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Jan Koenderink [7]Jan J. Koenderink [6]
  1.  20
    Measures of Prägnanz?Baingio Pinna, Andrea van Doorn & Jan Koenderink - 2018 - Gestalt Theory 40 (1):7-28.
    Summary Prägnanz was suggested by Max Wertheimer in the 1920s as subsuming all “Laws of Gestalt” as they apply to visual awareness. Thus, it assumes a prominent position in any account of Gestalt phenomena. From a phenomenological perspective, some visual stimuli evidently “have more Prägnanz” than others, so Prägnanz seems to be an intensive quality. Here, we investigate the intricacies that need to be faced on the way to a definition of formal scales. Such measures naturally depend both upon the (...)
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  2.  33
    The Space of Colour and the Colour of Space.Andrea van Doorn & Jan Koenderink - 2022 - Gestalt Theory 44 (1-2):27-40.
    Summary In the visual arts, the constructions of the spatial and chromatic structures of pictures can hardly be separated from each other. The phenomenological approach from the perspective of the arts provides an independent and worthwhile approach to the topic of colour and space. We address some matters of composition in design and, to some extent, in naturalistic painting. The phenomenological approach from the perspective of the arts reveals various topics that invite further investigation by the means of generic vision (...)
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  3. Visual discrimination of spectral distributions.Susan F. te Pas & Jan J. Koenderink - 2004 - In Robert Schwartz (ed.), Perception. Malden Ma: Blackwell. pp. 1483-1497.
  4.  30
    The Phenomenology of the Invisible: From Visual Syntax to “Shape from Shapes”.Baingio Pinna, Jan Koenderink & Andrea van Doorn - 2015 - Philosophia Scientiae 19:127-151.
    Nous abordons ici l’étude de la phénoménologie des objets visuels à partir de comptes rendus verbaux, de réponses à des questions ou de descriptions spontanées, ainsi que d’associations libres. Nous demandons même parfois aux sujets de réaliser de simples croquis. Cet éventail de méthodes permet de sonder la structure profonde de la conscience visuelle. Celle-ci est avant tout révélée par ce qui n’est pas spontanément mentionné par des qualités accidentelles ou encore par des changements induits lors de variations ou ajouts (...)
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  5. Light direction from shad (ow) ed random Gaussian surfaces.Jan J. Koenderink, Andrea J. van Doorn & Sylvia C. Pont - 2004 - In Robert Schwartz (ed.), Perception. Malden Ma: Blackwell. pp. 1405-1420.
     
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  6.  9
    A Generative View of Rationality and Growing Awareness†.Teppo Felin & Jan Koenderink - 2022 - Frontiers in Psychology 13.
    In this paper we contrast bounded and ecological rationality with a proposed alternative, generative rationality. Ecological approaches to rationality build on the idea of humans as “intuitive statisticians” while we argue for a more generative conception of humans as “probing organisms.” We first highlight how ecological rationality’s focus on cues and statistics is problematic for two reasons: the problem of cue salience, and the problem of cue uncertainty. We highlight these problems by revisiting the statistical and cue-based logic that underlies (...)
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  7. Haptic unilateral and bilateral discrimination of curved surfaces.Astrid Ml Kappers & Jan J. Koenderink - 1996 - In Enrique Villanueva (ed.), Perception. Ridgeview. pp. 739-749.
     
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  8. Ecological optics and the creative eye.Jan J. Koenderink, Andrea J. Van Doorn, Larry Arend & Heiko Hecht - 2002 - In Dieter Heyer & Rainer Mausfeld (eds.), Perception and the Physical World. Wiley.
     
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  9.  12
    Parcellation: A reflection of the structure of the animal's world.Jan J. Koenderink - 1984 - Behavioral and Brain Sciences 7 (3):343-344.
  10.  23
    Picasso in the mind’s eye of the beholder: Three-dimensional filling-in of ambiguous line drawings.Jan Koenderink, Andrea van Doorn & Johan Wagemans - 2012 - Cognition 125 (3):394-412.
  11.  68
    “Towards a New Theory of Vision” Revisited.Jan Koenderink - 2016 - Topoi 35 (2):571-581.
    I consider the geometrical structure of the apparent visual field. Although the optics of vision is well understood, the nature of visual awareness remains largely in the dark. A famous attempt at a formal description of the apparent visual field was by Helmholtz, in the late nineteenth century. It purportedly explains the phenomenon of the subjective curvatures often reported when viewing objectively straight lines of great extent. I consider the general problem, and suggest an alternative formal account. On phenomenological grounds (...)
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  12.  10
    Plerosis and Atomic Gestalts.Baingio Pinna, Andrea van Doorn & Jan Koenderink - 2017 - Gestalt Theory 39 (1):30-53.
    Summary Franz Brentano, 1838–1917, introduced the intriguing concept of “plerosis” in order to account for aspects of the continuum that were “explained” by formal mathematics in ways that he considered absurd from the perspective of intuition, especially visual awareness and imagery. In doing this, he pointed in directions later developed by the Dutch mathematician Luitzen Brouwer. Brentano’s notion of plerosis involves distinct though coincident points, which one might call “atomic entities with parts”. This notion fits the modern concepts of “receptive (...)
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  13. Haptic aftereffect of curved surfaces.Ingrid Maria Laurentia Cornelia Vogels, Astrid Ml Kappers & Jan J. Koenderink - 1996 - In Enrique Villanueva (ed.), Perception. Ridgeview. pp. 109-119.
     
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