Peter Hanks defends a new theory about the nature of propositional content, according to which the basic bearers of representational properties are particular mental or spoken actions. He explains the unity of propositions and provides new solutions to a long list of puzzles and problems in philosophy of language.

Geary suggests that implicit mathematical principles exist across human cultures and transcend sex differences. Is such knowledge present in animals as well, and is it sufficient to account for performance in all species, including our own? I attempt to trace the implications of Gearys target article for comparative psychology, questioning the exclusion of “subitizing” in describing human mathematical performance, and asking whether human researchers function as cultural agents with animals, elevating their implicit knowledge to secondary domains of numerical performance.

All too often when philosophers talk and write about sentences they have in mind only indicative sentences, that is, sentences that are true or false and that are normally used in the performance of assertions. When interrogative sentences are mentioned at all it is usually either in the form of a gesture toward some extension of the account of indicatives or an acknowledgment of the limitations of such an account. For example, in the final two sentences of his influential paper (...) “Truth and Meaning” (1967) Donald Davidson remarks. (shrink)

The conference where this article was originally presented solicited recommendations for the “right questions” to ask regarding education and technology. The author of this article suggests that we already know what the right questions are for illuminating technology and its social meaning. What the author wants to know is why those questions in fact are not being asked more widely—why is widespread disinclination to enter explicit deliberation on the proper place of technology so resilient? Langdon Winner uses the term “technological (...) somnambulism” to describe the predominant stance toward technology in our culture, that “we so willingly sleepwalk through the process of reconstituting the conditions of human existence” via the adoption of new technologies. The basic institutional and ideological forces shaping the development and use of technology are not mysterious. But, scrutiny of those forces remains limited to a relative handful of academics and activists. How can technological somnambulism be countered? (shrink)

Introduction -- The road to imperfection -- Cataloguing irrationality -- Some real life examples -- Science to the rescue -- A deeper look at what's wrong -- Assigning the blame -- Can it be fixed.

Martin Le Maistre’s Tractatus consequentiarum presents an analysis of self-reference based upon the principle that sentential meaning is closed under entailment. A semantics based on such principle off ers a conservative treatment of self-referential sentences compatible with the principle of bivalence and classical rules of inference. Le Maistre’s crucial arguments are formally reconstructed in the framework recently defended by Stephen Read and Catarina Dutilh Novaes as part of an analysis of Bradwardinian semantics.

Continuing the tradition of Oxford Calculatorial physics, the late fourteenth-century British Carmelite Richard Lavenham authored an amplification of the popular short textbook commonly referred to as Termini naturales. A copy of this amplification, preserved in a late fourteenth-century manuscript (Venezia, Biblioteca Nazionale Marciana, ms Lat. Z. 300 [= 1872]), is followed by a short series of notes and comments on some of the principles introduced in Lavenham’s treatise (drawn from the first four books of Aristotle’s Physics). The present article offers (...) an edition of the text, and analyses its content and relationship with fourteenth-century physics, especially with the physical doctrines of Richard Lavenham. (shrink)

This book bridges media, technocultural, urban and journalism studies to examine the role of journalism in relation to a smart city project on Toronto’s waterfront. From the announcement of the public-private partnership called Sidewalk Toronto to the project’s termination, a mediatized controversy unfolded. Through an assemblage approach and a comprehensive case study of the Globe and Mail and the Toronto Star, it follows the actors and chronicles the Quayside project story as a conversation about the promise and perils of a (...) future “smart” neighbourhood. In the news of Waterfront Toronto, Sidewalk Labs, other actors, events and developments, there were multiple voices and views, interpretations and arguments, that manifested conflicting interests and values. As a situated actor, journalism produced a porous discourse where the prognostic value of the project to come could be expressed. The Quayside story not only described the project and the process with an active propose-and-public pushback movement but articulated relations of transparency and trust, governance and accountability. Journalist’s work of mediation conditioned the project’s emergence and dissolution within asymmetrical relations of power. Sidewalk Lab’s bid for legitimacy would face an oppositional dimension that indented the project’s enactment. Moreover, a time lag between project time and governmental policymaking made the mediatized controversy intractable. With their residual symbolic power, quality journalism contributed to dialogical urban learning. (shrink)

