This article responds to philosophers and literary critics who espouse concepts about an endemic postsecularity in western nations that encroach across the globe. Postsecularity accounts for the resurgence of a religious consciousness in the face of challenges to secularity in the forms of accommodating minority religions; the yearning for spiritual expression as an antidote to capitalist materialism; and posthuman concerns about the engineering of biological human identities, artificial intelligence, and anthropogenic climate crises. Poetry, with its non-verbal cues, can both animate (...) and also reach beyond the purely rational discourses of philosophy. Accordingly, poems by T.S. Eliot, Stevie Smith, and Carol Ann Duffy span a century of thought and literary evocations of the interstices and crossovers of theocentric belief and unbelief. They illuminate the postsecular elements of partial faith, spiritual plurality, and resacralization. These elements disrupt binary polarizations of atheism and faith. (shrink)

This article examines the contribution that poetry written over the last fifty years might make to the established and burgeoning field of Medical Humanities. It takes poems by women about cancer and depression as a case study of how they can offer insight into the impact of these conditions on the sufferer. Collectively, the poems document and effect shifts in knowledge about, and the associated stigmas concerning, illnesses that carry secrecy and shame, specifically cancer and depression. Additionally, drawing on Virginia (...) Woolf’s remarkable essay “On Being Ill”, we see how the non-verbal features of poems, particularly metaphors and symbols, mark the space of what a patient cannot fully articulate. Accordingly, the poems discussed illuminate how literature can express human interiority but at the same time remind the reader – or health professional – that interiority can never be fully presented. Thus, poetry both contributes to and also checks the ways in which literature is appropriated by the biomedical sciences. The poets included are Eavan Boland, Julia Darling, U.A. Fanthorpe, Jackie Kay, Gwyneth Lewis, Carol Satyamurti and Jo Shapcott. Some poems specify a female subjectivity, some express agency as autonomous individuals, while others presume to speak of common human experience. (shrink)

If, as history indicates, the directions of poetry are determined by its inheritance — that is, its perception of its past — in looking at literary records such as poems, reviews and other critical texts, it is possible to anticipate how twentieth-century women's poetry will come to be defined and the extent to which it will have value and authority. This in its turn will formulate the nature and status of women's poetry in the twenty-first century. In surveying twentieth-century poetry (...) in Britain, the signs are that just as the label ‘poetess’ was a handicap to the self-perception of a woman at the beginning of this century, so the label ‘woman poet’ will shackle her in the next, largely because her end-of-the-twentieth-century predecessors will have become mythologized as a literary underclass, undermined and overlooked. One reason for the pattern of the last three hundred years, where women publish and then slip from literary histories, is that they do not receive proper attention from male-dominated literary criticism. Although women now seem to be sufficiently published to make segregation unnecessary, there is still a case for positive discrimination or their names will disappear from the records. Positive discrimination in the form of gendered segregation is, however, opposed by poets because of their uneasy relationship with one another. Women poets need an alternative line of development to the ‘masculinity complex’ whereby they unsuccessfully seek recognition within the male traditions, or the ‘female affiliation complex’ which prevents them from identifying themselves with one another. It will be argued that there is an emerging tendency in recent poets to plunder and appropriate the associations of the male tradition and that feminist critics need to theorize this aesthetic and make connections between poets so that they become positive role models for poets of the future. (shrink)

This article responds to philosophers and literary critics who espouse concepts about an endemic postsecularity in western nations that encroach across the globe. Postsecularity accounts for the resurgence of a religious consciousness in the face of challenges to secularity in the forms of accommodating minority religions; the yearning for spiritual expression as an antidote to capitalist materialism; and posthuman concerns about the engineering of biological human identities, artificial intelligence, and anthropogenic climate crises. Poetry, with its non-verbal cues, can both animate (...) and also reach beyond the purely rational discourses of philosophy. Accordingly, poems by T.S. Eliot, Stevie Smith, and Carol Ann Duffy span a century of thought and literary evocations of the interstices and crossovers of theocentric belief and unbelief. They illuminate the postsecular elements of partial faith, spiritual plurality, and resacralization. These elements disrupt binary polarizations of atheism and faith. (shrink)