Tracing the relationship between Marxism and Darwinism in Bernard Smith’s writing, the article unpacks the meaning of Smith’s claim that ‘it is the business of the art historian to reveal tendencies’. While Smith tended towards Marxism his writing is not about Marxist tendencies in art. Smith was practising a type of genealogy rather than teleology, something, that is, more Darwinian than metaphysical, philosophical or ideological. I argue that Smith’s claim is more than methodological: it also shaped the content of his (...) historiography and particularly his interpretation of Australian art. (shrink)

Little appears to have changed in the western imagining of the Pacific region since ancient times. While metaphors of redemption and condemnation, paradise and paradise lost, utopia and dystopia persist, Australia's place in the Pacific will remain elusive and insecure. The essay is in two parts. The first half discusses the metaphors implicit in the names given to the region, the South Seas, the Pacific and Oceania, and relates their imagining in the early European expeditions of Balboa and Magellan, in (...) Hodges' paintings done on Cook's second voyage in the 18th century, and in conceptualizations of Australian identity from the colonial period to the mid-20th century writing of historians such as Hancock, Barnard and Manning Clark. The second half of the essay traces the repetition of the same metaphors in the theories of de Certeau and Baudrillard, and in the writings of contemporary Australian critics, including McKenzie Wark, Ross Gibson and Paul Carter. (shrink)