Her felsefi kongre zorunlu olarak politik bir öneme sahiptir. Bu, yalnızca felsefenin özünü her zaman politik olanın özüne bağlayan bir şey yüzünden değildir. Temel ve genel olarak, bu politik ima ona [felsefe ve politika arasındaki a priori ilişkiye] ağırlık katıyor, onu daha ciddi kılıyor ve özellikle felsefi kongre aynı zamanda uluslararası bir kongre olduğunda onun ayırıcı özelliğini de belirliyor. Uluslararası bir felsefe konferansı olasılığı sınırsız bir biçimde, farklı çizgilerle birlikte ve genelliğin birçok düzeyinde araştırılabilir. En genel anlamında böyle bir olasılık, (...) felsefenin özüne aykırı olarak, ulusal felsefelerin oluşturulduğu anlamına gelir. Belirli bir anda, belirli tarihsel, politik ve ekonomik bağlamda, bu ulusal gruplar, uluslararası toplantılar düzenlemeyi, ulusal kimlikleriyle temsil edilmeyi ve burada kendi farklılıklarını belirlemeyi ya da ilişkilendirmeyi zorunlu görmüştür. Bu tür bir farklılıklar toplantısı, bir dereceye kadar sadece öğretisel bağlam veya belli bir felsefi “üslup” tarafından tanımlanan ulusal felsefi kimliklerin öngörülmüş olduğu durumlarda gerçekleşebilir. Ancak, farklılıkların ilişkilendirilmesi de ortak bir unsuru öngörür: bir toplantı ancak tüm katılımcıların paylaştığı, bu durumda felsefi söylemin evrenselliği denilen ortak bir imge ile gerçekleşebilir. Bu kelimelerle, özüyle belirli bir dil grubu ve “kültürler” ile özdeşleştirilen bir projeden daha az bir olgu belirledim. Zira açıktır ki, bu unsurun şeffaflığının başına bir şey gelmiştir. (shrink)

Breves consideraciones acerca del concepto de escritura en la propuesta post-estructuralista de Jaques Derrida: Aportes sobre algunos problemas del lenguaje.

A pesquisa vem demonstrar como é possível, a partir do pensamento de Jaques Derrida, estabelecer uma filosofia da Religião. Embora a investigação seja feita de maneira análoga e indireta, justamente porque o fenômeno da religiosidade não foi o principal objeto de sua observação, é plausível, mesmo assim, que suas teorias tais como: desconstrução, differense e o logocentrismo sirvam, e muito, como instrumento filosófico para pensar a complexidade que compõe as fronteiras da religião. É sobre algumas dessas diversas fronteiras (...) que fala esse artigo. (shrink)

The essays collected here provide English-speaking readers with a lucid and accessible introduction to the world of France's leading contemporary philosopher. A classic student textbook.

According to contextualists, communication has to do with pragmatically adjusted content, not with conventional meaning. This pragmatic content is sometimes identified with speaker meaning or with the thought the speaker intends to express. I will argue that given the sociolinguistic role of utterance content—the fact it provides reasons for action, liabilities and entitlements—locutionary content should not be modelled as a variety of speaker meaning.

The 'More-than-Human' reader brings together texts by writers across a wide array of disciplines that reflect on the state of post-anthropocentric thinking today. Focusing on the ecologies and technologies of climate injustice and inequalities, as well as the destructive structures lurking within anthropocentrism, More-than-Human proposes complex entanglements, frictions, and reparative attention across species and beings. Thinking past the centrality of the human subject, the texts that compose this reader begin to imagine networks of ethics and responsibility emerging not from the (...) ideologies of old, but from the messy and complex liveliness around us, and underfoot. (shrink)

The animal that therefore I am (more to follow) -- But as for me, who am I (following)? -- And say the animal responded -- I don't know why we are doing this.

