This book examines the human ability to participate in moments of joint feeling. It presents an answer to the question concerning the nature of our faculty to share in what might be called episodes of collective affective intentionality. The proposal develops the claim that our capacity to participate in such episodes is grounded in an ability central to our human condition: our capacity to care with one another about certain things. The author provides a phenomenologically adequate account of collective (...) affective intentionality that takes seriously the idea that feelings are at the core of our emotional relation to the world. He details a form of group emotional orientation that relies on the fact that the participating individuals have come to share a number of concerns. Readers will learn that at the heart of a collective affective intentional episode, one does not merely find a set of shared concerns, but also a particular mode of caring. In the end, the argument presented in this monograph makes plausible the idea that the emotions through which humans participate in moments of affective intentional community express our nature. In addition, it shows that the debate on collective affective intentionality also permits us to better understand the relationship between two conflicting philosophical pictures of ourselves: the idea that we are essentially social beings and the claim that we are creatures for whom our personal existence is an issue. Thus, aiming at an elucidation of the nature of our ability to feel together, the book offers a detailed account of what it is to situationally express our human nature by caring about something in a properly joint manner. (shrink)

Is intentionally doing A linked to the intention to do A? Knobe and Burra believe that the link between the English words ‘intention’ and ‘intentional’ may mislead philosophers and cognitive scientists to falsely believe that intentionally doing an action A requires one to have the intention to do A. Knobe and Burra believe that data from other languages..

Here I show that Sellars’ radicalization of the Kantian distinction between concepts and intuitions is vulnerable to a challenge grounded in Merleau-Ponty’s phenomenology of embodiment. Sellars argues that Kant’s concept of ‘intuition’ is ambiguous between singular demonstrative phrases and sense-impressions. In light of the critique of the Myth of the Given, Sellars argues, in the ‘Myth of Jones’, that sense-impression are theoretical posits. I argue that Merleau-Ponty offers a way of understanding perceptual activity which successfully avoids both the Myth of (...) the Given and the Myth of Jones. I also argue that Merleau-Ponty’s approach provides an alternative to McDowell’s critique of Sellars. Merleau-Ponty shows, first, that perceptual activity can be characterized as having a unity and structure of its own which is importantly different from that of concepts; secondly, that the unity and structure of perception can be revealed phenomenologically rather than as a theoretical posit. (shrink)

Three studies provided evidence that syntax influences intentionality judgments. In Experiment 1, participants made either speeded or unspeeded intentionality judgments about ambiguously intentional subjects or objects. Participants were more likely to judge grammatical subjects as acting intentionally in the speeded relative to the reflective condition (thus showing an intentionality bias), but grammatical objects revealed the opposite pattern of results (thus showing an unintentionality bias). In Experiment 2, participants made an intentionality judgment about one of the two (...) actors in a partially symmetric sentence (e.g., “John exchanged products with Susan”). The results revealed a tendency to treat the grammatical subject as acting more intentionally than the grammatical object. In Experiment 3 participants were encouraged to think about the events that such sentences typically refer to, and the tendency was significantly reduced. These results suggest a privileged relationship between language and central theory-of-mind concepts. More specifically, there may be two ways of determining intentionality judgments: (1) an automatic verbal bias to treat grammatical subjects (but not objects) as intentional (2) a deeper, more careful consideration of the events typically described by a sentence. (shrink)

In this provocative new study, Richard Eldridge presents a highly original and compelling account of Wittgenstein's _Philosophical Investigations_, one of the most enduring yet enigmatic works of the twentieth century. He does so by reading the text as a dramatization of what is perhaps life's central motivating struggle—the inescapable human need to pursue an ideal of expressive freedom within the difficult terms set by culture. Eldridge sees Wittgenstein as a Romantic protagonist, engaged in an ongoing internal dialogue over the nature (...) of intentional consciousness, ranging over ethics, aesthetics, and philosophy of mind. The picture of the human mind that emerges through this dialogue unsettles behaviorism, cognitivism, and all other scientifically oriented orthodoxies. Leading a human life becomes a creative act, akin to writing a poem, of continuously seeking to overcome both complacency and skepticism. Eldridge's careful reconstruction of the central motive of Wittgenstein's work will influence all subsequent scholarship on it. (shrink)

