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James R. Hamilton [26]James Hamilton [8]James P. Hamilton [3]James T. Hamilton [3]
James J. Hamilton [3]James Jay Hamilton [2]James E. Hamilton [2]James W. Hamilton [2]

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James Hamilton
Kansas State University
James Hamilton
University of Aberdeen
Jim or James or JR Hamilton
Kansas State University
  1.  59
    The Art of Theater.James R. Hamilton - 2007 - Wiley-Blackwell.
    _The Art of Theater_ argues for the recognition of theatrical performance as an art form independent of dramatic writing. Identifies the elements that make a performance a work of art Looks at the competing views of the text-performance relationships An important and original contribution to the aesthetics and philosophy of theater.
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  2.  28
    Hobbes on Felicity.James J. Hamilton - 2016 - Hobbes Studies 29 (2):129-147.
    _ Source: _Volume 29, Issue 2, pp 129 - 147 Thomas Hobbes’s concept of felicity is a re-imagining of the Hellenistic concept of _eudaimonia_, which is based on the doctrine that people by nature are happy with little. His concept is based instead on an alternative view, that people by nature are never satisfied and it directly challenges the Aristotelian and Hellenistic concepts of _eudaimonia_. I also will suggest that Hobbes developed it from ideas he found in Aristotle’s _Rhetoric_ as (...)
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  3.  57
    Hobbes's Study and the Hardwick Library.James Jay Hamilton - 1978 - Journal of the History of Philosophy 16 (4):445-453.
  4.  5
    Role Playing and Identity: The Limits of Theatre as Metaphor.James Hamilton - 1982 - Journal of Aesthetics and Art Criticism 42 (3):337-339.
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  5.  58
    Pyrrhonism in the Political Philosophy of Thomas Hobbes.James J. Hamilton - 2012 - British Journal for the History of Philosophy 20 (2):217-247.
    The importance of Pyrrhonism to Hobbes's political philosophy is much greater than has been recognized. He seems to have used Pyrrhonist arguments to support a doctrine of moral relativity, but he was not a sceptic in the Pyrrhonist sense. These arguments helped him to develop his teaching that there is no absolute good or evil; to minimise the purchase of natural law in the state of nature and its restrictions on the right of nature; virtually to collapse natural law into (...)
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  6. East-West Borrowings Via the Silk Road of Textile Terms.James Hamilton - 1995 - Diogenes 43 (171):25-33.
  7.  94
    The Origins of Hobbes’s State of Nature.James J. Hamilton - 2013 - Hobbes Studies 26 (2):152-170.
  8.  56
    Musical Noise.James R. Hamilton - 1999 - British Journal of Aesthetics 39 (4):350-363.
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  9.  55
    Pretense and Display Theories of Theatrical Performance.James R. Hamilton - 2009 - Organon F: Medzinárodný Časopis Pre Analytickú Filozofiu (4):632-654.
    A survey of and a comparison of the relative strengths of two favored views of what theatrical performers do: pretend or engage in a variety of self-display. The behavioral version of the pretense theory is shown to be relatively weak as an instrument for understanding the variety of performance styles available in world theater. Whether pretense works as a theory of the mental capacities that underly theatrical performance is a separate question.
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  10.  49
    The Text-Performance Relation in Theater.James Hamilton - 2009 - Philosophy Compass 4 (4):614-629.
    This essay is a survey of positions on the relation between texts and performances in theater. It proposes a simple framework within which to compare and evaluate these positions. The framework also allows us to see a pattern of thinking that reflects the historical fact of the importance of the literary tradition in theater. The essay points out certain challenges facing the positions surveyed and concludes with a brief sketch of the most recent views that have been put on offer. (...)
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  11.  29
    Hobbes the Royalist, Hobbes the Republican.James Hamilton - 2009 - History of Political Thought 30 (3):411-454.
    A number of recent revisionist developments raise new questions about Hobbes's political sympathies and their effect on his political thought. This essay assesses these developments and attempts to place the discussion on a new footing by arguing that Hobbes was a radical royalist in all three of his major works of political philosophy, but that there also was a republican undercurrent of a limited sort in his early works. Influenced perhaps by Richelieu's absolutist vision as well as French juridical and (...)
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  12. The Incorrigibility of First Person Disavowals.John Exdell & James Hamilton - 1975 - Personalist 56 (4):389-394.
  13. A Review of Community College STS Curricula: Motivators and Constraints. [REVIEW]James P. Hamilton & Corrinne A. Caldwell - 1987 - Bulletin of Science, Technology and Society 7 (5-6):900-907.
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  14. A Review of Community College Sts Curricula: Motivators and Constraints. [REVIEW]James P. Hamilton & Corrinne A. Caldwell - 1987 - Bulletin of Science, Technology and Society 7 (3-4):900-907.
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  15. Drama.James R. Hamilton - 2009 - In Higgins Davies (ed.), Blackwell Companion to Aesthetics.
    Hamilton explains why "drama" is a category of literature rather than of theater, even though it is appropriate to describe many theatrical performances as "dramatic." Consideration of the possibilities of theatrical performance are especially important to this category of literature, but need not be (and often are not) decisive in constraining interpretations of dramatic works.
     
