Results for 'Jaeyoon Song'

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  1.  70
    The Zhou Li and Constitutionalism: A Southern Song Political Theory.Jaeyoon Song - 2009 - Journal of Chinese Philosophy 36 (3):424-438.
  2.  1
    Sources of Learning: Zhu Xi’s Theory of Moral Development.Jaeyoon Song - 2021 - Journal of Chinese Philosophy 48 (3):315-325.
    As moral philosopher Zhu Xi sought to nurture the autonomous moral self. In his pedagogical scheme, one ought to cultivate the innate goodness of the heart, investigate principles in things, and embody ethical standards in daily life. In Zhu Xi’s view, the ability to exercise moral autonomy is obtained through a long period of moral and ethical training under the close surveillance of one’s immediate surroundings since early childhood. For this reason, Zhu Xi emphasized the practice of social norms as (...)
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  3. Pak Sŏng-Mu Ŭi Pʻurŏ Ssŭnŭn Tasan Iyagi.Sŏng--mu Pak - 2005 - Munhak Suchʻŏp.
    2. Saebyŏngnyŏk chʻodang esŏ on pʻyŏnji.
     
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  4. Pangŭn Sŏng Nak-Hun Sŏnsaeng Samsip Chugi Chʻumo Munjip: Hanʼgukhak Ŭi Inmunhak.Nak-hun Sŏng (ed.) - 2008 - Kyŏngin Munhwasa.
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  5.  1
    Song Chun-Gil: Hwahae Wa P'oyong Ŭi Yehakcha.In-ch'ang Song - 2009 - Sŏnggyun'gwan Taehakkyo Ch'ulp'anbu.
  6.  36
    Song of Trusting the Heart: A Classic Zen Poem for Daily Meditation.Tamarack Song - 2011 - Sentient Publications.
    would probably have taken over the translating profession by now. At best, computer translations read awkwardly, and some of them are downright humorous. Precise, word-for-word, humanrendered translations fare no better.
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  7.  1
    Tongchʻundang Song Chun-Gil: Chugyŏng Ŭi Chʻŏrhakcha.In-chʻang Song - 2007 - Chʻŏnggye.
  8. Uam Sŏnbi Ŭi Iyagi: Song Si-Yŏl Ŭi Saengae Wa Kŭ Ŭi Hangmun Mit Sasang.Min-ho Song - 2009 - Kyŏngil Munhwasa.
  9.  1
    Xin Jin Huo Chuan: Song Zhiming Zhongguo Gu Dai Zhe Xue Jiang Gao = Xinjin Huochuan.Zhiming Song - 2010 - Beijing Shi Fan da Xue Chu Ban She.
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  10.  19
    Relative Importance of Human Resource Practices on Affective Commitment and Turnover Intention in South Korea and United States.Jaeyoon Lee, Young Woo Sohn, Minhee Kim, Seungwoo Kwon & In-Jo Park - 2018 - Frontiers in Psychology 9.
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  11.  40
    A Study on Chinese Confucian Classics and Neo‐Confucianism in the Song‐Ming Dynasties, Volumes 1 and 2. By Cai Fanglu.Pan Song & Chung-Ying Cheng - 2014 - Journal of Chinese Philosophy 41 (S1):757-761.
  12.  6
    A Study on Chinese Confucian Classics and Neo-Confucianism in the Song-Ming Dynasties, Volumes 1 and 2. By Cai Fanglu.Pan Song & Chung-Ying Cheng - 2014 - Journal of Chinese Philosophy 41 (5):757-761.
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  13. Pul t'anŭn ŏrŭm: kyŏnggyein Song Tu-yul ŭi chajŏnjŏk esei.Du-Yul Song - 2017 - Sŏul: Humanit'asŭ.
     
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  14.  7
    Does Power “Spread”? Foucault on the Generalization of Power.Jaeyoon Park - 2022 - Political Theory 50 (4):553-574.
    This essay critically analyzes a common metaphor in political theory, which figures the growth of power as a process of “spreading” or “diffusion.” It argues that narratives that cast the generalization of power as a movement of “spreading” often fail to furnish the specific type of historical evidence that they imply, such that these narratives are frequently received as richly suggestive yet ultimately unjustified. This essay develops an alternative way of conceptualizing the generalization of power, one that rests on rigorous (...)
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  15.  5
    Critique on the Couch: Why Critical Theory Needs Psychoanalysis.Jaeyoon Park - 2022 - Contemporary Political Theory 21 (S3):134-137.
  16. Song-Wŏn hwadongsa happ'yŏn kangmok' e nat'anan Hwasŏ hakp'a ŭi yŏksa insik.Pak In-ho - 2022 - In Hyang-jun Yi (ed.), Hwasŏ Hakp'a Ŭi Simsŏl Nonjaeng. Tosŏ Ch'ulp'an Munsach'ol.
     
