4 found
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Jacquelyn N. Zita [7]Jacquelyn Nadine Zita [1]
  1.  52
    Body Talk: Philosophical Reflections on Sex and Gender.Jacquelyn N. Zita - 1998 - Columbia University Press.
    This collection of essays, which includes a revised version of a famous article on the "male lesbian," addresses such issues as race, gender, and sexuality, and explores the body as a physical, psychological, and cultural construct.
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  2. Male Lesbians and the Postmodernist Body.Jacquelyn N. Zita - 1992 - Hypatia 7 (4):106 - 127.
    This essay explores the criteria for lesbian identity attribution through the case study of "male lesbians": biological males who claim to be lesbians. I analyze such sex/gender identity attribution through the lens of postmodernism, which provides a workable theoretical framework for "male lesbian" identities. My conclusions explore the historicity and cultural constructedness of the body's sex/gender identities, revealing the limitations of both "the postmodernized body" and "the essentialized modernist body.".
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  3.  44
    Lesbian Angels & Other Matters.Jacquelyn N. Zita - 1990 - Hypatia 5 (1):133 - 139.
    In this commentary on Joyce Trebilcot's "Dyke Methods or Principles for the Discovery/Creation of the Withstanding," I discuss four areas of difficulty in Trebilcot's proposed methods: (1) an overly negative view of "the intention to persuade," (2) a tendency towards epistemological relativism and loss of cultural authorities, (3) a circularity in defining the proposed methods as dyke methods, and (4) a hint of repressive tolerance towards differences among lesbians by avoidance of painful confrontation involving those differences. Unlike Trebilcot, I make (...)
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  4.  60
    Jeffner Allen: A Lesbian Portrait.Jacquelyn N. Zita - 1992 - Hypatia 7 (4):6 - 13.
    This review essay covers the lesbian writing of philosopher Jeffner Allen, contrasting her fiercely separatist earlier work with her more recent experimental writing. A quest for a separate ontic space-defining difference qua Lesbian and consistently characterized by Allen as "the open"-links her earlier work with her more recent atonalities richly coded with ritual, myth, memory, and play.
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