From a general semantic point of view, Thomas Bricot and John Mair are proponents of the solution to semantic paradoxes based on appreciation of the contextuality of truth, who differ in their approach to the relations of logical consequence and contradiction. The core of the study is the analysis of Mair's criticism of Bricot presented in the sixth quaestio of his Tractatus insolubilium where the consequences of non-compositional semantics for the concepts of synonymy and logical form are addressed. The polemic (...) between John Mair and Thomas Bricot is construed as having immediate consequences for research in the area of non-compositional semantics. (shrink)

‚Freiheit‘ ist das Schlagwort der Aufklärung. In der Epoche der klassischen deutschen Philosophie versuchten Philosophen wie Kant und Hegel, den Begriff der Freiheit nicht nur im Bereich der praktischen, sondern auch der theoretischen Philosophie zum Einsatz zu bringen. Erkenntnis wird dabei als ein Prozess begrifflicher Selbstgesetzgebung verstanden. Heutzutage vertritt Robert Brandom eine solche Philosophie der ‚Freiheit des Begriffs‘ und sieht darin einen Verbündeten gegen Empirismus und reduktiven Naturalismus. Diese Sichtweise wurde damals jedoch von Jacobi und wird heute von Birgit Sandkaulen (...) in Frage gestellt. Sie kritisieren, dass eine solche Philosophie wirklicher ‚lebendiger Freiheit‘ nicht gerecht werden könne und sich daher am Ende selbst als Naturalismus erweise. Dieser Aufsatz bietet eine Lösung dieses Paradox an, indem er dafür argumentiert, dass begriffliche Freiheit erlebte Freiheit nicht ausschließt, sondern sie vielmehr voraussetzt, während erlebte Freiheit zum Zwecke ihrer eigenen Verteidigung gute Gründe dafür hat, auf begriffliche Freiheit zu setzen. (shrink)

I. Since the appearance in 1902 of Benedetto Croce's L'estetica come scienza dell' espressione e linguistica generale, the problem of the ontology of the work of art or aesthetic object - what kind of thing it is and what its mode of being is - has come to occupy a central place in the philosophy of art. Moreover, a particular conception of the identity of art objects is at present a driving force in some quarters of the art world itself. (...) As Harold Rosenberg so well points out, Minimalist or Reductive Art has attempted, sometimes quite self-consciously, to establish the autonomous physical reality of the work of art by empty ing it of all expressive and representational content. ! What is the ontological problem? One rather crude way of stating it is to ask where the work of art or object of aesthetic contemplation 2 exists. Is it, to pick some examples, to be identified with the material product of the artist's labors which exists spatially "outside of" and independently of artist and beholder? Or does it exist only "in the mind" of the beholder or the artist? Is it either one perception of a beholder or a series of his perceptions? Or is it the class of all percep tions of either all spectators or all "qualified" spectators? Put another way, it would be a question of whether and to what such purported names as 'Beethoven's Fifth Symphony' refer. (shrink)

The subject of the present article is the analysis of fundamental logical-semantical terminology of late-medieval nominalistic logician Jean Buridan (c. 1295–1360). The analysis focuses on the concepts of truth conditions and logical consequence, whose clarification presupposes explication of modal terminology as well as a solution of semantical antinomies such as “Liar” (or an attempt to solve them). The analysis of Buridan’s argumentation suggests that Buridan’s project of logic actually fails due to several failures of conceptual analysis of semantical and modal (...) terminology. An alternative solution of the question concerning logical consequence is thus proposed in terms of Buridan’s implicit (and unused) semantical conception of modalities that makes it possible to establish conceptually and therefore explicatively closed logical framework. (shrink)

This paper focuses on the early sixteenth-century epistemic logic developed by John Mair’s circle and discusses iterated epistemic modalities, epistemic closure and Bradwardinian semantics related to the logic of epistemic statements. These topics are addressed as part of setting up and solving epistemic sophisms based on traditional scenarios which can be traced back to fourteenth-century British epistemic logic. While the ultimate source for the debate appears to be the second chapter of William Heytesbury’s Regule solvendi sophismata, the immediate source is (...) the Italian editorial, commentarial and philosophical tradition, notably Paul of Venice and Cajetan of Thiene. (shrink)

