The badness of having conflicting emotions is a familiar theme in academic ethics, clinical psychology, and commercial self-help, where emotional harmony is often put forward as an ideal. Many philosophers give emotional harmony pride of place in their theories of practical reason.1 Here we offer a defense of a particular species of emotional conflict, namely, ambivalence. We articulate an conception of ambivalence, on which ambivalence is unresolved inconsistent desire (§1) and present a case of appropriate ambivalence (§2), before considering two (...) alternative defenses of emotional conflict (§3). We then argue that inconsistent desires can be fitting (§4) and that it can be reasonable not to resolve inconsistent desires (§5), before considering an objection (§6) and concluding the discussion (§7). (shrink)

Descartes's approach to practical judgments about what is beneficial or harmful, or what to pursue or avoid, is almost exactly the opposite of his approach to theoretical judgments about the true nature of things. Instead of the cautious skepticism for which Descartes is known, throughout his ethical writings he recommends developing the habit of making firm judgments and resolutely carrying them out, no matter how doubtful and uncertain they may be. Descartes, strikingly, takes irresolution to be the source of (...) remorse and repentance, of vice, and of a weak soul. In order to explain its dangerousness, this essay offers an analysis of irresolution as a failure of the will to determine itself to follow a judgment in the face of ignorance or uncertainty. This analysis connects irresolution to weakness of will and explains why Descartes regards resolution as an essential component of virtue. (shrink)

In an interview concerning his novel The Anatomy Lesson, Philip Roth remarked that narrator Nathan Zuckerman “has to be in a state of vivid transformation or radical displacement. ‘I am not what I am—I am, if anything, what I am not!’”1 The utterance has been traced to Jean-Paul Sartre’s encounter, in Being and Nothingness, with ecstatic relations. Sartre, anticipating Roth’s description of Zuckerman, similarly defines the ecstatic dimensions of consciousness that constitute Dasein. According to Sartre, consciousness must fulfill three requirements: (...) “ to not-be what it is, to be what it is not, to be what it is not and to not-be what it is—within... (shrink)

There is a continuing irresolution on the levels, both of theory and political praxis, vis-à-vis a coming to terms with the problem of 'historical greatness'. This results from the pre-history of a concept which is, when seen in the context of a systematic theory of science, in two respects methodologically unsatisfactory. 1. The pre-idealist understanding of "greatness", in the sense of canonical exemplariness, is based on a timeless concept of morality, itself determined through a heteronomous concept of norm-giving transcendence (...) and/or nature. 2. The philosophy of history ignores the Kantian reference to the autonomy of the genesis of human orientation; instead it sees this genesis not as the expression of a potentially autonomous normativity but as a source of normative existential orientation. In this orientation the goal and the steps towards the goal are pre-reflexively implied. In the philosophy of history the 'historically great' function as genial mediators between telos and epoché. Their actions are not explicable by the categories of normal rationality. The lack of a sufficient methodology of socially practicable communication continues to lessen the chances of overcoming the practical and theoretical dependency on the idea of the mediating genius. Yet the shift to a critical social hermeneutic remains impossible as long as hermeneutic theory is willing to deny itself in the face of a purely scientistic analytic philosophy. (shrink)

There is a continuing irresolution on the levels, both of theory and political praxis, vis-à-vis a coming to terms with the problem of 'historical greatness'. This results from the pre-history of a concept which is, when seen in the context of a systematic theory of science, in two respects methodologically unsatisfactory. 1. The pre-idealist understanding of "greatness", in the sense of canonical exemplariness, is based on a timeless concept of morality, itself determined through a heteronomous concept of norm-giving transcendence (...) and/or nature. 2. The philosophy of history ignores the Kantian reference to the autonomy of the genesis of human orientation; instead it sees this genesis not as the expression of a potentially autonomous normativity but as a source of normative existential orientation. In this orientation the goal and the steps towards the goal are pre-reflexively implied. In the philosophy of history the 'historically great' function as genial mediators between telos and epoché. Their actions are not explicable by the categories of normal rationality. The lack of a sufficient methodology of socially practicable communication continues to lessen the chances of overcoming the practical and theoretical dependency on the idea of the mediating genius. Yet the shift to a critical social hermeneutic remains impossible as long as hermeneutic theory is willing to deny itself in the face of a purely scientistic analytic philosophy. (shrink)

I think … we ought to distinguish two sense of “deconstruction.” In one sense the word refers to the philosophical projects of Jacques Derrida. Taken this way, breaking down the distinction between philosophy and literature is essential to deconstruction. Derrida’s initiative in philosophy continues along a line laid down by Friedrich Nietzsche and Martin Heidegger. He rejects, however, Heidegger’s distinctions between “thinkers” and “poets” and between the few thinkers and the many scribblers. So Derrida rejects the sort of philosophical professionalism (...) which Nietzsche despised and which Heidegger recovered. This does indeed lead Derrida in the direction of “a general, undifferentiated textuality.” In his work, the philosophy-literature distinction is, at most, part of a ladder which we can let go of once we have climbed up it.In a second sense of “deconstruction,” however, the term refers to a method of reading texts. Neither this method, nor any other, should be attributed to Derrida—who shares Heidegger’s contempt for the very idea of method.2 But the method exists, and the passage I have quoted from Culler describes one of its essential features. Culler is quite right to say that deconstruction, in the second sense, needs a clear distinction between philosophy and literature. For the kind of reading which has come to be called “deconstructionist” requires two different straight persons: a macho professional philosopher who is insulted by the suggestion that he has submitted to a textual exigency, and a naive producer of literature whose jaw drops when she learns that her work has been supported by philosophical oppositions. The philosopher had thought of himself as speaking a sparse, pure, transparent language. The poetess shyly hoped that her unmediated woodnotes might please. Both reel back in horror when the deconstructionist reveals that each has been making use of complex idioms to which the other has contributed. Both go all to pieces at this news. A wild disorder overtakes their words. Their whimpers lend into interminable androgynous keening. Once again, deconstructionist intervention has produced a splendidly diffuse irresolution. Richard Rorty is Kenan Professor of Humanities at the University of Virginia. He is the author of Consequences of Pragmatism and is currently writing a book on Martin Heidegger. (shrink)