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  16. Environmental/Scientific Knowledge and Locus of Control.James P. Hamilton - 1993 - Bulletin of Science, Technology and Society 13 (3):135-138.
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  17. Handke's Kaspar, Wittgenstein's Tractatus, and the Successful Representation of Alienation.James R. Hamilton - 1995 - Journal of Dramatic Theory and Criticism 9 (2):3-26.
    An investigation of Handke's play by means of an analysis of the elements of the Tractatus, known to have influenced Handke at the time he wrote Kaspar. This approach yields a much more plausible account of Handke's representation of his central character's alienation than are available from now-standard semiotic and post-structuralist analyses.
     
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  18. J. David Hoeveler, Jr., "James McCosh and the Scottish Intellectual Tradition". [REVIEW]James Hamilton - 1982 - Transactions of the Charles S. Peirce Society 18 (4):370.
     
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  19. Kerry S. Walters, "Elihu Palmer's" Principles of Nature. [REVIEW]James E. Hamilton - 1991 - Transactions of the Charles S. Peirce Society 27 (3):389.
     
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  20. Narrative, Fiction, Imagination.James R. Hamilton - 2010 - In Pokorny Kotatko (ed.), Fictionality-Possibility-Reality.
    Hamilton argues that narratives engage our imaginations not so much by having us pretend the events they depict are true or present as by having us engage in a kind of anticipation of events to come. The idea is that the grasp of a narratively structured presentation is explained in very much the same way any sequence of events, considered as a sequence, is grasped.
     
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  21.  1
    Readings for an Introduction to Philosophy.James R. Hamilton, Charles E. Reagan & Benjamin R. Tilghman - 1976 - Macmillan.
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  22.  1
    Rousseau's Theory of Literature the Poetics of Art and Nature.James F. Hamilton - 1979 - York, S.C. : French Literature Publications Company.
  23. Theatrical Space.James R. Hamilton - 2007 - Journal of Dramatic Theory and Criticism 31 (2):21-47.
    Hamilton shows how awareness of the uses of space -- in particular uses of space in which to stage an event of any kind -- enable spectators to pick out characters, props, and the like across performances within production runs, across production runs, and even across productions employing different scripts. The key ideas of object identification are taken both from the philosophical and the empirical literature and are treated as epistemic ideas rather than metaphysical conceptions.
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  24. Una Chaudhuri, Staging Place: The Geography of Modern Drama.James Hamilton - 1999 - Journal of Aesthetics and Art Criticism 57 (4):469-470.
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  25. Understanding Plays.James R. Hamilton - 2006 - In Saltz Krasner (ed.), Staging Philosophy.
    Hamilton argues that there is a level of understanding of theatrical performances, and narrative performances in particular (called "plays"), that does not require grasp of the large-scale aesthetic features that usually inform the structure of what is presented. This "basic understanding" is required for any spectator to go on to have a deeper understanding and, so, grounds any spectator's understanding of the larger-scale features of a performance.
     
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  26. Who Goes There?James Wallace Hamilton - 1958 - [Westwood, N.J.]Revell.
  27.  34
    Images of Man: A Philosophic and Scientific Inquiry.James T. Hamilton - 1976 - International Philosophical Quarterly 16 (1):128-129.
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  28.  13
    “Illusion” and The Distrust of Theater.James R. Hamilton - 1982 - Journal of Aesthetics and Art Criticism 41 (1):39-50.
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  29.  8
    The Routledge Companion to Performance Philosophy.James R. Hamilton - forthcoming - Journal of Aesthetics and Art Criticism.
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  30.  35
    Notes on the Experience of Tragedy.James R. Hamilton - 2014 - British Journal of Aesthetics 54 (2):255-265.
    Gregory Currie offers a statement of an interesting problem about tragedy: ‘(1) We want the fiction be such that something, E, occurs in it; [yet] (2) we react in ways which make it tempting to say we want E not to occur.’ He argues for one way to make (2) more precise with regard to what it is we are tempted to say. I argue he should not so readily have accepted (1). More significantly, however, I argue both that Currie (...)
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  31.  8
    Maoilearca Ó., Cull Laura and Lagaay Alice, Eds., The Routledge Companion to Performance Philosophy (Routledge, 2020), Xxv + 463 Pp., 36 B&W Illus., $236.64 Cloth. [REVIEW]James R. Hamilton - 2021 - Journal of Aesthetics and Art Criticism 79 (1):130-133.
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  32. Bertolt Brecht.James R. Hamilton - 1998 - In M. Kelly (ed.), Oxford Encyclopedia of Aesthetics. Oxford University Press.
    Describes the life and influence of B. Brecht. Offers useful explanations of several key concepts Brecht employed, and revised over his career, including: gestus, Verfremdung, and Verfremdungseffekt.
     
