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  1.  18
    Hannah Arendt—Complete Works, Critical Edition in Digital and Print: An Interview with Barbara Hahn, James McFarland, and Thomas Wild.Barbara Hahn, James McFarland & Thomas Wild - 2019 - Arendt Studies 3:9-14.
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  2.  2
    Constellation:Friedrich Nietzsche and Walter Benjamin in the Now-Time of History: Friedrich Nietzsche and Walter Benjamin in the Now-Time of History.James McFarland - 2012 - Fordham University Press.
    Elaborates the relationship between the philosopher Friedrich Nietzsche (1844-1900) and the cultural critic Walter Benjamin (1892-1940) through close readings of their respective texts as an example of the precariousness of cultural transmission in the present.
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  3.  1
    The End of Art: Readings in a Rumor After Hegel.James McFarland (ed.) - 2006 - Stanford University Press.
    Since Hegel, the idea of an end of art has become a staple of aesthetic theory. This book analyzes its role and its rhetoric in Hegel, Nietzsche, Benjamin, Adorno, and Heidegger in order to account for the topic's enduring persistence. In addition to providing a general overview of the main thinkers of post-Idealist German aesthetics, the book explores the relationship between tradition and modernity. For despite the differences that distinguish one philosopher's end of art from another's, all authors treated here (...)
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  4.  14
    Embodied Reading: On Peter Szondi's Benjamin Reception.James McFarland - 2007 - Telos: Critical Theory of the Contemporary 2007 (140):65-76.
  5.  9
    Thomas Mann and Friedrich Nietzsche: Eroticism, Death, Music, and Laughter. [REVIEW]James Mcfarland - 2004 - International Studies in Philosophy 36 (1):248-249.
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