Pragmatism is a philosophical movement developed near the turn of the century in the of several prominent American philosophers, most notably, Charles Sanders Peirce, William James, and John Dewey. Although many contemporary analytic philosophers never studied American Philosophy in graduate schoo l, analytic philosophy has been significantly shaped by philosophers strongly influenced by that tradition, most especially W. V. Quine, Donald Davidson, Hilary Putnam, and Richard Rorty. Like other philosophical movements, it developed in response to the then-dominant philosophical wisdom. What (...) unified pragmatism was its rejection of certain epistemological assumptions about the nature of truth, objectivity, and rationality. The rejection of these assumptions springs from the pragmatist's belief that practice is primary in philosophy. Meaningful inquiry originates in practice. Theorizing is valuable, for sure, but its value arises practice, is informed by practice, and, its proper aim is to clarify, coordinate, and inform practice. Theorizing divorced practice is useless. Pragmatism is at once both familiar and radical. Familiar in that it often begins with rather ordinary views; radical in that it often sees in those views insights that philosophers and lay people miss or misunderstand. A pragmatic ethic employs criteria without being criterial. It is objective without being absolutist. It acknowledges that ethical judgements are relative, without being relativistic. And it tolerates - indeed, welcomes some moral differences, without being irresolute. Precisely what each of these means, and why pragmatists hold them, emerges throughout this paper. I begin with the first since it sets the stage for introducing other pivotal pragmatic ideas. Ethical theorizing begins when we think about how we ought to live. Many people assume that means we must look for moral criteria: some list of rules or principles whereby we can distinguish good from bad and right wrong, or a list of virtues we try to inculcate.. (shrink)

Much recent work in virtue epistemology has focused on the analysis of such intellectual virtues as responsibility, conscientiousness, honesty, courage, open-mindedness, firmness, humility, charity, and wisdom. Absent from the literature is an extended examination of perseverance as an intellectual virtue. The present paper aims to fill this void. In Sect. 1, I clarify the concept of an intellectual virtue, and distinguish intellectual virtues from other personal characters and properties. In Sect. 2, I provide a conceptual analysis of intellectually virtuous perseverance (...) that places perseverance in opposition to its vice -counterparts, intransigence and irresolution. The virtue is a matter of continuing in one’s intellectual activities for an appropriate amount of time, in the pursuit of intellectual goods, despite obstacles to one’s attainment of those goods. In Sect. 3, I explore relations between intellectually virtuous perseverance and other intellectual virtues. I argue that such perseverance is necessary for the possession and exercise of several other intellectual virtues, including courage. These connections highlight the importance of perseverance in a comprehensive account of such virtues. (shrink)

Kant believed that true enlightenment is the use of reason freely in public. This book systematicaaly traces the philosophical origins and development of the idea that the improvement of human understanding requires public activity. Michael Losonsky focuses on seventeenth-century discussions of the problem of irresolution and the closely connected theme of the role of volition in human belief formation. This involves a discussion of the work of Descartes, Hobbes, Locke, Spinoza and Leibniz. Challenging the traditional views of seventeenth-century philosophy (...) and written in a lucid, non-technical language, this book will be eagerly sought out by historians of philosophy and students of the history of ideas. (shrink)

Much recent work in virtue epistemology has focused on the analysis of such intellectual virtues as responsibility, conscientiousness, honesty, courage, open-mindedness, firmness, humility, charity, and wisdom. Absent from the literature is an extended examination of perseverance as an intellectual virtue. The present paper aims to fill this void. In Sect. 1, I clarify the concept of an intellectual virtue, and distinguish intellectual virtues from other personal traits and properties. In Sect. 2, I provide a conceptual analysis of intellectually virtuous perseverance (...) that places perseverance in opposition to its vice-counterparts, intransigence and irresolution. The virtue is a matter of continuing in one’s intellectual activities for an appropriate amount of time, in the pursuit of intellectual goods, despite obstacles to one’s attainment of those goods. In Sect. 3, I explore relations between intellectually virtuous perseverance and other intellectual virtues. I argue that such perseverance is necessary for the possession and exercise of several other intellectual virtues, including courage. These connections highlight the importance of perseverance in a comprehensive account of such virtues. (shrink)

