This book offers an examination of the political dimensions of a number of Jean-Luc Godard’s films from the 1960s to the present. The author seeks to dispel the myth that Godard’s work abandoned political questions after the 1970s and was limited to merely formal ones. The book includes a discussion of militant filmmaking and Godard’s little-known films from the Dziga Vertov Group period, which were made in collaboration with Jean-Pierre Gorin. The chapters present a thorough account of Godard’s investigations on (...) the issue of aesthetic-political representation, including his controversial juxtaposition of the Shoah and the Nakba. Emmelhainz argues that the French director’s oeuvre highlights contradictions between aesthetics and politics in a quest for a dialectical image. By positing all of Godard’s work as experiments in dialectical materialist filmmaking, from Le Petit soldat to Adieu au langage, the author brings attention to Godard’s ongoing inquiry on the role filmmakers can have in progressive political engagement. (shrink)

Rage in the ‘Nibelungenlied’ is a positive, aboriginal energy. The more easily the hero can access this energetic source, the more powerful he becomes. Marshal charisma is essentially associated with the primary emotion of rage – a fact supremely exemplified by Siegfried. However, charismatic army commanders are quite different from political leaders. The position of the ruler is characterized by a high degree of self-control. Yet the disciplined king depends on his warriors, since the buttressing of his own cognitive distance (...) is accompanied by a weakening of his physical power. Representatives of this position are Gunther in the first part, and in the second, Etzel and his vassal Dietrich. Suspense in the ‘Nibelungenlied’ is thus built around the ambivalent qualities associated with anger. As a basic affect, anger's power stems from the sheer power of life itself; it helps those who admire the hero to identify with him and even feel a sense of delight in doing so. But whilst wrathful devotion is largely celebrated, it emerges elsewhere as the ugly face of general social impotence. The ecstasy of battle, which suggests narcissistic invulnerability, leads to deeply felt mourning amongst the survivors. Thus in the ‘Nibelungenlied’, anger is celebrated and unmasked simultaneously and in equal measure. (shrink)

This second volume in the serial Reviews in Fluorescence is a collection of up to 10 invited reviews on current trends and emerging hot topics in fluorescence. This new annual series compliments the other fluorescence titles published by Springer, while feeding the requirement from the fluorescence community for annual informative updates and developments.

Die Rede ist von einer merkwürdigen Variante deutscher Italiensehnsucht: Dem Wunsch, in Rom begraben zu werden, der im Fall Wilhelm von Humboldts mit einem konkreten Glücksgefühl korreliert. Das ist schon deshalb bemerkenswert, weil Humboldts römischer Aufenthalt vom Sterben dreier seiner Kinder und seines Freundes Schiller überschattet wurde. Die Frage nach dem Niederschlag, den die Auseinandersetzung mit dem Tod in Humboldts Texten fand, rekonstruiert die vorliegende Untersuchung als Form einer Werkpolitik, die es unternimmt, den eigenen Nachruhm in verschiedenen Diskursen zu steuern. (...) Humboldts Terminologie, die den christlich besetzten Begriff,Unsterblichkeit? durch den Begriff,Unendlichkeit? ersetzt, wird in sechs privilegierten Lektüren nachgegangen. (shrink)

Das neue Buch des bereits mit zahlreichen Arbeiten besonders zum Vierten Kreuzzug hervorgetretenen Autors setzt sich aus drei unterschiedlichen, wenn auch eng miteinander verwobenen Teilen zusammen: einer Untersuchung zur Familie und zur Biographie des Dogen Enrico Dandolo, einer Darstellung von Politik und Verfassungsgeschichte Venedigs im 12. Jahrhundert und einer Geschichte des Vierten Kreuzzugs. Die Erzähl- und Argumentationsstränge der drei Teile sind vielfach miteinander verschränkt und verfolgen gemeinsam ein viertes Ziel: anschaulich zu machen, daß die politischen und verfassungsrechtlichen Entwicklungen des 12. (...) Jahrhunderts, besonders aber die mit der Person des Enrico Dandolo eng verbundenen Geschehnisse des Vierten Kreuzzugs die Stadt Venedig fundamental veränderten und sie von einer Kaufmannsrepublik (merchant republic) zu einer Seemacht (maritime empire) werden ließen. (shrink)

In this paper I argue for the "incompleteness thesis" of Kant's General Metaphysics before completing a full analysis of the power of judgment which only occurred in the Critique of Judgment-Power. Kant scholars have argued that Kant's General Metaphysics was completed with the Critique of Pure Reason and the Third Critique added nothing significant to this quest. One of the issues in this paper is to understand Kant's various "transition problems" and their solution to unify knowledge under a metaphysics, all (...) of which has implications for the natural and cognitive sciences even today. (shrink)

