditions du CNRS, 1991, Le constructivisme non standard, Lille, Presses universitaires du Septentrion, 1999, Sens et philosophie du sens, Paris, Desclée de Brouwer, 2001, Herméneutique et cognition, Lille, Presses universitaires du Septentri..

Michèle Stanton-Jean | : Le bien commun est un concept fréquemment utilisé pour aborder la question du vivre ensemble. Rarement défini, on l’utilise pour le critiquer comme le fruit d’une vision occidentale et chrétienne non applicable sur le plan universel ou encore pour en proposer une vision moderne affranchie de sa rigidité traditionnelle. Le texte qui suit se base sur une thèse qui a examiné les principes et les valeurs qui pourraient fonder une vision renouvelée du bien commun, susceptible (...) d’être utilisée dans tous les contextes culturels et historiques, en prenant comme exemple l’élaboration de la Déclaration universelle sur la bioéthique et les droits de l’homme adoptée à la conférence générale de l’UNESCO en 2005. | : Common good is frequently mentioned to discuss how we can live together. Rarely defined, it is often described as a concept based on a Western and Christian vision that cannot be applied universally, or as a concept that could be revisited to develop a modern and non-rigid vision of it. The following text is based on a PhD thesis that studied what principles and values could contribute to the development of a renewed vision of common good that could be used in every cultural and historical context, taking as an example the elaboration of the Universal Declaration on Bioethics and Human Rights adopted at the General Conference of UNESCO in 2005. (shrink)