When a young boy playing in a wooded area, I tripped over exposed roots extending from the trunk of a tree. I threw my arms out in front of me to break my fall and disturbed a nest of bees. As I lay on the ground, I was repeatedly stung by bees until I could regain my feet and run away. Frightened and in a great deal of pain - that is what I remember most vividly - I walked home. (...) My mother took me to the doctor, who undoubtedly gave me some sort of treatment and medication, but this has been lost to memory. The part of the visit to the doctor's office that I remember is his removing any stingers remaining in me; this too I remember for its pain. The doctor counted more than seventy stings. Although the exact number escapes memory, I believe it was seventy-one. In brief, the descriptive details of the day's experiences elude memory, but the affective dimension - the pain and fear - does not. (shrink)

Franz Brentano was a leading philosopher and psychologist of the nineteenth century. Indeed, the impact of his scholarship was so great that he became synonymous with a school of thought and a new approach in scientific philosophy. The Brentano School stood against the Idealistic and post-Kantian German tradition and Brentano played a crucial role in the founding of Austrian philosophy. He had an enormous impact on the work of Husserl and Heidegger, as well as on Moore’s _Ethics_ and Stout and (...) Russell’s analysis of mind. In particular, situated between the phenomenology movement and the analytic tradition, the concept of intentionality was redefined by Brentano and has been—and remains—a key concept of twentieth- and twentieth-first century philosophy of mind. But Brentano not only reshaped philosophy of mind; he was also a remarkable and innovative thinker in several other fields of philosophy, and recent debate in metaethics, metaphysics, and the history of analytic philosophy shows a strong resurgence of interest in Brentano’s thought. Published to coincide with the centenary of Brentano’s death, this four-volume collection, a new title from Routledge Major Works, provides an essential intellectual tool for the exegetical evaluation of all aspects of Brentano’s work. Bringing together early reviews and reactions from his contemporaries—many of which have never before been translated into English—as well as the best critical assessments of Brentano’s work, this ‘mini library’ provides Brentano scholars, historians of philosophy and psychology, and phenomenologists, with a rigorous historical appraisal of Brentano’s thought and influence. Brentano’s relationships with Husserl, Heidegger, and the phenomenological tradition are examined in depth, alongside investigations of key themes from his work on Aristotle, medieval and modern philosophy, philosophy of mind, logic, ontology, ethics, aesthetics, philosophy of religion, and the philosophy of history. (shrink)