This essay deals with a particularly recalcitrant problem in the history of ideas, that of irrationalism. It emerged to full consciousness in mid-eighteenth century thought. Irrationalism was a logical consequence of individualism which in turn was a direct outcome of the Cartesian self-reflective subject. In time these tendencies produced the "critical" Zeitgeist and the "epoch of taste" during which Kant began thinking about such matters. Like Alfred Bäumler, I argue that irrationalism could not have arisen in ancient or medieval philosophical (...) discourse, as they both lacked a certain type of rationalism required as its conceptual antipode. Only after the Lisbon earthquake (1755), and the ensuing reason vs. passion debate acknowledging for the first time both human powers as equal contenders, did the specter of irrationalism arise and become a focus. Kant's revolution in thought produced "transcendental psychology" reconciling "pure" sensibility and "pure" reason and provided, I argue, the conceptual wherewithal to grant aesthetic feeling and irrationalism a philosophical niche. (shrink)

This essay deals with a particularly recalcitrant problem in the history of ideas, that of irrationalism. It emerged to full consciousness in mid-eighteenth century thought. Irrationalism was a logical consequence of individualism which in turn was a direct outcome of the Cartesian self-reflective subject. In time these tendencies produced the "critical" Zeitgeist and the "epoch of taste" during which Kant began thinking about such matters. Like Alfred Bäumler, I argue that irrationalism could not have arisen in ancient or medieval philosophical (...) discourse, as they both lacked a certain type of rationalism required as its conceptual antipode. Only after the Lisbon earthquake (1755), and the ensuing reason vs. passion debate acknowledging for the first time both human powers as equal contenders, did the specter of irrationalism arise and become a focus. Kant's revolution in thought produced "transcendental psychology" reconciling "pure" sensibility and "pure" reason and provided, I argue, the conceptual wherewithal to grant aesthetic feeling and irrationalism a philosophical niche. (shrink)

I argue that once one holds (as Kant does) that the mind is equipped with innate, pre-existing, i.e. a priori structures, one can ask (as materialists or empiricists would), Is there an identifiable source of such structures and what does it imply? Already Schopenhauer, Moses Mendelssohn and others have taken that route of argument, without fully drawing the implications. In this paper I attempt to do so, posing the query: Is Kant's very explicit separation of the transcendent from the transcendental (...) necessary in his critical system? I try to answer from various perspectives. (shrink)

This study focuses on Kant's attempt to find the link between feeling and cognition on a priori grounds in the three Critiques to make philosophical judgment possible. As such it treats the area of aesthetics and its formal principles. This work explores the enigma: How is it that Kant values the talent to judge more than understanding and reason; indeed the lack of it «no school can make good». Yet, even though Kant demonstrates how a priori synthetic judgments and a (...) priori moral judgments are possible as particular pronouncements, he analyzes the power of judgment itself as an independent faculty only in the last Critique. The author argues that the aesthetic factor plays a recalcitrant, yet vital and necessary role in all human judging. Finding an adequate niche for feeling and its a priori principles becomes a key problem not just for Kant but for the entire philosophical enterprise. (shrink)

KANT AND HEGEL FIND THEMSELVES ON SIMILAR PATHS toward their respective goals to give a total account of reality. They share a deep commitment to science, Wissenschaftlichkeit, and raise the question: Where does science begin? Similarly, they answer: It begins with sense knowledge yet it is not founded in the senses. This essay attempts to reflect on, with the aim of cautiously reassessing, the nonsensible, universal features of sense experience from an idealist perspective. A study of the “science of sensibility,” (...) raised to new levels of interest in recent debates of how the mind works, seems to have lost nothing of its fascination, indeed urgency in contemporary discussions, in the Kant-Hegel scholarship, in the philosophy of mind, philosophy of science as well as the natural and cognitive sciences in general. (shrink)

Kant's theory of judgment establishes the conceptual framework for understanding the subtle relationships between the experimental scientist, the modern instrument, and nature's atomic particles. The principle of purposiveness which governs judgment has also a role in implicitly guiding modern experimental science. In Part 1 we explore Kant's philosophy of science as he shows how knowledge of material nature and unobservable entities is possible. In Part 2 we examine the way in which Kant's treatment of judgment, with its operating principle of (...) purposiveness, enters into his critical project and underlies the possibility of rational science. In Part 3 we show that the centrality given to judgment in Kant's conception of science provides philosophical insight into the investigation of atomic substances in modern chemistry. (shrink)