There are Humeans and unHumeans, disagreeing as to the validity of the Treatise’s ideas regarding practical reason, but not as to their importance. The basic argument here is that the enduring irresolution of their Hume centric debates has been fostered by what can be called the fallacy of normative monism, i.e. a failure to distinguish between two different kinds of normativity: empirical vs. rational. Humeans take the empirical normativity of personal desire to constitute the only real kind, while unHumeans (...) insist that only the objective rationality associated with categorical morality can provide reliable normative guidance. In turn, the failure to recognize the dual nature of normativity has helped engender motivational obscurantism: as essentially causal notions, motive and motivation obscure the rational processes that lie at the heart of deliberation and choice. Once it is realized that normativity takes two different forms, each with its own distinctive role, it becomes possible to mediate if not mitigate the differences between Humeans and unHumeans. Choice will be the key to understanding practical reasoning, and its analysis will provide the basis for a belief/desire model that upends conventional wisdom regarding motivation and desire. (shrink)

Is the perfection of a being a result of its perfectibility, that is to say its imperfection? Is the greatness of a human being a function of how much he is a man in the making? Can the human being elude all determination in order to construct itself freely or, at the very least, expose itself to an infinite number of potential destinies? This dream of absolute freedom was at times the humanists’ dream. The following paper will try to show (...) that behind the Renaissance philosophy of existence lay the principles of incompletion and transformation; that these principles were the source both of the power of Renaissance philosophy and also of its irresolution, which is what places it on the threshold of modernity. (shrink)

