The geometric shapes and natural forms, captured with exceptional precision in Ernst Haeckel's prints, still influence artists and designers to this day. This volume highlights the research and findings of this natural scientist. Powerful modern microscopes have confirmed the accuracy of Haeckel's prints, which even in their day, became world famous. Haeckel's portfolio, first published between 1899 and 1904 in separate installments, is described in the opening essays. The plates illustrate Haeckel's fundamental monistic notion of the "unity of all living (...) things" and the wide variety of forms are executed with utmost delicacy. Incipient microscopic organisms are juxtaposed with highly developed plants and animals. The pages, ordered according to geometric and "constructive" aspects, document the oness of the world in its most diversified forms. This collection of plates was not only well-received by scientists, but by artists and architects as well. Rene Binet, a pioneer of glass and iron constructions, Emile Galle, a renowned Art Nouveau designer, and the photographer Karl Blossfeld all make explicit reference to Haeckel in their work. (shrink)

Music is an example of evolutionary convergence: Similar sound expressions can be found in birds, dolphins, wolves and in humans. This is evolutionary convergence. Present-time psychological research about the gender differences seems to support the statement of philosopher Friedrich Nietzsche: In the true man there is a child hidden – up ye, women, discover the child in man! Monogamy is common among primates and among birds. This is evolutionary convergence, too, and might be related to the ability to communicate with (...) sounds in a sophisticated way. My paper also deals with laughter, weeping and blushing, highlighted as Irenaeus Eibl-Eibesfeldt might have interpreted their evolutionary origin. (shrink)

"Das Humanethologische Filmarchiv ist eine Sammlung von rund 800 Stunden Filmmaterial und 2000 Stunden Tonaufzeichnungen, zusammengetragen vom Verhaltensforscher Irenäus Eibl-Eibesfeldt und seinen Mitarbeitern über einen Zeitraum von vier Jahrzehn- ten. Die Humanethologie versteht sich als Biologie des menschlichen Verhaltens und fragt nach den phylogenetischen Bedingungen komplexer motorischer Abläufe, die sie in einer kulturvergleichenden Perspektive untersucht. Aber wovon genau ist das Human- ethologische Filmarchiv ein Archiv? Dieser Beitrag geht dieser Frage nach, in dem er nach den operativen Ontologien der menschlichen (...) Natur und der photographischen Evidenz fragt, die in das Forschungsdesign der Humanethologie eingelassen sind. The film archive of human ethology is a collection of about 800 hours of footage and 2000 hours of sound recordings, compiled by behavioral scientist Irenäus Eibl-Eibesfeldt and his collaborators over a period of four decades. Human ethology is understood as biology of human behavior and asks about the phylogenetic conditions of complex motor processes, which are investigated in a comparative perspective on culture. But what exactly is archived in the film archive of human ethology? The paper tackles this question by asking about the operational ontologies of human nature and the photographic evidence incorporated into the research design of human ethology. ". (shrink)

Berichte zur Wissenschaftsgeschichte, Volume 45, Issue 1-2, Page 87-111, June 2022.

This article carries out a critique of the abstract and disembodied character owned by the structures of the Psychology of Form. The Psychology of Form ignores and removes the genesis of forms, thus remaining trapped in the "dialectic of enlightenment" as described by Adorno and Horkheimer. Through the critical contribution of the works of Piaget and Eibl-Eibesfeldt, is brought to light that history of the relations between the individual and the environment which the Gestaltpsychologie finds only in his final (...) static result. (shrink)

The ArgumentPain has important biomedical socioanthropological, semiotic, and other facets. In this contribution pain and the experssion of pain are looked at from the perspective of evolutionary biology, utilizing, among others, cross-cultural data from field work in Melanesia.No other being cares for sick and suffering conspecifics in the way humans do. Notwithstanding aggression and neglect, common in all cultures, human societies can be characterized as empathic, comforting, and promoting the health and well-being of their members. One important stimulus triggering this (...) caring response in others is the expression of pain. The nonverbal channel of communication, particularly certain universal — i.e., culture-independent facial expressions, gestures, and body postures, convey much of the message from the painstricken person to the group.These behaviors signal the person's physical and psychical pain, sadness, grief, and despair in ways very similar to the signs given by infants and small children: the body loses tonus and sinks or drops to the ground, the gestures are those of helplessness. Pain and grief may be so strong that control is lost not only over the body's posture but also over the mind's awareness. In such cases the afflicted person may carry out actions endangering himself or others. In general, these behavior patterns resemble those of infants in situations of distress and danger, and it is not surprising that the response of the members of the group is basically parental: taking care, assisting and consoling.Perceptive and behavioral patterns which developed in the course of avian and mammalian phylogeny to serve the well-being of the young have proven, as was shown by Eibl-Eibesfeldt, to be powerful building blocks for actions in other spheres of human interaction. Love is one such field, the reactions to a conspecific suffering pain is another. (shrink)