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  17.  8
    Does Addiction Have A Subject?: Desire in Contemporary U.S. Culture.Jaeyoon Park - 2021 - Journal of Medical Humanities 42 (3):435-452.
    This paper traces the emergence of a new figure of the desiring subject in contemporary addiction science and in three other recent cultural developments: the rise of cognitive-behavior therapy, the self-tracking movement, and the dissemination of ratings. In each, the subject’s desire becomes newly figured as a response to objects rather than a manifestation of the soul, measured numerically rather than expressed in language and rendered impersonal rather than individualizing. Together, these developments suggest a shift in the dominant form of (...)
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  18. Medieval Song From Aristotle to Opera.Sarah Kay - 2022 - Ithaca [New York]: Cornell University Press.
    Discusses songs by the troubadours, trouvères, and Guillaume de Machaut, performed live and on the page, in the context of antique, late antique, and medieval thought and poetic practice and in the light of later opera. Topics include cosmology, education, astronomy, breath, beasts, monsters, hybridity, imagination, life, and death.
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  19.  5
    Critique on the couch: Why Critical Theory needs psychoanalysis.Jaeyoon Park - 2020 - Contemporary Political Theory:1-4.
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  20.  4
    Song, Songs, and Singing.Jeanette Bicknell & John Andrew Fisher (eds.) - 2013 - Wiley.
    The last twenty years or so have seen a surge of interest in the philosophy of music. However there is comparatively little philosophical literature devoted specifically to songs, singing and vocal music in general. This new collection of essays on the philosophical aspects of song and singing includes articles on the relationship between words and music in songs, the ontology of songs and recordings, meaning in songs, the metaphysics of vocal music in opera and the movies, and the ethical (...)
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  21. Song Ming li xue ren ge mei yu lun.Liyong Pan - 2021 - Beijing Shi: Ren min chu ban she.
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  22. Song Ming li xue yu Zhong yi li lun shan bian =.Chunpeng Yao - 2021 - Jinan Shi: Shandong da xue chu ban she.
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  23.  62
    Song-Ming Confucianism.Justin Tiwald - 2020 - Stanford Encyclopedia of Philosophy.
    An overview of Confucianism in the Song, Yuan, and Ming dynasties, which many regard as second only to the classical period in philosophical importance and influence. This piece canvasses the major thinkers and schools, competing views on the metaphysics of li (pattern, principle) and qi (vital stuff), criticisms of Buddhism and Daoism, and debates about the heartmind, virtue, knowledge, and governance.
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  24.  10
    One Song, Many Works: A Pluralist Ontology of Rock.Daniel Burkett - 2015 - Contemporary Aesthetics 13.
    A number of attempts have been made to construct a plausible ontology of rock music. Each of these ontologies identifies a single type of ontological entity as the “work” in rock music. Yet, all the suggestions advanced to date fail to capture some important considerations about how we engage with music of this tradition. This prompted Lee Brown to advocate a healthy skepticism of higher-order musical ontologies. I argue here that we should instead embrace a pluralist ontology of rock, an (...)
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  25.  3
    Erôs, Song, and Philosophy in Plato: Towards a Synthesis of a Cultural Ideal.Chara Kokkiou - 2020 - Lexington Books.
    Erôs, Song and Philosophy in Plato suggests alternative paths of understanding the true Philosophical Muse in Plato’s works. Through the discussion of certain Platonic dialogues, it interweaves erôs, mousikê, and philosophy to unravel new insights into Plato’s philosophical thought and tension of rejecting and accepting the established culture.
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  26.  5
    The Song of Proclus. Proclus - 2013 - Prometheus Trust.
    Adapted by Guy Wyndham-JonesLike A Casting of Light, this little book presents a number of passages from Proclus arranged in verse form: the effect is both striking and inspiring. The voice is our native instrument of music, whether the vocal or the written word; both, when genuine, are the song of soul, and together they voice the soul's music. The numerous offerings in this little book will present you with a flavour of both the nature and scope of the (...)
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  27.  6
    The Song of the Earth: Heidegger and the Grounds of the History of Being.Michel Haar - 1993
  28.  2
    Songs of Experience: Modern American and European Variations on a Universal Theme.Martin Jay - 2005 - University of California Press.
    Few words in both everyday parlance and theoretical discourse have been as rhapsodically defended or as fervently resisted as "experience." Yet, to date, there have been no comprehensive studies of how the concept of experience has evolved over time and why so many thinkers in so many different traditions have been compelled to understand it. _Songs of Experience _is a remarkable history of Western ideas about the nature of human experience written by one of our best-known intellectual historians. With its (...)
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  29.  28
    Island Songs: A Global Repertoire.Godfrey Baldacchino (ed.) - 2011 - Scarecrow Press.
    "Through the close analysis of musical performance and tradition, the scholarly contributiors to Island Songs provide a global review of how island songs, their lyrics, and their singers engage with the challenges of modernity, migration , ...
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  30.  11
    Songs for Developing Lexical and Grammar Skills.M. A. Erykina & I. E. Ivanova - 2015 - Liberal Arts in Russia 4 (4):304.
    The article addresses the issue of using English songs to assist students of non-language departments master basic linguistic skills and communicative abilities. The authors offer a systematic and flexible approach to dealing with educational songs, demonstrate advantages of implementing numerous tasks to be varied and adapted to the needs of particular target audiences. The considered approach is intended to raise students’ motivation in learning foreign language.
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  31. A Song Turned Sideways Would Sound as Sweet.Zachary Ferguson - 2021 - Analysis 81 (1):14-18.
    Markosian presents an argument against certain theories of time based on the aesthetic value of music. He argues that turning a piece of music sideways in time destroys its intrinsic value, which would not be possible if the Spacetime Thesis were true. In this paper I show that sideways music poses no problems for any theory of time by demonstrating that turning a piece of music sideways does not affect its intrinsic value. I do this by appealing to spatial analogies (...)
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  32. Song of Songs.Marvin H. Pope - 1977
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  33. Le Songe de Pallas: Suivi de, de la Souveraineté ; Et de, Digression Néoplatonicienne : Essai.Luc-Olivier D' Algange - 2007 - Alexipharmaque.
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  34. "Primitive Song": C. M. Bowra. [REVIEW]W. Greenhouse Allt - 1963 - British Journal of Aesthetics 3 (3):268.
     