it is common in reid scholarship to use the notion of intentionality both to explicate his notion of conception and to explain his talk of acts such as perception having objects distinct from themselves. With regard to conception, Reid states that every act of conception “must have an object; for he that conceives, must conceive something.”1 Using the notion of intentionality, commentators interpret this to mean that, through conception, the mind is directed on an object, and that acts (...) of conception are always of an object or about something.2 Commentators further explicate the purported intentionality of conception in terms of it being an act of representing something or having representational content, where... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Plot Taxonomies and IntentionalityJon AdamsEver popular among the various topics occupying non-academic conversations about literature—such as the identity of the real author of the plays attributed to "Shakespeare"—is the notion that there exists only a finite number of storylines, and that all the stories we know are only ever complications or rehearsals of these few, elementary plots. What is the status of that claim? The issue gains a renewed (...) relevance in light of literary criticism's recent interest in the possibilities of employing evolutionary psychology as a means of naturalising literary study, but interest in plot taxonomies stretches a long way back. Why might we seek to categorise plots into a finite taxonomy? And what are the implications of the claim if true?Organising literature into any classificatory scheme is an attempt to achieve something like the coherence that the natural sciences have achieved—in chemistry and physics with the composition of the periodic table, and in biology with Linnaean classification. Much of science's epistemic prestige is rooted in the enormous success with which they have organised and categorised their subject of study. In searching for mechanism and pattern, the natural sciences proceed confidently from the belief that those mechanisms and patterns exist to be discovered, and that (relatively) simple rules underlie the manifest complexity of natural phenomena.Unfortunately, the study of literary fiction has no such security. There are two senses here in which we can talk of literature being patterned. At the micro-level, we have the question of whether individual works can be thought of as internally patterned. Usually, this type of patterning is easy enough to establish and recognise, and something the author is (or ought to be) in a good position to control. But, of course, internal [End Page 102] structures are not always conspicuous, and readers faced with an overtly complex text, like Pound's Cantos, or Finnegans Wake, have no guarantee that there is sense to be made of it. Surface complexity may shield a profound and subtle architecture, or the work may be as unstructured, fragmentary, and chaotic as it initially appears. A frustrated Wayne C. Booth draws attention to the problem: "One can't be sure that Finnegans Wake is not a great novel; perhaps someday readers will discover that the complex structure they now dream of and quarrel about is a realizable structure, an experienced structure. I doubt it, but it may happen. Until then, each new intricacy discovered... reveals precisely nothing more than that: a new intricacy."1 What's missing is a conceptual centre around which overall coherence might be achieved from what had seemed to be unconnected parts. Even so, if this sort of centre cannot be found in the individual work, it may yet obtain between works. In other words, The Cantos or Finnegans Wake may yet occupy nodal roles in a larger system, within which they acquire a previously unrecognized unity and order. This type of organization is something the individual author is obviously in a much less suitable position to control. Nonetheless, mapping out this larger, macro-level order is a task that literary criticism might want to take on. There is the example Borges uses of how Kafka's work retrospectively confers a familial similarity upon previously unconnected works. The quality of being "Kafkaesque" is the only thing common to the pieces, but was not apparent (or rather—the paradox that excites Borges—did not exist) prior to Kafka's writing.2 This is the second sense in which literature might be thought of as patterned; that is, not within works, but across them. On the larger scale, is it possible that literature as a whole could be understood as patterned?The notion that literature can be understood "as a whole," and its corollary, that a literature so understood would submit to taxonomical classification, is an enduring one. Anthropologists and art historians have long acknowledged that there appear to be recurring themes, motifs, and commonalities across world cultures, and consequently, commonalities among the narratives those cultures construct and consume. Cataloguing these similarities has produced a variety of classificatory systems.In the mid-nineteenth century, German scholar Adolf... (shrink)

In the present paper we present a short review of some recent neuro- physiological and neuropsychological findings which suggest that self-generated actions and actions of others are mapped on the same neural substratum. Since this substratum is neutral with respect to the agent, correctly attributing an action to its proper author requires the co-activation of areas specific to the self and the other. A conceptual analysis of the empirical data will lead us to conclude that from a neurobiological point of (...) view the problem is not 'how is it possible to share the intentions of others', but rather 'how one can distinguish one's own action/intention from those of other people'. (shrink)

According to recent studies in developmental psychology and neuroscience, symbolic language is essentially intersubjective. Empathetically relating to others renders possible the acquisition of linguistic constructs. Intersubjectivity develops in early ontogenetic life when interactions between mother and infant mutually shape their relatedness. Empirical fndings suggest that the shared attention and intention involved in those interactions is sustained as it becomes internalized and embodied. Symbolic language is derivative and emerges from shared intentionality. In this paper, we present a formalization of shared (...) intentionality based upon a quantum approach. From a phenomenological viewpoint, we investigate the nonseparable, dynamic and sustainable nature of social cognition and evaluate the appropriateness of quantum interaction for modelling intersubjectivity. (shrink)

In chapter 2 of The Fragmentation of Reason, Stephen Stich argues that certain passages of Quine’s Word and Object are the source of what he calls the conceptual argument. That argument claims there is a conceptual connection between intentionality and rationality: intentionality requires rationality. Stich rejects the idea that intentionality requires either perfect or fixed bridgehead rationality, but he concedes that it requires minimal rationality. After explaining Stich’s position and a criticism of it offered by John Biro (...) and Kirk Ludwig, I sketch an alternative to the conceptual argument. This alternative claims that rationality requires psychological plausibility and/or smoothness of communication, not rationality. (shrink)

