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Jana McAuliffe
University of Arkansas, Little Rock
  1.  3
    Ethical Openness in the Work of Gayatri Chakravorty Spivak.Jana McAuliffe - 2020 - Feminist Philosophy Quarterly 6 (2).
    This paper explores the problem of racial privilege in US American feminist thought. Drawing on Gayatri Spivak’s analysis of ethics, particularly her ideas of epistemic discontinuity and teleopoietic reading, I argue that a specific kind of ethical openness can help feminist social-political philosophy better negotiate the legacy of white privilege. Spivak’s work calls for a reconsideration and reworking of the subject who theorizes. Her analysis of ethics suggests that racially privileged feminists must be able to confront their own complicity in (...)
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    Continental Feminism.Dilek Huseyinzadegan, Jana McAuliffe, Marie Draz, Tamsin Kimoto, Erika Brown, Jameliah Shorter Bourhanou & Ege Selin Islekel - 2020 - The Stanford Encyclopedia of Philosophy.
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  3. Sarah Tyson, Where Are the Women? Why Expanding the Archive Makes Philosophy Better. [REVIEW]Jana McAuliffe - 2021 - philoSOPHIA: A Journal of Continental Feminism 11 (1-2):244-249.
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  4. Where Are the Women? Why Expanding the Archive Makes Philosophy Better by Sarah Tyson.Jana McAuliffe - 2021 - Philosophia 11 (1-2):244-249.
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    She’s Making Profit Now: Neoliberalism, Ethics, and Feminist Critique.Jana McAuliffe - 2020 - philoSOPHIA: A Journal of Continental Feminism 10 (1):24-46.
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    She’s Making Profit Now.Jana McAuliffe - 2020 - philoSOPHIA: A Journal of Continental Feminism 10 (1):24-46.
    This paper engages television comedy to critique the ethical values that are amenable to neoliberal capitalism. First, I explore the co-optation and containment of feminism as a collective social change movement by postfeminist and neoliberal cultures. I show how self-reliance and resilience become legible as classed, raced, and gendered values packaged for feminine, neoliberal women. Next, I address the specific challenges that neoliberal biopower poses for ethical values as they have been traditionally understood. I then argue that comedy is a (...)
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