continent. 1.2 (2011): 141-144. This January, while preparing a new course, Robert Seydel was struck and killed by an unexpected heart attack. He was a critically under-appreciated artist and one of the most beloved and admired professors at Hampshire College. At the time of his passing, Seydel was on the brink of a major artistic and career milestone. His Book of Ruth was being prepared for publication by Siglio Press. His publisher describes the book as: “an alchemical assemblage that composes (...) the life of his alter ego, Ruth Greisman— spinster, Sunday painter, and friend to Joseph Cornell and Marcel Duchamp. Through collages, drawings, and journal entries from Ruth’s imagined life, Seydel invokes her interior world in novelistic rhythms.” This convergence of his professional triumph with the tragedy of his death makes now a particularly appropriate time to think about Robert Seydel and his work. This feature contains a selection of excerpts from Book of Ruth (courtesy of Siglio Press) alongside a pair of texts remembering him and giving critical and biographical insights into his art and his person. These texts, from a former student and a colleague respectively, were originally prepared for Seydel's memorial at Hampshire College and have since been revised for publication in continent. For more information on Book of Ruth, please visit the book's page at the Siglio Press website. —Ben Segal draughty R. * Lauren van Haaften-Schick 2011 “The most apt way to order Smithson's library is with the conjunction 'and'; science and religion; modernism and mass culture; what is present and what is missing.” —Alexander Alberro, 248 Robert Seydel's classes on collage and collecting immersed his students in a curious world of cabinets, oddities, exhaustive archives and obscure histories, explored always with critical rigor and a sincere eye for wonder. His office was a compendium of the ancient, mythic, potential and unworldy, where seemingly unrelated references were endlessly pulled, piled and fused in an ecstatic dance of hyper-annotation. The small room and all its contents overflowed with notes tucked in every margin and corner. Books coated the walls like a switchboard, anxious and humming, waiting for infinite links to be activated. William Blake's books of Job and Urizen summoned Greek mythology and the animal as metaphor, leading to 19th century cryptozoology and the cave paintings at Lascaux, Gaston Bachelard's description of the bird in his garden and Robert Rauschenberg's Canyon . Tracking archetypes and following tangential threads, new revelations and ancient narratives were compiled and ordered to form a new text, a bibliography as assemblage, portrait and poem. Robert's library—one of his many collections—is a portrait, an “artifact, collage of time, a token and remnant” (Seydel, 2007) He is humming with it still. The imagination of this room—of Robert—breathes through the pages of Book of Ruth, as every decision and detail unfolds to a cosmos. Allegory, invention, personal and art histories are entangled and leveled, rendering lived, perceived and absorbed experiences indistinguishable. Anonymous scraps discovered on the street or studio floor, careful clippings and drawn figures are chosen and animated through serendipitous destruction and whimsical, delicate positioning. A precise vocabulary of characters and terms erupts and collapses as personas and passers-by wave and whisper, “Every figure reveals aspects of the total form, which is open and green” (Seydel, 2007). The initials R.S. repeat, a nod to Robert's true family tree and further complicating identification. Robt, Robert's sometimes alter-ego, appears in myriad forms as a trickster “half-wit,” mercurial and skittish, or soft and worn thin. Saul is a solemn tinkerer, parsing the world and sometimes blind. Ruth, the speaker of the book, records and translates all, her voice wavering between poetic verse and a cryptic half-speech as complex as it is sparse. The rhythm of frayed edges sets time - the weight of the world and the lightness of paper. Robert wrote of his process, “Material is essential; scuffings carry history, which wanders throughout” (Seydel, 2007). Collectors, assemblers, sway between careful movements of selection and placement as they pull from the found world, mediating calculated and unconscious association to form a lexicon of gestures, symbols and allusion, the “artifacts of a life... the refuse and rejecta of days” (Seydel, 2007). These assembled fragments shift and chatter, at home in their homelessness, actors performing in their own lives, populating an invented world of similar orphans. Such accumulated, severed parts carry the injury of their cutting and retain the evidence of their source, binding loss to creation in a symbiosis of trauma and repair. Mourning and remembrance are deeply embedded in the histories and acts of such practices. Grievance, acceptance, and the fragility of life are conveyed in the 18th century allegorical arrangements of fetal specimens by Frederik Ruysch. A certain melancholy reverence colors Joseph Cornell's intimately tactile assemblages rendering the universe tangible in miniature, or made in devotion to unrequited loves. Preserved in stasis, these ghosts and idols are kept in a purgatory where fact and fiction, past and present are irrelevant distinctions. Catalogued and contained, the subject of loss is transferred to an artifact. Every thread, scrap and letter may be glued, gathered and placed in a museum, a tomb, a box, a page, ripe and open for possession. Holding on to grief and reveling in disrepair, we opt to be haunted. Forever unbalanced and in flux, the sublime of collage is its resolve to irresolution. For Robert, “Art, as creation and as sign of primary Imagination, is not objects but a state, a kind of fluid” (Seydel, 2007) Reflecting on his work, life, and death, I am drawn to my library and the myriad titles acquired through his inspiration. There is Daniel Spoerri's An Anecdoted Topography of Chance , Susan Stewart's On Longing , various Borges, Barthes, Perec, and especially Life: A User's Manual , which concludes that the perfect puzzle will have no solution. I think of the drawers of miscellaneous swallowed objects at the Mutter Museum, Ray Johnson coding the every day in riddles, Wallace Berman twisting tongues, and Susan Hiller laying every detail to bear. Collectors and makers working in endless cycles of observation, ingestion and display. Every gesture informs and is defined by others, every space is shaped by that which surrounds and fills it, the knot has an inner logic, the gigantic is not so different from the miniature, there is a world in every detail, and “All art is collage” (Seydel, 2011) These thoughts have molded my life, my art, and all the minutia that keep the two so profoundly intertwined; There is no difference between life and what we do with our time. “I write my life. I make me up.” What a gift to share this secret way of knowing the world, and to leave this knowledge for us to do with what we please. “Art begins in admiration” (Seydel, 2011) Lauren van Haaften-Schick is a curator, writer and artist based in New York. Upcoming curatorial projects include "Cancelled" at the Center for Book Arts, and "The Spirit of the Signal" at Nicole Klagsbrun Gallery, New York. Recent activities include the workshops "Market, Alternative" and "Alternative Art Economies" at Trade School and Momenta Art, and the e-flux Time/Store, New York. She is the founding director of two arts spaces in Northampton, MA and Philadelphia, PA. She received a BA in Art History and Studio Art from Hampshire college in 2006. Sura Levine on Robert Seydel If early on in his time at Hampshire College I was officially his “mentor,” Robert Seydel quickly became one of my great teachers. Over the years we talked about everything, from art, music, collage, and poetry, to campus politics, this latter far too often. It was always a sublime pleasure, if all too rarely done, to enter his apartment to look at his work in progress, to peruse his bookshelves where, inevitably, there were always new treats to examine. And, while he was working on his Book of Ruth , I was given the opportunity over the course of many meals at the Korean and other restaurants, to talk with him about image and poem ordering. To see how he thought through each comma, each juxtaposition across the gutters of the Book, was to watch a brilliant curator at work. Each day, I walk past his wonderful collaged portrait of Ruth, purchased, after much haggling, as a birthday present, a couple of years ago. And each day, I think how lucky I am to have known Robert as he produced this magnum opus. One of my greatest pleasures in 24 years at the College was to teach “The Collector” with Robert. One of my greatest regrets is that the magic we created together in the classroom will not, and cannot, be duplicated. Its various incarnations, its utter intelligence and magic, were all so deeply Robert’s. His was a mind that put poetry, philosophy, history of science, and history together with art, and art together with music. His intellect and eye were unparalleled. He introduced us to so many artists. He shared his fascination with the cabinets of curiosity of Aldrovandi, of Seba, and Peter the Great’s collection of fetal anomalies, as well as the Museum of Jurassic Technology in Los Angeles. Robert knew them all and so many more. He was a walking encyclopedia, his home a great archive. Arcane knowledge, perhaps, but oh so important for another of Robert’s heroes, the mid-20th century Belgian artist Marcel Broodthaers, whose name he invariably mispronounced as “Broadthayers.” In speaking his name, Robert would always look in my direction in a panic, and then he go on and maul it. I absolutely loved his various mispronunciations of French names and terms! “The Collector” was always filled with talented young artists, art historians, philosophers and writers who all came to understand the wondrous obsessions of the figure of the collector. Students in this course created dazzling projects each term. He always moved while looking and speaking. He read deeply, and commented on everyone’s work with wonderful generosity. Robert always found something to praise even in the least developed of projects. Robert inspired and mentored all of his students into making work that far exceeded their expectations—and ours. For those of you who were lucky enough to have been touched by or to have had an evaluation written by Robert, savor it, keep it, reread it, and share it. He loved working with you all; it is somehow fitting that he died while prepping yet another new course. Robert, it’s almost impossible to speak of you in the past tense, even though you left us a month ago. No doubt, if you knew about our gatherings and celebrations of you, you would be embarrassed that we are making a fuss over you; you always placed the focus on others rather than on yourself. This trait is exactly why so many people miss you now. We’re here to love you publicly as we all did privately for the eleven years you were among us. Robert, my very dear friend, you were an extraordinary artist—you were my brother of choice. My heart broke when yours did. I miss you profoundly. —Sura Levine, February 26, 2011 Sura Levine is a professor of art history at Hampshire College. Her field of specialty is 19th century Belgian and French art, particularly realism and impressionism. Having worked in museums for a number of years both prior to coming to the College, and, as guest curator and co-author of exhibition catalogues, she became particularly interested in the history of museum and trends in collecting. It was because of their shared interests that she and Robert Seydel developed their course, The Collector, which they co-taught for many years. (shrink)