Except for some eliminativists, the notion of intentionality is considered to be oneof the common goods of 20th century philosophy of mind. However, this rather general label may hide deeper differences. In his 'Husserl Memorial Lecture' Jocelyn Benoist investigates the different possible conceptions of intentionality and the problem of its nature. To examine this question he concurs with Wilfrid Sellars and John McDowell by positing an alternative between two conceptions of intentionality, taken either as a relation or (...) not. From this point of view he shows how Franz Brentano, who at the threshold of contemporary philosophy regained this notion, maintains a non-relational understanding of intentionality, whereas Husserl and McDowell up to a certain point adopt a relational conception — even though the formalism of relation might in fact not be the most appropriate to render the whole flavor of Husserl's position. The author wants to demonstrate that inside the conception, which rightly or wrongly is called relational, a new choice has to be made, depending on the moment actually assigned to this formalism of 'relations' and to the extent in which the 'relation' is taken for granted. Eventually, he intends to contrast philosophies of two kinds: those which in the last resort rely ona concept of acquaintance, itself undiscussed, and those which convert intentionality into a means for describing the perpetual 'presence' while defining its problem. La notion d'intentionalité semble constituer un bien commun de la philosophie de l'esprit du XXe siècle, à l'exception de certains éliminativistes. Pourtant ce label quelque peu général peut recouvrir des differences assez profondes. Dans sa “Husserl Memorial Lecture”, Jocelyn Benoist revient sur les différentes conceptions possibles de l'intentionalité et le problème de la nature de l'intentionalité. Pour poser cette question, il suit Wilfrid Sellars et John McDowell dans la formulation d'une alternative entre une conception pour laquelle l'intentionalité serait une relation et une autre pour laquelle elle n'en serait pas une. Il montre comment, de ce point de vue, le réinventeur de la notion à l'orée de la philosophie contemporaine, Franz Brentano, soutient en fait une conception non relationnelle de l'intentionalité, et comment au contraire, en un certain sens, Husserl et McDowell adoptent une conception relationnelle (même si le formalisme des relations n'est peut-être pas le meilleur en fait pour exprimer tout le suc de la position de Husserl). Son objectif est de démontrer que, au sein de cette conceptiondite, à tort ou à raison, relationnelle, il y a de nouveau un choix à faire, suivant lavaleur qu'on accorde, précisément, à ce formalisme des ‘relations’, et jusqu'à quel point on tient la ‘relation’ pour acquise ou non. En dernière instance, son propos est d'opposer les philosophies qui, en dernier ressort, s'appuient sur un concept d'acquaintance ininterrogé comme tel, et celles qui font de l'intentionalité un moyen de problématisation et de description de cette ‘présence’ perceptuelle. (shrink)

Some of the contemporary ethical debates have put in value the rational feature of feelings because of the estimative intentionality that is implied in them. In this context, some claim that the intentionality of emotions is a kind of value perception, as Phenomenology stressed at the beginning of the twentieth century, particularly Max Scheler, by analysing emotional Feeling [_Fühlen_] in the frame of emotional life. In order to extend the context of this philosophical debate, and after describing Scheler’s (...) phenomenology of feelings of the intentional and non-intentional emotional life, firstly, we defend _the_ _axiological_ _and_ _emotional_ _intentionality_ _as_ _double_ _intentionality_ that—in our understanding—Scheler analyses phenomenologically, while taking distance from Franz Brentano and Edmund Husserl’s intentional structure of estimative emotions. And, secondly, we propose a tentative interpretation of _the link_ between estimative and emotional double intentionality _as living_ _structure_ _of_ _ethical_ _life_, in the light of Martin Heidegger’s Hermeneutical Phenomenology. (shrink)

Teleosemantic theories aspire to develop a naturalistic account of intentional agency and thought by appeal to biological teleology. In particular, most versions of teleosemantics study the emergence of intentionality in terms of biological purposes introduced by Darwinian evolution. The aim of this paper is to argue that the sorts of biological purposes identified by these evolutionary approaches do not allow for a satisfactory account of intentionality. More precisely, I claim that such biological purposes should be attributed to reproductive (...) chains or lineages, rather than to individual traits or organisms, whereas the purposes underlying intentional agency and thought are typically attributed to individuals. In the last part of the paper I suggest that related difficulties are also faced, despite appearances, by accounts of intentionality relying on alternative organizational approaches to biological teleology. (shrink)

… it is possible for a man to write a piece correctly by chance or at the prompting of another: but he will be literate only if he produces a piece of writing in a literate way, and that means doing it in accordance with the skill of literate composition which he has in himself.Aristotle, Nicomachean Ethics II 4 1105a23-35.