Many languages have past-and-counterfactuality markers such as English simple past. There have been various attempts to find a common definition for both uses, but I will argue in this paper that they all have problems with ruling out unacceptable interpretations, or accounting for the contrary-to-fact implicature of counterfactual conditionals, or predicting the observed cross-linguistic variation, or a combination thereof. By combining insights from two basic lines of reasoning, I will propose a simple and transparent approach that solves all the observed (...) problems and offers a new understanding of the concept of counterfactuality. (shrink)

In Hanks I defend a theory of propositions that locates the source of propositional unity in acts of predication that people perform in thought and speech. On my account, these acts of predication are judgmental or assertoric in character, and they commit the speaker to things being the way they are represented to be in the act of predication. This leads to a problem about negations, disjunctions, conditionals, and other kinds of embeddings. When you assert that a is F or (...) b is G you do not assert that a is F, nor do you commit yourself to a’s being F. According to my theory, however, in uttering the disjunction you predicate F of a. What is going on? I account for these cases using the concept of cancellation. In uttering the disjunction, the act of predicating F of a is cancelled, and when an act of predication is cancelled it does not count as an assertion and does not commit the speaker to anything. But what is it for an act of predication to be cancelled? One immediate concern is that cancelled predication won’t provide a unified proposition to be the input to disjunction. In this paper I answer this and related objections by explaining and defending my concept of cancellation. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Gerald Prince WORLDS WITH STYLE Whether it is taken to be a laudable characteristic of verbal artifacts (as in, "This essay is really well written"), a distinctive feature of an individual manner of speaking or writing (as in, "Jane definitely has a style of her own"), an ornamental supplement to that which is expressed (style as elocutio), or an appropriate way of using language in different contexts (there (...) is — or was — a style for tragedy, another one for comedy, and still another one for pastoral; there is a style for speaking at business meetings and other styles better suited to everyday conversations, political rallies, or Ph.D. exams), whether it is taken to be any of these four things (or many other things as well), the style of an utterance is traditionally viewed as a secondary phenomenon different from and added to some primary base. It is the mode of expressing a given matter, the way of "saying" some thing, the how of a what. The same is true when the notion style is used in connection with nonverbal artifacts — we talk about musical styles and about pictorial ones — but also in connection with any number of activities or states of affairs: walking down the street, dancing the tango, being pleasant, or playing ping-pong. Ping-pong players use rackets, a net, and a ball, in accordance with certain rules, when they engage in a casual game; but they are thought to be doing somediing more than merely playing: they are performing an activity (the what) in a particular way. They do it stylishly, idiosyncratically, with a lot of showboating, or in a manner appropriate to the informal context.1 It is somewhat surprising, therefore, that, when it comes to verbal (and nonverbal) representations, style is often thought to be irrelevant to the signified (what is represented) as opposed to the signifier (what represents). Graham Hough writes, for example: "In discussing whatever it is we mean by style we assume mat the primary choice, the choice of subject-matter in the large sense, has already been made.... We can talk about the secondary choice, the stylistic one, in various ways.... But whatever point of view we adopt, it will be the verbal ordonnance that we discuss, not the oudines of die mym, the facts of the case, the ideological or biographical substructure."2 Yet, as I have more than suggested, any what has (or can have) a corresponding how. Besides, both 59 60Philosophy and Literature in formal criticism and informal exchanges, we frequently seem to refer to the how of a signified. When we say, for instance, that a given short story is Kafkaesque, we do not, I think, have its verbal style in mind; and when we claim that a novelistic episode or character comes right out of Alice in Wonderland, we are not talking about linguistic matters. Of course, the fact mat we seem to refer to the how of signifieds (or that we do refer to the how of signifiers) does not necessarily mean mat mere are such things (or that we can describe them). But I suspect that there are (and that we can). I would like to discuss in what follows some of the ways in which we might be able to talk of the style of represented "worlds" more or less meaningfully and systematically and some of the problems attending such talk. For the sake of convenience and because of personal affinities, I will restrict myself to verbal narratives. I will not make a distinction between literary and non-literary ones, since such a distinction is formally and even pragmatically quite problematic. IfI concentrate on fictional narratives, it is, again, because of personal affinities and not because I mink that, when it comes to style, (ontological or other) differences between fiction and nonfiction make very much of a difference. As I will argue, style is in the eye ofthe beholder and, from that point of view, whether or not something is compossible with one's knowledge of the "real world" does not necessarily make it function as fictional or nonfictional; indeed, I am constandy surprised by the real world and I could easily recount... (shrink)

