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  1.  13
    Conversations of Socrates. Xenophon & Hugh Tredennick - 1990 - New York: Penguin Books. Edited by Robin Waterfield.
    Xenophon's portrait is the only one other than Plato's to survive, and while it offers a very personal interpretation of Socratic thought, it also reveals much about the man and his philosophical views.
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  2.  35
    Acts in Classical Drama Reinhard T. Weissinger: A Study of Act Divisions in Classical Drama. (Iowa Studies in Classical Philology, IX.) Pp. 141. To be obtained from the author, 4822 Lakeview Drive, Des Moines, Iowa, U.S.A. 1940. Paper, $3. [REVIEW]Hugh Tredennick - 1940 - The Classical Review 54 (03):139-.
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  3.  43
    Greece and Greek in Plautus Franz Middelmann: Griechische Welt und Sprache in Plautus' Komödien. Pp. viii+116. Bochum-Langendreer: printed by Pöppinghaus, 1938. Paper. [REVIEW]Hugh Tredennick - 1940 - The Classical Review 54 (01):26-27.
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  4.  41
    (1 other version)The Roman Stage - W. Beare: The Roman Stage. A short history of Latin Drama in the time of the Republic. Pp. xii + 292; 8 plates, 8 figs. London: Methuen, 1950. Cloth, 25 s. net. [REVIEW]Hugh Tredennick - 1952 - The Classical Review 2 (01):27-30.
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  5.  39
    W. E. J. Kuiper: Atlische Familiekomedies van omstreeks 300 v. Chr. I. Het origineel van Plautus' Epidicus. Pp. 67. Amsterdam: Swets en Zeitlinger, 1938. Paper, f. 1.20. [REVIEW]Hugh Tredennick - 1938 - The Classical Review 52 (06):242-.
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