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  35. Tang Song zhi ji li xue si xiang de zhuan xing.Qian Feng - 2020 - Beijing Shi: Sheng huo, du shu, xin zhi san lian shu dian.
     
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  36. Kubong Song Ik-p'il ŭi hangmunjŏk chip'yŏng.Kyŏng-ho Kim (ed.) - 2020 - Sŏul-si: Ch'aek Mirae.
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  37. Songs of Nature: John Sallis on Paintings by Cao Jun.John Sallis - 2020 - Bloomington, Indiana: Indiana University Press, Office of Scholarly Publishing, Herman B Wells Library.
    This latest philosophical text by John Sallis is inspired by the work of contemporary Chinese painter Cao Jun. It carries out a series of philosophical reflections on nature, art, and music by taking up Cao Jun's art and thought, with a focus on questions of the elemental. Sallis's reflections are not a matter of simply relating art works to philosophical thought, as theoretical insights and developments run throughout Cao Jun's writings and inform many of his artistic works. Sallis maintains abundant (...)
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  38.  7
    Folk Song as Hybrid Art Form.David Atkinson - forthcoming - British Journal of Aesthetics.
    A number of philosophers of music have proved resistant to the idea that song should be considered as a hybrid art that combines language and music. Separately, Levinson in his influential account of hybrid art forms does not admit folk song, even though he does allow nineteenth-century lieder into the hybrid category. Folk songs are sometimes treated as if they are anterior to and therefore ontologically distinct from the more complex songs of Western art music, or even of (...)
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  39. Native Song and Dance Affect in Seventeenth-Century Christian Festivals in New Spain.Ireri E. Chávez Bárcenas - 2021 - In Suzanne G. Cusick & Emily Wilbourne (eds.), Acoustemologies in contact: Sounding Subjects and Modes of Listening in Early Modernity. Open Book Publishers.
     
