This book examines new concept of evolutionary ontology based on the idea of radically different "ontic orders" - natural and cultural being. It explains how culture evolved out of nature and how it became "anti-natural". The remedy is seen in the global biophilous reconstruction of culture. The value of the "live planet" Earth and the "subject" capable of creative activity and evolution are given fundamental philosophical interpretation.

The traditional conception of ontology as a theory of being included an unexpressed belief of that time, namely that an ontologically oriented philosophy has to be concerned either with the nonhuman being of nature, or with the human one conceived experientially. The critical ontology of Nicolai Hartmann came close to the evolutionary ontological conception in that it has incorporated the person in the reality and underlined the meanings of the course of events, time and multidimensionality of being. However, the subject (...) in all traditional ontologies has been reduced, i.e. its structure has been conceived inadequately. They have ignored the different ontic kind of reality, namely the human cultural being, which followed the birth of human beings on the planet Earth. (shrink)

The author beginns with a brief commentary on three philosophically remarcable concepts: F. A. Hayek's concept of endogenous and exogenous orders, D. Bohm's concept of implicative and explicative orders and K. R. Popper's concept of the three worlds. On Hayek he appreciates particularly his emphasizing the endogenous order, on Bohm on the other hand his distinguishing between the explicative and implcative orders. He, however criticises Bohm´s conception for its not offe_ring a possibility of definig the ontic opposition of culture against (...) nature. Popper´s conception of the three worlds he criticises for its mostly gnoseological nature: according to Popper it is the world II, which makes the effect of the world III on the world I possible. Partially following D. Bohm the author sees two orders - an explicative and an implicative ones - in nature as well as in culure. The order embodies not only the intrinsic constitutive processes and the rules of the natural and cutural construology, i. e. the explicative order, but also the external outcome of the ontic creative process with its phenotypic forms, i. e. the explicative order. Additionally to this dualism of orders he argues, that there are two different kinds of evolution - the natural and the cultural ones. His suggestion to recognize two world orders aims at a more proper pihlosophical understanding of the ontic opposition of culture against nature including the determination of the presuppositions of their long-term possible coevolution and compatibility. (shrink)