Opusculum insolubilium is an anonymous sixteenth-century British logical treatise dealing with the so-called “insolubles”, i.e. self-reflexive paradoxical propositions. It summarises the fundamental principles of the approach proposed by Roger Swyneshed in the fourteenth century, which became popular in the British academic circles during the fifteenth century. The present paper has two basic aims: to contrive a modern edition of this treatise which could be used fora further research in post-mediaeval scholastic logic, and to provide elementary information about its content and (...) historical context. (shrink)

In her chapter “Duress and Moral Progress”, Seana Shiffrin offers a novel perspective on coerced promises. According to the dominant view, these promises confer no right to performance on the coercer and do not create new reasons for the victim. Shiffrin accepts that these promises fail to confer rights, but disagrees that they never alter the victim’s moral profile. She argues that they do at least where promises are ‘initiated’ by the victim, rather than ‘dictated’ by the coercer. The initiation (...) of a promise, albeit in far from ideal circumstances, opens the door, Shiffrin claims, to valuable opportunities for moral progress. In this response, I argue that Shiffrin makes a misstep by not rejecting the dominant view altogether. I suggest that the older Hobbesian picture, according to which coerced promises do confer rights, is supported by our moral and legal practices. Furthermore, it makes moral progress more likely. (shrink)

The construction of mediaeval semantic theories is based on defining semantic concepts introduced by means of paradigmatic examples. One of the commonly discussed expressions is the promise “Debeo tibi equum”. This study deals with analyses of this proposition in fourteenth century logic done by means of instruments of terminist semantics. We may distinguish between realist and nominalist analyses, the nominalist may further be classified according to how the propositional context is interpreted – whether as extensional, intensional or hyperintensional. If we (...) take the function terminist logic has with respect to grounded elimination of false inferences as the criterion of its effectivity, all solutions must be considered comparably effective, and therefore acceptable.Medio aevo doctrinae semanticae super notionum semanticarum definitiones, quae exem plorum allatorum auxilio communiter introducebantur, construi solebant. Inter exempla saepius pertractata est etiam hoc promissum “Debeo tibi equum”. In dissertatione nostra explicationes, quae instrumentis semantices terministicae 14. saeculo in logica propositae sunt, investigamus, quorum aliae sunt realisticae, aliae nominalisticae. Inter hasce aliud porro discrimen notaripotest, scilicet quod aliae contextum dicti “extensionalem”, aliae “intensionalem”, aliae “hyperintensionalem” interpretantur. Quae omnes explicationes fere aeque efficaces esse inveniuntur, inquantum scilicet sufficientia praebent fundamenta ad argumenta fallacia eliminanda, quod et aeque acceptabiles. (shrink)

One of the prominent debates of post-Tridentine scholasticism addressed probability, often expressed by the term “moral” (or adverbially, “morally”), originally motivated by the epistemology of decision-making and the debates on predestination and “middle knowledge”. Puente (or Pedro) Hurtado de Mendoza (1578–1641), an Iberian Jesuit and the author of one of the earliest Jesuit philosophy courses, entered this debate in the early-seventeenth century. This paper presents his 1610s and 1620s analyses of different forms or degrees of evidence, certainty, and necessity or (...) impossibility, addressing the commonly-used trichotomy of the “metaphysical”, “physical”, and “moral”, in which “moral” is the weakest form of a modality, together with the paradigmatic examples and interesting applications of the framework. (shrink)