According to some views, natural language suffers from underdeterminacy, but thought doesn’t. According to the underdeterminacy claim, sentence types underdetermine the truth-conditions of sentence tokens. In particular, the semantics of a predicate type seems to underdetermine the satisfaction conditions of its tokens. By contrast, mental representation-types are supposed to determine the truth-conditions of its tokens. In this paper I critically examine these mixed views. First, I argue that the arguments supporting the indispensability of including in one’s theory mental representations that (...) are free of the underdeterminacy exhibited by natural language are not sound. As a result, the possibility that mental representation-types are as underdetermined as natural language sentence-types has not been ruled out. Second, I argue that Carston’s ad hoc concept-types are as underdetermined as word-types. I finish by arguing that mental representations are also underdetermined in a second sense—mental representation-tokens only determine a partial function from possible worlds to truth-values. (shrink)

This volume brings together four of Jacques Derrida's essays on Maurice Blanchot's fictions: "Pace Not(s)," "Living on," "Title To Be Specified," and "The Law of Genre.".

An exploration of the political dimensions of forgiveness and repentance from Jacques Derrida. Perjury and Pardon is a two-year seminar series given by Jacques Derrida at the École des hautes études en sciences sociales in Paris during the late 1990s. In these sessions, Derrida focuses on the philosophical, ethical, juridical, and political stakes of the concept of responsibility. His primary goal is to develop what he calls a “problematic of lying” by studying diverse forms of betrayal: infidelity, (...) denial, false testimony, perjury, unkept promises, desecration, sacrilege, and blasphemy. This volume covers the seminar’s second year when Derrida explores the political dimensions of forgiveness and repentance. Over eight sessions, he discusses Hegel, Augustine, Levinas, Arendt, and Benjamin as well as Bill Clinton’s impeachment and Nelson Mandela and Desmond Tutu’s testimonies before the Truth and Reconciliation Commission. The seminars conclude with an extended reading of Henri Thomas’s 1964 novel Le Parjure. (shrink)

This chapter contains section titled: Suggested Reading.

At once photographic analysis, philosophical essay, and autobiographical narrative, Athens, Still Remains presents an original theory of photography and throws a fascinating light on Derrida's life and work.The book begins with a sort of ...

According to contextualists, communication has to do with pragmatically adjusted content, not with conventional meaning. This pragmatic content is sometimes identified with speaker meaning or with the thought the speaker intends to express. I will argue that given the sociolinguistic role of utterance content—the fact it provides reasons for action, liabilities and entitlements—locutionary content should not be modelled as a variety of speaker meaning.

In 1996 Jacques Derrida gave a lecture at the Museum of Modern Art in New York on the occasion of Antonin Artaud: Works on Paper, one of the first major international exhibitions to present the avant-garde dramatist and poet's paintings and drawings. Derrida's original title, "Artaud the Moma," is a characteristic play on words. It alludes to Artaud's calling himself Mômo, Marseilles slang for "fool," upon his return to Paris in 1946 after nine years in various asylums, while (...) playing off of the museum's nickname, MoMA. But the title was not deemed "presentable or decent," in Derrida's words, by the very institution that chose to exhibit Artaud's work. Instead, the lecture was advertised as "Jacques Derrida... will present a lecture about Artaud's drawings." For Derrida, what was at stake was what it meant for the museum to exhibit Artaud's drawings and for him to lecture on Artaud in that institutional context. Thinking over the performative force of Artaud's work and the relation between writing and drawing, Derrida addresses the multiplicity of Artaud's identities to confront the modernist museum's valorizing of originality. He channels Artaud's specter, speech, and struggle against representation to attempt to hold the museum accountable for trying to confine Artaud within its categories. Artaud the Moma, as lecture and text, reveals the challenge that Artaud posed to Derrida—and to art and its institutional history. A powerful interjection into the museum halls, this work is a crucial moment in Derrida's thought and an insightful, unsparing reading of a challenging writer and artist. (shrink)

