We claim that adjustable parameters play a crucial role in building and applying simulation models. We analyze that role and illustrate our findings using examples from equations of state in thermodynamics. In building simulation models, two types of experiments, namely, simulation and classical experiments, interact in a feedback loop, in which model parameters are adjusted. A critical discussion of how adjustable parameters function shows that they are boon and bane of simulation. They help to enlarge the scope of simulation far (...) beyond what can be determined by theoretical knowledge, but at the same time undercut the epistemic value of simulation models. (shrink)

Plotinus I. Enneades I-III cum vita Porphyrii.

This major work by the German philosopher Hans Blumenberg is a monumental rethinking of the significance of the Copernican revolution for our understanding of modernity.

This collection of speeches and essays clarifies Gadamer's thoughts on the power of language, the social role and influence of science, and the idea of reason. He argues that the theoretical pursuit of truth is valuable for its own sake, and devalued when pursued explicitly for practical purposes.

Exemplifying a fruitful fusion of French and German approaches to social theory, The Power of Dialogue transforms Jurgen Habermas's version of critical theory into a new "critical hermeneutics" that builds on both Hans-Georg Gadamer's philosophical hermeneutics and Michel Foucault's studies of power and discourse. At the book's core is the question of how social power shapes and influences meaning and how the process of interpretation, while implicated in social forms of power, can nevertheless achieve reflective distance and a critique (...) of power. It offers an original perspective on such issues as the impact of prejudice and cultural background on scientific interpretation, the need to understand others without assimilating their otherness, and the "truth" of interpretation. (shrink)

In ‘The End of Art: A Real Problem or Not Really a Problem?’ I raised some questions about Arthur Danto’s famous ‘end of art’ thesis. A largely polemical paper, it was intended as an invitation to further discussion, and Kalle Puolakka has now taken up this invitation in ‘Playing The Game After The End of Art’. I thank him for his many insightful remarks. Critical comments are typically more interesting and helpful than simple praise, and Puolakka’s comments are no exception. (...) I would therefore like to return the favour. I will place Puolakka’s remarks under critical examination and in the process hope to rephrase, refine, and defend some of my original claims. First, however, I will briefly restate my reading of Danto’s ideas on the end of art. (shrink)

The paper attempts to reconcile two very different approaches to the concept of causation. In the original form, it is the opposition found in Laplace between his doctrine of constant and variable causes on the one hand and his mechanistic determinism on the other. This tension was described clearly only by Maxwell who stressed the contrast between the statistical and the dynamical method (calling the latter also the historical or strictly kinetic method). A similar dichotomy surfaces in the work of (...) Wesley Salmon who distinguished statistical from aleatory causation. Acknowledging that we seem to have conflicting intuitions about causality and explanation, I argue that assigning probabilistic laws a fundamental role in scientific explanation does not conflict with the assumption of Laplacian determinism. This is due to the fact that in most systems of interest, we confront a complex interaction of multiple causal factors and an extreme sensitivity to small variations of initial conditions. (shrink)

Die Diskussion um die Grenzen des Wachstums ist noch nicht zum Kern vorgedrungen; zur Frage nach den limits to growth der materia humana. Es wird insbesondere auf den Beitrag philosophischer Theorien und Weltanschauungen zum Baubban an der Resource materia humana hingewiesen. Im Interesse des Rechtes auf natürliche und kulturelle Ungleichheit zwischen Indidividuen, Völkern und Kulturen wird eine konflikttheoretisch und humanistisch begründete Neuorientierung philosophscher Argumentation empfohlen und auf die Leistungsfähigkeit des Aristotelischen Maßes der Mitte und des aufklärerischen Toleranzkonzeptes hingewiesen.

This paper addresses what is arguably ?? one of the most fundamental questions in the debate on depiction, What is a Picture? It offers a critical discussion of traditional theories of pictorial representation, such as the Resemblance Theory, Conventionalism, and the Illusion Theory; it introduces and analyses the crucial notions of ‘seeing as’ and ‘seeing in’, and concludes by presenting some of the most recent accounts of depiction defended by Kendall Walton, Dominic Lopes, Robert Hopkins, and John Hyman.

Introduction All of us have experienced quite dramatic social changes in our lifetimes. Our families differ greatly from those of our parents, ...