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  33.  28
    Acts: Theater, Philosophy, and the Performing Self.James R. Hamilton - 2015 - Philosophical Quarterly 65 (261):856-859.
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  34.  30
    Replies to Criticisms.James R. Hamilton - 2009 - Journal of Aesthetic Education 43 (3):pp. 80-106.
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  35.  25
    Edwards, Finney, and Mahan on the Derivation of Duties.James E. Hamilton & Edward H. Madden - 1975 - Journal of the History of Philosophy 13 (3):347-360.
  36.  22
    Theatrical Enactment.James R. Hamilton - 2000 - Journal of Aesthetics and Art Criticism 58 (1):23-35.
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  37.  8
    Kivy, Peter. Once‐Told Tales: An Essay in Literary Aesthetics. Chichester, UK: Wiley‐Blackwell, 2011, Viii + 202 Pp., $104.95 Cloth. [REVIEW]James R. Hamilton - 2013 - Journal of Aesthetics and Art Criticism 71 (2):211-212.
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  38.  22
    The Art of Theater —a Précis.James R. Hamilton - 2009 - Journal of Aesthetic Education 43 (3):pp. 4-14.
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  39. Theater.James R. Hamilton - 2001 - In Berys Nigel Gaut & Dominic Lopes (eds.), The Routledge Companion to Aesthetics. Routledge.
     
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  40.  11
    News That Sells: Media Competition and News Content.James T. Hamilton - 2007 - Japanese Journal of Political Science 8 (1):7-42.
    This paper explores the economic factors that influence news coverage and discusses the difficulties of determining the impact of news content on political outcomes. Evidence from the United States clearly shows how supply and demand concepts can be used to predict content in newspapers, television, and the Internet. To demonstrate how the concept of market-driven news extends beyond the US, I trace out hypotheses about how media content in many countries should vary depending on three factors in news markets: the (...)
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  41.  9
    Meeting Hedda Gabler.James R. Hamilton - 2012 - Revue Internationale de Philosophie 262 (4):493-517.
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  42.  8
    Martin Puchner , The Theater of Ideas: Platonic Provocations in Theater and Philosophy . Reviewed By.James R. Hamilton - 2012 - Philosophy in Review 32 (4):326-329.
  43.  6
    Images of Man: A Philosophic and Scientific Inquiry. [REVIEW]James T. Hamilton - 1976 - International Philosophical Quarterly 16 (1):128-129.
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  44.  11
    What If There Were a Religious "Form of Life"?James R. Hamilton - 1979 - Philosophical Investigations 2 (3):1-17.
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  45.  8
    The Senses in Performance Edited by Banes, Sally and André Lepecki.James R. Hamilton - 2009 - Journal of Aesthetics and Art Criticism 67 (2):258-261.
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  46.  2
    Eugene O'Neill and Addison's Disease.James W. Hamilton - 1987 - Perspectives in Biology and Medicine 30 (2):231-234.
    A detailed review of hospital records, physician's notes, diaries, letters, and autopsy reports offers sufficient clinical grounds to establish that Eugene O'Neill developed adrenal insufficiency, secondary to tuberculosis, in later life--a fact hitherto unknown--the condition not becoming manifest until after he had abdominal surgery in 1936.
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  47.  2
    Aesthetic and Artistic Verdicts.James R. Hamilton - 2019 - Croatian Journal of Philosophy 19 (2):217-232.
    In this article I propose a way of thinking about aesthetic and artistic verdicts that would keep them distinct from one another. The former are reflections of the kinds of things we prefer and take pleasure in; the latter are reflections of other judgments we make about the kinds of achievements that are made in works of art. In part to support this view of verdicts, I also propose a way of keeping distinct the description, the interpretation, and the evaluation (...)
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  48.  1
    Brian Vickers, Appropriating Shakespeare: Contemporary Critical Quarrels.James Hamilton - 1995 - Journal of Aesthetics and Art Criticism 53 (3):331-332.
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  49.  4
    Eugene O'Neill and Addison's Disease.James W. Hamilton - 1986 - Perspectives in Biology and Medicine 30 (2):231-234.
  50.  21
    Theatrical Performance and Interpretation.James R. Hamilton - 2001 - Journal of Aesthetics and Art Criticism 59 (3):307–312.
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