While I deeply appreciate the painstaking and often generous remarks in R.N. Berki’s review of my book Hegel’s Retreat From Eleusis, [OWL, September 1978], I should like to correct two of his misapprehensions. First, the point is not that I try to “steer a middle course between ‘antiquaries’ who relegate Hegel to history books and ‘renovators’ who believe that Hegel is directly relevant,” but between the former and those who warp Hegel out of context in support of their preferred vision (...) of social and political action and/or explanation. Second, I do not conclude negatively about “the contemporary value of Hegel’s doctrine of the state;” If I had, the book would scarcely have been worth writing. It is simply that, in line with the first point, I counsel caution and salutary “archaeological” reflection. Current reality is messy: Hegel guides us and teaches us, but he furnishes no coup de foudre for solving our institutional problems. If this is irresolute, so be it. Does Mr. Berki propose bringing back monarchy, estates, and early 19th century municipal life? My own position is stated on pp. 109, 142–144, 183, 222–223. Although this may be, in Hayden White’s language, a Rankean trope, my option is surely not for “the historical dustbin.”. (shrink)

Abstract The idea of ?election? cannot be approached, it seems, through traditional or classical philosophical conceptuality. This idea requires another type of discourse. Not simply because this idea refers to an entirely other body of texts, that of the Biblical tradition, but more radically since it commands another modality of thought which must at once suspend and pursue philosophical concepts to the point where they express themselves otherwise than according to the rationality of their own deployment. In truth, the idea (...) of ?election? calls thus for a redefinition of the rapport between singularity and universality, one no longer structured and circumscribed by ?truth?, but rather inspired by a novel and irreducible modality of ?justice?. A ?justice? which opens to the possibility for an ?ethics?, not as ?communicative dialogue?, ?mutual recognition? or a series of established and rationally grounded laws, but a ?place? of incessant and irresolute, non-intentional and unconditional exposition to the Other. (shrink)

BackgroundThis study is part of a major study about difficulties in communicating ethical problems within and among professional groups working in hemodialysis care. Describing experiences of ethically difficult situations that induce a troubled conscience may raise consciousness about ethical problems and thereby open the way to further reflection.The aim of this study was to illuminate the meanings of being in ethically difficult situations that led to the burden of a troubled conscience, as narrated by physicians working in dialysis care.MethodA phenomenological (...) hermeneutic method was used to analyze the transcribed narrative interviews with five physicians who had varying lengths of experience in nephrology.ResultsThe analysis shows that physicians working in hemodialysis care suffered from a troubled conscience when they felt torn by conflicting demands and trapped in irresolution. They faced ethical dilemmas where they were forced to make crucial decisions about life or death, or to prioritize when squeezed between time restraints and professional and personal demands. In these ethical dilemmas the physicians avoided arousing conflicts, were afraid of using their authority, were burdened by moral responsibility and felt devalued and questioned about their way of handling the situation. The findings point to another way of encountering ethical dilemmas, being guided by their conscience. This mean sharing the agony of deciding how to act, being brave enough to bring up the crucial problem, feeling certain that better ways of acting have not been overlooked, being respected and confirmed regarding decisions made.ConclusionThe meanings of being in ethically difficult situations that led to the burden of a troubled conscience in those working in hemodialysis care, indicate the importance of increasing the level of communication within and among various professional groups - to transform being burdened by a troubled conscience into using conscience as a guide - in situations where no way of solving the problem seems to be good. (shrink)

Robust theories concerning the connection between consciousness and brain function should derive not only from empirical evidence but also from a well grounded inind-body ontology. In the case of the comparator hypothesis, Gray develops his ideas relying extensively on empirical evidence, but he bounces irresolutely among logically incompatible metaphysical theses which, in turn, leads him to excessively skeptical conclusions concerning the naturalization of consciousness.

When advanced technologies of globalization that are closely associated with secular cosmopolitics are opportunistically employed by fundamentalist politico-theologies for their own particular purposes, an essential irresolution of territory, jurisdiction and programmatic projection is revealed. Where some may wish to identify an ideal correspondence between a global political sphere into which multiple differences might be adjudicated and the visual, geographic representation of a single planetary space, this conjunction is dubious and highly conditional. Instead multiple territorial projections and competing claims on (...) space are also generative of the very qualities of the spatial as a political medium altogether. For example, the well-publicized use of satellite-based mapping and telecommunications tools, such as Google Earth, by the terrorist group that attacked Mumbai in November 2008, raises several knotty and important questions about how contrary comprehensive images of the world can make use of one another in ways that undermine the ‘unitotality’ of global territory. It is not that Google and Jihad are ‘equivalent’ or even ‘translatable’, but rather because they are not, they are in practice interoperable. Instead links between urbanism, cosmography, and the socialization of planetary software networks demonstrate the centrality of design to the ongoing fashioning of the territory of territories, the geoscape. (shrink)

