Volume 19, Issue 4, August 2020, Page 309-313.

We argue that solving the heterogeneous problems arising from the standard game theory requires looking both at reasoning heuristics, as in Colman's analysis, and at how people represent games and the quantities that define them.

According to leading Kant scholars, in mid-1760s Kant realizes that his program for the reform of metaphysics cannot be developed by the method of conceptual analysis which he had previously considered to be more adequate than the synthetic method of the Wolffians that imitates the mathematical one. In this paper, I put into question the claim of a pre-Critical project of ‘analytical metaphysics’ by trying to show that even for the ‘pre-Critical’ Kant the proper method of metaphysics is genuinely synthetic, (...) but the synthetic construction in question should have been prepared by a Critical and subsequent exhaustive analysis of key material-instrumental concepts of the peculiar philosophical science under question. (shrink)

The starting point of the following article are statements by various prominent musical performers of the 20th century who have testified to the life-experience of musical identification, i.e. the experience of unity and oneness with music. The purpose of the article is to explore the phenomenological implications of this experience on the basis of Martin Heidegger’s early phenomenological work. The article compares Heidegger’s early view of phenomenal givenness with that of Edmund Husserl. While Husserl sees phenomenal givenness as constituted by (...) (transcendental) consciousness, Heidegger finds primary givenness in the resonance (Mitschwingen) between the I and its lifeworld. I argue that in Heidegger’s early phenomenology it is not the subject, but rather the relatio between I and world, which “constitutes” givenness. This viewpoint allows for the exploration of musical identification as a life-experience. Musical identification suspends the difference between subject and object. In musical identification, it is the relation between “I” and music, which is constitutive of both. Thus, music cannot be adequately grasped in phenomenological terms if it is regarded simply as an object, which is the premise of more traditional phenomenological approaches to music such as Roman Ingarden’s and Mikel Dufrenne’s. Ingarden and Dufrenne both position music at a distance from the subject, as something to be explored in its objective characteristics, without presupposing the constitutive relation between them. Contrary to them, Hans-Heinrich Eggebrecht, Günther Anders and Ilya Yonchev all recognize that the subject-object divide is insufficient for the exploration of musical experience. However, while Eggebrecht ultimately remains within the subject-object-dichotomy, Anders and Yonchev both develop the idea of musical Mitsein, or Being-with-music, which dispenses with the subject-object premise altogether and interprets musical life-experience as a mode of Being within which the sense of the I and musical sense coincide. (shrink)

Background:Women's health has received renewed attention in the last few years including health rehabilitation options for women affected by breast cancer. Dancing has often been regarded as one attractive option for supporting women's well-being and health, but research with women recovering from breast cancer is still in its infancy. Dancing with Health is multi-site pilot study that aimed to evaluate a dance programme for women in recovery from breast cancer across five European countries.Methods:A standardized 32 h dance protocol introduced a (...) range of Latin American dances presented within a sports and exercise framework with influences from dance movement therapy. Fifty-four women (M age 53.51; SD 7.99) participated in the study who had a breast cancer diagnosis 6 weeks, no indication of metastasis, or scheduled surgery/chemotherapy/radiation treatment for the duration of the intervention. Primary outcome data was collected for anthropometric and fitness measures next to cancer-related quality of life.T-tests and Wilcoxon signed ranked tests were used to establish differences pre and post intervention. Cohen's d was also calculated to determine the effect size of the intervention.Results:Statistically significant changes were found for: (i) weight, right and left forearm circumference and hip; (ii) 6 min walking, right and left handgrip, sit-to-stand and sit-and-reach; (iii) the EORTC-QLQ C30 summary score as well as the subscales of emotional and social functioning and symptoms. In all cases the direction of change was positive, while Cohen's d calculated showed that the effect of the intervention for these parameters ranged from intermediate to large.Conclusion:Changes on the above anthropometric, fitness and quality of life measures suggest that the intervention was of value to the participating women recovering from breast cancer. Results also advocate collaborative efforts across countries to further research. (shrink)

One Seit Platon (mit dem Spott von Diogenes) über Kant ist die Fundamentalfrage "Was ist der Mensch?" bis heute nicht nur von der Philosophie (als regina scientiarum), sondern von der Wissenschaft überhaupt nicht beantwortet. Phänomenologisch hat der Mensch a posteriori physische (somatische), psychische(perceptio, emotio, cognitio), mentale (logische), spirituelle (conscientia, volitio, actio) "Sphären". Ontologisch in Kontext von to ti en einai (Aristoteles) sollte der Mensch a priori ein "Programm" (Information) vor der Kosmogonie haben. Der (Neo‐) Positivismus (z.B. Hume bis Carnap, Russel*; (...) * Nobel Laureate) verwirft Fragen der Metaphysik als Scheinprobleme. Damit bleibt das Menschen‐Wesen in Kontext von Postulaten, wie res cogitans (Descartes), Monaden(Leibniz), "Gott, Freiheit, Unsterblichkeit", Seligkeit und (moralischer) Vollkommenheit (Kant), absoluter Geist (Hegel) in der theologischen Dimension. Antwort könnte eine zukünftige (holistisch‐multidimensionale) philosophische theoretische und Experimentaltheologie (kontrollierbare Beobachtung) durch weitere Forschung geben, in Kontext (bzw. Existenz) von A. Physikotheologie bzw. (a) höhere (als drei) geometrische/physikalische Dimensionen (Hilbert, Riemann /Friedmann, Minkowski, Schmutzer), (b) Paralleluniversen (z.B. L. Randall), (c) Quantentheorie/‐philosophie (Planck*, u.a.), (d) Gravitations‐/Relativitätstheorie (Newton/Einstein*), (e) Vakuumenergie (Sato), etc. B. ChemoBiotheologie bzw. "psychischen" (Fechner) und "spezifischen" (Joh. Müller) Energien,"biologischem Feld" (Gurwitsch), künstlicher Biogenese (Oparin, Fox, Urey*, u.a.; 32 Fragen von John Bernal). C. Psychotheologie bzw. parapsychische Phänomene (Carrel*, Richet*/France, Rhinne/USA, Vassilev, Bechterew/Russia, etc.). D. Religionstheologie: (über‐) Bewußtsein, übersinnliche, immaterielle, supraphysikalische Phänomene (Sri Aurobindo, Dalai Lama*, Konfuzius/Laotse, Gopi Krishna, Papst Benedikt, Paramahansa Yogananda, Sri Yogendra, etc.)und ihre physiologische Begründung (Anand/Chinna, Kasamatsu/Hirai, Ornstein, Pauli*, von Weizsäcker, etc.). Damit hängt die ontologische Frage nach dem MenschenWesen mit der Lösung des Problemkomplexes "Gott Geist/Seele Mensch Natur" zusammen. (shrink)

Résumé Je me propose de faire un bref aperçu des traductions bulgares de l’œuvre de Condorcet : son nom apparaît au début du XXe siècle grâce à la traduction de l’Esquisse d’un tableau historique des progrès de l’esprit humain par le juriste Tzvetan Vassilev Poupechkov. L’œuvre est à nouveau publiée dans les années 1940 pour répondre aux besoins idéologiques des milieux socialistes et communistes. L’article s’emploie à définir les motifs du traducteur bulgare Dimităr Ivanov Polyanov (1876-1953), poète « du (...) prolétariat » éduqué en France, et à éclairer l’intérêt des éditeurs et des chercheurs des deux dernières décennies pour l’œuvre de Condorcet. (shrink)