La vie la mort est l'un des séminaires les plus féconds de Jacques Derrida. En jeu : penser la vie et la mort en vertu d'une logique qui ne poserait pas la mort comme l'opposé de la vie. La pureté de la vie n'est-elle pas, par essence, contaminée par la possibilité même de la mort, puisque seul un vivant peut mourir? interroge d'emblée le philosophe. En renversant la perspective classique, Derrida entreprend d'enseigner à ses étudiants que c'est la (...) mort, au contraire, qui rend la vie possible. En quatorze séances érudites et palpitantes délivrées au cours de l'année 1975-1976, Derrida déconstruit l'opposition traditionnelle entre la vie et la mort à travers des lectures multiples et délibérément pluridisciplinaires, élaborant sa pensée aussi bien au contact de la philosophie (Hegel, Nietzsche, Heidegger) et de l'épistémologie des sciences (Georges Canguilhem) que dans la confrontation à la génétique contemporaine (François Jacob) et à la psychanalyse (catégories freudiennes de pulsions de vie et de mort)."--Page 4 of cover. (shrink)

Jaques provides a general theory that gives a dynamic scientific foundation for the understanding of all living behavior.

This text is a result of two long conversations between Ferran Adrià and Jèssica Jaques at elBulliLab, the creativity laboratory directed by the Catalan cook, in January, 2016. It has been translated from Catalan by Tiam Goudarzi under the supervision of the author.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in (...) the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. (shrink)

This article furnishes a systematisation of the Mediaval aesthetic vocabulary. This task is developed by means of the adoption of a dynamic of intersection among the various Aristotelic species qualitatis, which are taken as the basic structural elements of the requested system. Two versions of beauty are established, which will expand into two kinds of aesthetics, one leaded by pulchritudo, with intellectualistic implications and the other leaded by formositas, which will turn into an autonomus aesthetics; both of them have let (...) a strong legacy to contemporaneus aesthetics. (shrink)

The paper brings existential temporality, as developed in the work of phenomenologists Merleau-Ponty, Heidegger, and Husserl, into dialogue with historical materialism. What results is the development of a theoretical background for what the author terms futural materialism, which is taken to be a complimentary logical extension of historical materialist projects. To this end, it is suggested that the past and the future are best understood as materially existing in the present in an immanent way, mediated by conscious beings in the (...) form of memory, projection, residual effect, and affect. Put differently, the present's presence in the past and future play a determining roll in those temporal dimensions, which subsequently fold back into the configuration of the present. Following Nietzsche and drawing influence from Guattari and Deleuze, it is argued that past and future are relatively fluid tools to be purposively deployed in the present for particular purposes rather than being transcendent facts which subjectivity must merely contend with. It is further asserted that as part of a broader non-reductive material monist project of social transformation, both futural and historical materialism are necessary considerations. (shrink)

Proceedings of the 1982 Colloquium in Cerisy-la-Salle, France.

Jacques Derrida a tenu ce séminaire sur le rapport entre théorie et pratique à l'École normale supérieure où il enseignait dans les années 1970. L'intérêt philosophique et historique des neuf séances du séminaire réside dans la discussion serrée de Marx, et notamment de la fameuse onzième "Thèse sur Feuerbach", ainsi que dans l'analyse des écrits d'Althusser. Jusqu'à présent, on a pu croire que, à l'exception de quelques allusions, Derrida n'avait commencé à traiter de Marx de façon systématique et (...) approfondie qu'au début des années 1990, quand il publia Spectres de Marc. Or, ce séminaire, qui date de 1975-1976, montre qu'il n'en est rien. "Faut le faire" : Derrida se sert de cette phrase idiomatique comme fil conducteur de son séminaire. Il exploite toutes les ressources qu'elle lui offre pour parler du rapport entre théorie et pratique. Ainsi, il distingue entre deux "accentuations" différentes de l'idiome : d'une part, "faut le faire" signale la nécessité de la pratique, le passage du contempler et du dire à l'agir et au fade, mais d'autre part, "faut le faire" peut aussi renvoyer à une détermination pratico-révolutionnaire plutôt qu'à une détermination théorique de la praxis, comme si, afin d'être révolutionnaire, la praxis devait déjouer l'opposition entre théorie et pratique, et se déterminer à partir d'elle-même."--Page 4 of cover. (shrink)