Obtaining informed consent before providing treatment is a routine part of modern clinical practice. For some treatments, however, there may be disagreement over the requirements for ‘informed’ consent. Electroconvulsive therapy (ECT) is one such example. Blease argues that patients ‘should surely be privy to the matters of fact that: (1) there is continued controversy over the effectiveness of ECT; (2) there is orthodox scientific consensus that there is currently _no_ acknowledged explanation for ECT and (3) there is a serious (mainstream) (...) debate over whether the response to ECT may be a placebo response.’ Before embracing these suggestions, two key questions must be asked. Are these claims a reasonable representation of current ECT research? And if so, will this information be of benefit to patients? The evidence-based support for ECT from both National Institute for Health and Care Excellence and the Royal College of Psychiatrists appears to undermine the validity of claims (1) and (3), and therefore the rationale for providing this information. Concerning assertion (2), it is true that the mechanism by which ECT has its therapeutic effect is not yet established, although the importance of conveying this fact to the patient is questionable. Of greater certainty is that the same irresolution surrounds the mechanism of action of pharmaceutical antidepressants, and so a double standard in patient care should be mindfully avoided if provision of this information is deemed a prerequisite for proper ‘informed’ consent. (shrink)

Often we make decisions whose purpose is to reduce the likelihood of our making bad decisions in the future—for example, by turning off my phone to make it more difficult for me to go on Tik Tok during the work day, or staying at home on a Friday instead of going to a party where I know my friends will be drinking to excess. These decisions seem essential, but they raise some philosophical questions. Here is one of them: What is (...) the view that a person takes of her own future when she goes in for this kind of planning? And here is another: How does seeing ourselves as subject to temptation, in the way that this kind of planning presumes, not serve as an invitation to irresolution when tempting situations arise? In this essay, I show how the answers to these questions are mutually illuminating. (shrink)

" Le séminaire "L'essence de la politique" appartient au cycle qui étudie les quatre procédures de vérité (science, art, amour, politique) dans leur être de condition de la philosophie. Le coeur de l'entreprise a cette fois été de démontrer un théorème spéculatif difficile, dont je donne, près de trente ans plus tard, une version synthétique : La politique est la pensée, ou la théorie, de ce qu'elle est, y compris si on l'entend comme "pratique", comme action transformatrice de l'humanité par (...) elle-même. Mais une définition de la politique, qui en expose l'Idée éternelle, est toujours de nature philosophique. Il en résulte que toute confusion entre la pensée politique comme telle, agissant en situation, et sa définition philosophique, tournée vers l'éternité, prépare un désastre. Ces pages confrontent en moi-même, et dans leur tension toujours portée à l'irrésolution, le militant et le philosophe. Que le lecteur injecte dans ce support ses propres impasses... " A. B. Depuis 1966, une part importante de l'enseignement du philosophe Alain Badiou a pris la forme d'un séminaire, lieu de libre parole et laboratoire de pensée. Les éditions Fayard publient l'ensemble de ces Séminaires de 1983 à aujourd'hui, période où la documentation est abondante et continue. Ce volume est le douzième de la série. (shrink)

“To behave” (sich verhalten)is to find oneself engaged in a world according to a bundle of privileged relations (Verhältnisses), which engages in existence the fundamental modes of being of the self: questioning, transcendence, finitude, temporality, freedom. In this sense, “behaviour” (Verhalten) will itself be able to reveal itself as “fundamental”, by taking over the question of being, and this, on the one hand, in comparison with daily superficial and irresolute behaviour, and, on the other hand, in comparison with the determined (...) behaviour of the animal (Benehmen). These analyses make it possible to bring to light in Heidegger before the Kehre, in a striking contrast with Behaviourism, and especially Merleau-Ponty, a phenomenology of behaviour which is no longer expressed merely in terms of “reflex”, or of “structure” and goes as far as questioning the behaviour which the philosopher must take in regard to himself. (shrink)

In this new book, Florian Klinger gives readers a basic action-theoretical account of the aesthetic. While normal action fulfills a determinate concept, Klinger argues, aesthetic action performs an indeterminacy by suspending the action's conceptual resolution. Taking as examples work by Tino Sehgal, Kara Walker, Mazen Kerbaj, Marina Abramović, Cy Twombly, and Franz Kafka, the book examines indeterminacy in such instances as a walk that is at once leisurely and purposeful, a sound piece that is at once joyous and mournful and (...) mechanical, or, a sculpture that at once draws one in and shuts one out. Because it has irresolution as its point, aesthetic action presents itself as an unsettling of ourselves, our ways, our very sense of who we are. As performers of such action, we don't recognize one another as bearers of a shared human form as we normally would, but find ourselves tasked anew with figuring out what sharing a form would mean. In conversation with philosophers such as Kant, Hegel, Wittgenstein, and Anscombe; political thinkers such as Marx and Lorde; and contemporary interlocutors such as Michael Thompson, Sebastian Rödl, and Thomas Khurana, Klinger's book makes a case for a conception of the human form that systematically includes the aesthetic: an actualization of the form that is indeterminate and nevertheless rational. The book gives the project of Western philosophical aesthetics a long-overdue formulation for our present that aims to do justice to contemporary aesthetic production as it actually exists. It will appeal to those working in philosophy, art, and political thought. (shrink)

Résumé La non-violence est au principe de la désobéissance civile. Cette caractéristique conduit souvent à dévaloriser cette forme d’action politique en la tenant pour inoffensive. Il ne faut cependant pas confondre non-violence et irrésolution, ni réduire la violence en politique au déploiement d’une force brute et armée. La violence est l’irrémédiable arrière-plan de l’activité politique. Et si son usage direct provoque aujourd’hui l’aversion en démocratie, des mouvements de contestation ne cessent d’inventer des figures de la non-violence dont l’efficace est attesté.