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  40. Song dai Yi xue si xiang shi yan jiu.Haijun Jiang - 2021 - Beijing: Ren min chu ban she.
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  41. Kongsan Song Chun-p'il ŭi Sŏngni sasang kwa sahoejŏk silch'ŏn undong : Hanjuhak kwaŭi kwallyŏnsŏng ŭl chungsim ŭro.Sim To-hŭi - 2021 - In Wŏn-sik Hong (ed.), Hanju hakp'a chaejŏn chejadŭl kwa Yŏngnam yuhyŏndŭl ŭi hwaltong kwa sasang: Ilche kangjŏmgi ŭi 'Nakchunghak'. Kyemyŏng Taehakkyo Ch'ulp'anbu.
     
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  42.  37
    Bird Song Diamond in Deep Space 8k.John Brumley, Charles Taylor, Reiji Suzuki, Takashi Ikegami, Victoria Vesna & Hiroo Iwata - 2020 - AI and Society 35 (1):87-101.
    The Bird Song Diamond project is a series of multifaceted and multidisciplinary installations with the aim of bringing contemporary research on bird communication to a large public audience. Using art and technology to create immersive experiences, BSD allows large audiences to embody bird communication rather than passively observe. In particular, BSD Mimic, a system for mimicking bird song, asks participants to grapple with both audition and vocalization of birdsong. The use of interactive installations for public outreach provides unique (...)
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  43.  22
    Songs of Social Protest.Court Lewis - 2018 - The Acorn 18 (1):95-97.
    Dario Martinelli examines the nature of songs of social protest (SSPs) in Give Peace a Chant: Popular Music, Politics and Social Protest and provides readers with a book that is engaging, provoking, and enjoyable. Martinelli’s research is thorough, astute, and structured in a way that is both rigorous and accessible. Combining typology with several case studies, Martinelli achieves his stated goal of showing how context, song lyrics, and the music itself are organic and equally important elements that constitute SSPs.
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  44.  9
    The Song of Ecstasy: Talks on Adi Shankara's Bhaj Govindam. Osho - 2000 - Rebel Pub. House.
  45. Kubong Song Ik-p'il hangmun, kiho yuhak esŏŭi wisang.Hang-nae Pak (ed.) - 2018 - Sŏul-si: Ch'aek Mirae.
     
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  46. He Lin ping zhuan.Zhiming Song - 2018 - Beijing: Zhongguo qing nian chu ban she.
     
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  47. Tang Song zhi ji ru xue zhuan xing yan jiu.Hongxing Xu - 2018 - Shanghai: Shanghai ren min chu ban she.
     
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  48.  14
    Justice, Gender, and the Politics of Multiculturalism.Sarah Song - 2007 - Cambridge University Press.
    Justice, Gender and the Politics of Multiculturalism explores the tensions that arise when culturally diverse democratic states pursue both justice for religious and cultural minorities and justice for women. Sarah Song provides a distinctive argument about the circumstances under which egalitarian justice requires special accommodations for cultural minorities while emphasizing the value of gender equality as an important limit on cultural accommodation. Drawing on detailed case studies of gendered cultural conflicts, including conflicts over the 'cultural defense' in criminal law, (...)
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  49.  48
    The Biology of Bird-Song Dialects.Myron Charles Baker & Michael A. Cunningham - 1985 - Behavioral and Brain Sciences 8 (1):85-100.
    No single theory so far proposed gives a wholly satisfactory account of the origin and maintenance of bird-song dialects. This failure is the consequence of a weak comparative literature that precludes careful comparisons among species or studies, and of the complexity of the issues involved. Complexity arises because dialects seem to bear upon a wide range of features in the life history of bird species. We give an account of the principal issues in bird-song dialects: evolution of vocal (...)
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  50. Song Loves the Masses: Herder on Music and Nationalism.Johann Gottfried Herder & Philip Vilas Bohlman - 2016 - University of California Press.
    Distinguished ethnomusicologist Philip V. Bohlman compiles Johann Gottfried Herder’s writings on music and nationalism, from his early volumes of _Volkslieder_ through sacred song to the essays on aesthetics late in his life, shaping them as the book on music that Herder would have written had he gathered the many strands of his musical thought into a single publication. Framed by analytical chapters and extensive introductions to each translation, this book interprets Herder’s musings on music to think through several major (...)
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