In this paper, I examine some important features of Brentano’s and Rosenthal’s theories of consciousness and self-consciousness. In particular, I discuss the distinction between mental states and conscious states, and the related question of determining whether all mental states can become conscious states. I interpret Brentano’s theory as a one-level theory of mind which is in keeping with the Cartesian conflation between mental states and consciousness. I argue that the problems arising from Brentano’s position are to a certain extent surpassed (...) by a higher-order theory, so that Rosenthal’s position is more accurate. Nevertheless, I disagree with both in the construal of the consciousness of a mental state as self-consciousness. I develop then the fundamentals for a theory based on the primacy of the organism and its vital world, and of conscious experience as the higher form of mental life, which has, however, its roots in the complex net of mental states which are not conscious states. (shrink)

This article explores how De-sign can be utilized as a navigational trajectory toward the integration of cultural sensitivity and environmental sensibility. It affirms that intentionality makes it possible for human beings to make meaning of their world. Navigating through trajectories for the purpose of seeking desired outcomes is a reiterative de-sign process that is constantly adjusting pragmatically. Because de-sign outcomes are only invariant aspects of the unfolding process of synechism and palingenesia, every de-sign situation is a unique journey toward (...) infinite possibilities of creation. De-signers, as agents of intentional change, become envoys of meaning-making that can integrate cultural sensitivity and environmental sensibility. De-sign intentionality makes our trajectories move toward envisioning a meaningful reality, one that goes beyond the schism between culture and nature, between built environment and natural environment. Trajectories innate to the de-sign process transform us into not only lifelong-learners competent of questioning absolute knowledge but also changing agents capable of moving beyond merely being inquisitive, to being reflective, contemplative knowers, genuinely integrating all aspects of the great biosemiosphere. (shrink)

In my experience, conflict and other forms of being stuck or ‘stuckness’ are related to actions, behaviour or events. If we consider a narrative paradigm, they happen in the realm of the Bruner’s ‘landscape of action’. Efforts at escaping these problem-saturated experiences mostly resort to replacing these actions, habits, modes of operation or rules with a different set of rules, without first reflecting on the intentionality or ‘why’ behind the actions. Most often this only serves to perpetuate the problem. (...) This article will attempt to show that alternating between various initiatives in the ‘landscape of action’ provides only temporary respite to the problem, if any; that the intentionality behind these actions needs to be revisited and that contemplative practice facilitate such reflection on intentionality. This is therefore an exercise in reflecting on intentionality or even purpose, that is, a teleological question. This process traverses the dimensions of ‘what’, ‘how’ and ‘why’, referring to the biology of human decision-making in the process of doing so. This article posits that this reflection may be facilitated by contemplative practices such as mindfulness and reflecting on soul. (shrink)

Efficient prospective motor control, evident in human activity from birth, reveals an adaptive intentionality of a primary, pre-reflective, and pre-conceptual nature that we identify here as sensorimotor intentionality. We identify a structural continuity between the emergence of this earliest form of prospective movement and the structure of mental states as intentional or content-directed in more advanced forms. We base our proposal on motor control studies, from foetal observations through infancy. These studies reveal movements are guided by anticipations of (...) future effects, even from before birth. This implies that these movements, even if they are simple and discrete, are the actions of an intentional agent. We develop this notion to present a theory of the developing organisation of a core feature of cognition as embodied agent action, from early single actions with proximal prospectivity to the complex serial ordering of actions into projects to reach distal goals. We claim the prospective structural continuity from early and simple actions to later complex projects of serially-ordered actions confirms the existence of an ontogenetically primary form of content–directedness that is a driver for learning and development. Its implications for understanding autism are discussed. (shrink)

Intentionality is a mark of the mental, as Brentano (1874) noted. Any representation or conception of anything has the feature of intentionality, which informally put, is the feature of being about something that may or may not exist. Visual artworks are about something, whether something literal or abstract. The artwork is a mentalized physical object. Aesthetic experience of the artwork illustrates the nature of intentionality as we focus attention on the phenomenology of the sensory exemplar. This focus (...) of attention on the exemplar in aesthetic experience simultaneously exhibits what the intentional object is like and what our conception of it is like. The exemplar is Janus-faced, looking in one direction outward toward the objects conceived and in the other direction inward toward our conceiving of them. It shows us what intentionality is like and how we know it. (shrink)