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  1. The Naked and the Undead: Evil and the Appeal of Horror.Hilary Radner - 2001 - Journal of Aesthetics and Art Criticism 59 (4):433-434.
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    Fugit Hora: Fashion and the ethics of style.Hilary Radner - 1998 - Cultural Values 2 (2):340-354.
    . Fugit Hora: Fashion and the ethics of style. Cultural Values: Vol. 2, No. 2-3, pp. 340-354.
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    Transnational celebrity and the fashion icon: The case of Tilda Swinton, ‘visual performance artist at large’.Hilary Radner - 2016 - European Journal of Women's Studies 23 (4):401-414.
    Tilda Swinton’s status as a fashion icon exemplifies the contradictory functions that Walter Benjamin attributes to fashion as both exemplifying commodity fetishism and expressing a utopian ‘image wish’. This vexed relationship with fashion inflects Swinton’s cinematic performances, enhanced by her emphasis on disguise and transformation that calls into question the nature of identity and its authenticity. Her persona speaks to the fluid and fragmented dimensions of contemporary European identities, which are rooted, but also cross borders, national and otherwise; similarly, her (...)
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    Book review: Cynthia A. Freeland. The naked and the undead: Evil and the appeal of horror. Boulder: Westview press. 2000. [REVIEW]Hilary Radner - 2003 - Hypatia 18 (2):215-222.
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    Book review: Cynthia A. Freeland. The naked and the undead: Evil and the appeal of horror. Boulder: Westview press. 2000. [REVIEW]Hilary Radner - 2003 - Hypatia 18 (2):215-222.