The article examines the patient-doctor relationship, relying on Michel Foucault’s concept of the clinical gaze. We argue that during the last decades, a profound transformation of the social nature of medicine took place, one that Foucault’s understanding of the clinical gaze cannot adequately account for. First, the article offers an elaboration of the three-node network of clinical gaze, the clinic, and nosology to explain the positioning of the doctor and the patient within the specific social ontology generated by the rise (...) of medicine. We then discuss intensive but irresolute developments brought by technological advancements, especially the X-ray tube. Finally, we argue that in the contemporary clinic, equipped with a plethora of sophisticated devices, the position of the doctor endured the most radical transformation in comparison with Foucault’s proponent of the clinical gaze at the dawn of modern medicine. (shrink)

The article examines the patient-doctor relationship, relying on Michel Foucault’s concept of the clinical gaze. We argue that during the last decades, a profound transformation of the social nature of medicine took place, one that Foucault’s understanding of the clinical gaze cannot adequately account for. First, the article offers an elaboration of the three-node network of clinical gaze, the clinic, and nosology to explain the positioning of the doctor and the patient within the specific social ontology generated by the rise (...) of medicine. We then discuss intensive but irresolute developments brought by technological advancements, especially the X-ray tube. Finally, we argue that in the contemporary clinic, equipped with a plethora of sophisticated devices, the position of the doctor endured the most radical transformation in comparison with Foucault’s proponent of the clinical gaze at the dawn of modern medicine. (shrink)

ObjectiveEven if the relationship between adverse childhood experiences and intimate partner violence has already been established, there are no sufficient studies examining the relationships between these factors and attachment representations, specifically attachment disorganization. Thus, this study aimed to explore, in a sample of women who experienced IPV the presence of interpersonal adversities during childhood, and attachment representations, with a particular focus on disorganization.MethodsWomen’s representations of attachment experiences were investigated through the Adult Attachment Interview, while the presence of various forms of (...) interpersonal adversities during childhood was assessed using the Complex Trauma Questionnaire. The results of the IPV group were compared with those of women with no history of IPV.ResultsWomen in the IPV group showed higher values of multiple forms of adverse experiences within their caregiving system. They presented significantly higher rates of disorganized states of mind regarding attachment, indicative of a lack of resolution regarding traumatic experiences, and of disorganized working models resulting from complex trauma. Our results highlighted that, more than the presence of traumatic experiences, it is their irresolution – reflected in the disorganized states of mind regarding attachment at the Adult Attachment Interview – to be a significant predictor of IPV.ConclusionThese results suggest underline the significance of offering a trauma- and attachment-informed therapy to those who experience IPV. Such results could help both clinicians and researchers in formulating clearer guidelines for IPV interventions. (shrink)

Alfred North Whitehead in his book Process and Reality describes the history of the universe in terms of a process of ‘creative advance into novelty.’ This advance is produced by a collection of happenings called ‘actual occasions’, or ‘actual entities’. Each actual entity has an associated actual world, and it arises from its own peculiar actual world. (PR 284). Two occasions are termed ‘contemporary’ if neither lies in the actual world of the other. A key issue is whether the words (...) in Process and Reality commit Whitehead to the relativity-theory idea that, at least in our present epoch, the creative advance into novelty is not serially ordered, or whether, alternatively, the logical developments in Part IV entail, at a deep metaphysical level, that the facts specified by two contemporary occasions become fixed and settled in some definite order. Irresolution on this basic question renders Whitehead’s theory obscure and plagued with controversy. I argue, in opposition to another paper in this issue, that Whitehead endorses the relativistic viewpoint, and consistently adheres to it. This makes Whitehead’s theory compatible with relativistic quantum theory. Combining Whitehead’s relativistic process theory with relativistic quantum field theory is therefore possible, and it holds the promise of producing a rationally coherent understanding far richer than what is provided by either theory alone of the relationships between the physically described aspects of the universe and human knowledge and intentions. (shrink)

In René Descartes’ correspondence with Elizabeth (mainly 1645-1647) as well as his Passions of the Soul (1649), Descartes says that regret is appropriate only when agents act irresolutely, regardless of whether or not their actions bring about good states-of-affairs. In this paper I set out to explain what Descartes views as a novel account of virtue: that being virtuous amounts to being resolute. I show how this account of virtue fits into Descartes’ larger world-view, and then examine his belief that (...) a person should not regret resolute misdeeds. (shrink)

Abstract:Is there a convergence of Philip Roth's The Facts and "the facts," as contextualized historically, in Martin Heidegger's Being and Time? And to the extent The Facts may reconfigure Sartrean flight and Heideggerian regard for resolute consciousness and historicity, how does such transformation relate to Roth's implied musings in The Facts on Herman Melville's The Confidence-Man: His Masquerade? Roth channels irresolute facts not toward the somber absence of consciousness implied by Heideggerian resoluteness and "historicality" but toward the supremacy of Dasein (...) inherent in enduring literary excursion charted by the Sartrean-inspired masquerade of Dasein's being what one is and is not. (shrink)