In modern discourse about the history of science, it seems to be widely accepted that at the end of the nineteenth century, Germany was one of the leading countries in the production of science. In the past, historians of science tried to trace back a specific ‘German style’ of science that—in combination with other factors—determined this German dominance around 1900, especially in the life sciences. Considering the theoretical concept of ‘national styles’, it has to be kept in mind that around (...) 1900, contemporaries already proclaimed ‘national styles’ of science as representations of national identity. Thus, the question arises as to how far existing historiographical conceptions of national styles may include earlier claims and prejudices. Careful reconstructions of contemporary discourses on national styles and inquiries into the ‘stylisation’ of a dominant, successful ‘German style’ are necessary. One of the contemporary critics of a ‘German style’ of science was the physiologist Jacques Loeb (1859–1924), who emigrated to the USA in 1891. Loeb corresponded regularly with the physicist and philosopher Ernst Mach (1838–1916). Ernst Mach can be considered Loeb's intellectual father with whom he corresponded about strategic, philosophical, and epistemological questions. Using the Loeb–Mach correspondence, the aim of the paper is to reconstruct Loeb's conception of a ‘German style’ of science and its differences to an ‘American style’. Changes in his views are discussed as well as the roots of his views and some of their consequences. Finally, Loeb's ideas on national styles and his working profiles before and after his emigration are compared to historiographical analyses of ‘American’ or ‘German’ styles of science around 1900. (shrink)

Vor dem Hintergrund der jahrelangen kontroversen Debatten um die Lehranalyse wird das Verfahren vorgestellt, wie in der Deutschen Psychoanalytischen Gesellschaft Lehranalytiker evaluiert werden. Dazu wird zunächst auf die langjährige organisatorische und inhaltliche Entwicklung dieses Konzepts eingegangen. Bei der Darstellung des Evaluationsverfahrens steht die Frage der Einschätzung der Qualität des analytischen Arbeitens der zu evaluierenden Kollegen im Mittelpunkt, es geht aber auch um die Besonderheiten der späteren Tätigkeit als Lehranalytiker und Supervisor. Einige der Schwierigkeiten, die sich dabei in der Praxis zeigen (...) können, werden anhand eines fiktiven Beispiels erläutert. Abschließend werden die Stärken und Schwächen dieses Verfahrens diskutiert. (shrink)

Essays from an international conference held in Wurzburg in March 2001 dealing with philosophers in late antiquity including Iamblichus, Plotinus, Porphyry, Victorinus, Calcidius, and Origen.

Janine Langan's Hegel and Mallarmé represents an analysis of Stéphane Mallarmé's pervasive, if "mysterious" Hegelianism which underlies, by the French symbolist's own admission, his total work. The author attempts to demystify the Hegelian substructure in Mallarmé by a careful examination and step-by-step description of the salient Hegelian elements. The latter task is accomplished by de voting a good part of the work to Mallarmé's longest poem "Un coup de dés jamais n'abolira le hasard," which has at times been considered the (...) "quintessence of unintelligibility," but which exemplifies a sustained, if covert, Hegelian-like structure and science-like system. Langan combines an instinct for comparative literature with an astuteness at recognizing philosophical implications to demonstrate the unmistakable affinity between the poet and the philosopher. In light of the reluctance of contemporary philosophers in general to venture into uncharted "foreign" territory of diverse disciplines, Langan's foray is particularly noteworthy. (shrink)

Robert Greenberg offers an intricate, highly original reading of Kant’s first Critique on what constitutes the possibility of a priori knowledge. One of the book’s main features, ambitious in scope, is the author’s extensive polemic against mainstream Anglophone approaches to Kant’s position on a priori knowledge. Many of them have, according to Greenberg, fundamentally misunderstood Kant’s theory of transcendental idealism. In particular, Greenberg sees Peter Strawson’s epochmaking classic, The Bounds of Sense—An Essay on Kant’s Critique of Pure Reason as a (...) leitfaden for other similarly misguided interpretations. Most Anglo-American accounts hold that for Kant’s critical project to have any viability at all it cannot be taken as an attempt to show the possibility of a priori knowledge as such, but rather to spell out the conditions for empirical knowledge. Greenberg gives examples: Strawson believes that Kant’s transcendental idealism is unsustainable because the central “principle of significance” perishes from its own internal contradictions. Likewise, Henry Allison’s interpretations replace the dualism of transcendental idealism by a monism built around the empirical object. Greenberg faults other “ Customary Interpretations of Kant’s Ontology”, those of Karl Ameriks, Richard Aquila, Paul Guyer, Patricia Kitcher, among others, on grounds of having misread Kant’s ontology vis à vis his transcendental epistemology. (shrink)

Historians not only operate in the famous "ivory tower" of science, but present their research and take part in social debates. Their interventions relate to developments in the culture of remembrance or historical-political decisions, but also to current issues that go beyond this. They can take on an analytical, an enlightening, a warning, an accusatory or a defensive role and act as public historians. The volume brings together contributions from the Leibniz Center for Contemporary History Potsdam (ZZF). They address individual (...) actors, discussions and scientific self-understandings as well as the relationship between history and the public. (shrink)