Hobbes begins the Elements of Law by claiming that "[t]he true and perspicuous explanation of the elements of laws natural and politic... dependeth upon the knowledge of what is human nature." 1 He agrees that morality and politics are "not to be discovered but to be made," but they are to be made as solutions to problems discovered through a detailed study of human nature.2 Among other things, this study reveals that humans are obsessed both with contemplating their own power (...) and having others recognize it. The former desire is the desire for glory: the latter is the desire for honour. Hobbes goes on to show the conflict these desires cause. They ensure scarcity, since their objects are intrinsically scarce, and they contribute to irresolution, and so make it hard to keep covenants. In addition, they determine the form of any solution: the market is not a fully satisfactory solution, and the sovereign must redirect desires for honour and glory into harmless channels. I shall first argue against David Gauthier, who takes Hobbesian men to pursue honour and glory as mere instruments to the satisfaction of their asocial desires. I shall then present a revamped version of what Jean Hampton calls the "passions account" of conflict, defending it from her objections. I shall close by sketching how Hobbes responds to the problems caused by the desire for honour and glory. (shrink)

The violence of the attacks on New York and Washington and the subsequent war in Iraq have brought to the fore the issue of citizenship virtue. This paper challenges nearly a generation of citizenship theorists who, by privileging discourse over other virtues, have impaired the capacity for a balanced political response to this event. It is argued that the removal of the virtue of courage from the model of good citizenship has resulted in a politics that either cannot suffer violence (...) when it is needed, or one that knows no boundaries to violence when it is employed. From an interpretation of Plato’s Laches, a model of citizenship—which is here called the Hunter-Philosopher — is explored that situates courageous citizenship between the unmitigated and unrestrained violence of the warrior on the one hand, and the irresolute, divisive speech of the sophist on the other. (shrink)

In a tribute to the intellectual legacy of Peter Fitzpatrick, this article explores the poiesis of modern law, as a constitutive ambivalence distilled in the affinity between law and literature. Reading with Fitzpatrick, the resolution of the contradictions of this law in myth depends, paradoxically, upon its fundamental irresolution. Reflecting upon the profound significance of his revelation of the mythology of modern law and its scholarly reverberations, I consider the constitutive tensions of this law as exemplified in the relation (...) between praxis and poiesis, the operative function of the former dependent upon the creative unfolding of the latter. The alchemy of autopoiesis, by which law boldly proclaims itself law, is made explicit in the eschatology of its archive and the formation of its sovereign subject in negation. Revealing the literary dimensions of this law, the conceit of autonomy is nonetheless subject to the subversive substitutions of the supplement. Pressing yet further, the autopoiesis of law is found to be enfolded within a generative sympoiesis, constituted by the movement between its apposite dimensions. Ultimately, extending Fitzpatrick’s rendering of the irresolution of modern law as decolonial, I explore the possibilities afforded by a reading of the fundamental mutuality of myths, and the decolonial conviviality of poiesis. (shrink)

In this review, I discuss recent advances in philosophical and psychological approaches to self-control. The review is divided in 4 parts, in which I discuss: a) different conceptions of self-control; b) standard methods for studying it; c) some models of how self-control is exercised; and d) the connections between self-control and other relevant psychological constructs. The review was originally commissioned by the John Templeton Foundation to provide an informative overview that would knit together different strands of current debates in the (...) field. It is meant to be useful to well-informed audiences, as well as new-comers to the discussion. (shrink)

This paper challenges a view of the Gender Recognition Act 2004 as involving an unequivocal shift from the concept of sex to the concept of gender in law’s understanding of the distinction between male and female. While the Act does move in the direction of gender, and ostensibly in an obvious way through abandoning surgical preconditions for legal recognition, it will be argued that the Act retains and deploys the concept of sex. Moreover, it will be argued that the concept (...) of sex retained is not merely an anatomical understanding, but sex in a biological sense. In this respect the Gender Recognition Act can be viewed as embodying a tension between gender and sex. Further, it is contended that this tension is explicable in terms of irresolution of contrary legal desires to reproduce the gender order and to insulate marriage and heterosexuality from homosexuality in the moment of reform. (shrink)

This little book, which ostensibly concerns "the conflict between Isocrates and Plato on the subject of Athenian culture, as seen through the Symposium," ought not to escape the attention of Plato scholars or philosophers. The antithesis between a rhetorical ideal of open conversation and a philosophical ideal of objective accord is the main issue here, and the lessons of the book are as important to the twentieth century as they are to the time of Plato. Wohlman sees the Symposium as (...) staging a battle between Plato and Isocrates over the conception of a common logos. For Isocrates the common logos is rooted in the humanism of Athenian culture, founded on the shared values of liberty and autonomy, and expressed in a diversity of intellectual endeavors. Thus, the rhetor, the aristocrat, the doctor, the poet, and the philosopher all share a cultural commitment to logos, which allows them to disagree about the contents and merits of their respective views, but which also requires them to acquiesce in irresolution: their "open" conversation cannot be closed. Plato is squarely opposed to irresolution, but he does not reject the whole of Athenian culture. Instead he proposes to supplant its humanist foundations with a conception of the common logos that "is capable of accepting, surpassing, and finally saving that same culture". For Plato "only the intelligible determination of the eidos can contribute to the mobile multiplicity of the common logos the principle of the authentically common character that it lacks". (shrink)