Håkon Evju demonstrates how history and historical writing were at the centre of debates over monarchy and monarchical reform politics in Denmark-Norway during the Enlightenment.

This article discusses the fairness of geographically targeted vaccinations (GTVs). During the initial period of local and global vaccine scarcity, health authorities had to enact priority-setting strategies for mass vaccination campaigns against COVID-19. These strategies have in common that priority setting was based on personal characteristics, such as age, health status or profession. However, in 2021, an alternative to this strategy was employed in some countries, particularly Norway. In these countries, vaccine allocation was also based on the epidemiological situations in (...) different regions, and vaccines were assigned based on local incidence rates. The aim of this article is to describe and examine how a geographical allocation mechanism may work by considering Norway as a case study and discuss what ethical issues may arise in this type of priority setting. We explain three core concepts: priority setting, geographical priority setting and GTVs. With a particular focus on Norway, we discuss the potential effects of GTV, the public perception of such a strategy, and if GTV can be considered a fair strategy. We conclude that the most reasonable defence of GTV seems to be through a consequentialist account that values both total health outcomes and more equal outcomes. (shrink)

The article investigates how national and international measures to protect wolves turned the whole of Norway into a field of study for wildlife biologists, and how the extensiveness of this “field” prompted a transformation in the methods employed to count and monitor wolves. As it was not possible to conduct traditional field studies throughout the whole of Norway, the biologists constructed an extensive infrastructure, which I have termed a “counting complex,” in order to count wolves from a distance. The article (...) identifies three decisive periods in the construction of this complex: the 1960s, the 1980s, and the first decade of the new millennium. During the first two periods, biologists used the infrastructure to mobilize ordinary people’s observations; they did this by first searching through newspaper notes, then enrolling people more directly through local committees of game management. However, the public’s observations often turned out to be unreliable, and, in the 2000s, molecular biologists helped to incorporate genetic techniques into the counting complex. By using the infrastructure to mobilize wolf scat, rather than observations, and by constructing DNA profiles for individual wolves, the molecular biologists enabled research that I have termed “nationwide field studies in absentia.” The article argues that the biologists’ main motive for constructing and refining the counting complex was to make wolves amenable to government, as they considered this a vital premise for the successful practice of protecting wolves. The increased intensity in monitoring in the last period, however, was also driven by international conventions and detailed regulations. (shrink)

Concepts in Action focuses on what to do with theoretical concepts, rather than providing conveyed definitions. The book covers a variety of examples what to do, how to think, in order to develop and use concepts in the social sciences.

Theory in Action starts by detailing how social theory is commonly understood, practiced and abused. It follows by proposing alternative ideas of the active and knowledge-generative use of social theory, and demonstrates, by providing examples, a variety of theoretical operations.

Progressive supranuclear palsy is a movement disorder with prominent tau neuropathology. Brain diseases with abnormal tau deposits are called tauopathies, the most common of which is Alzheimer's disease. Environmental causes of tauopathies include repetitive head trauma associated with some sports. To identify common genetic variation contributing to risk for tauopathies, we carried out a genome-wide association study of 1,114 individuals with PSP and 3,247 controls followed by a second stage in which we genotyped 1,051 cases and 3,560 controls for the (...) stage 1 SNPs that yielded P ≤ 10-3. We found significant previously unidentified signals associated with PSP risk at STX6, EIF2AK3 and MOBP. We confirmed two independent variants in MAPT affecting risk for PSP, one of which influences MAPT brain expression. The genes implicated encode proteins for vesicle-membrane fusion at the Golgi-endosomal interface, for the endoplasmic reticulum unfolded protein response and for a myelin structural component. © 2011 Nature America, Inc. All rights reserved. (shrink)

This volume on anthropology and authority in the writings of Søren Kierkegaard (1813-1855) offers its reader nineteen timely discussions of two fundamental categories pertaining to the literary, philosophical, and theological production of this prominent 19th century Danish thinker, whose vast influence upon 20th century intellectual life continues to grow as the new millennium approaches. The volume's nineteen contributors - from Canada, Denmark, Great Britain, Holland, Hungary, Italy, and the United States - inquire into such complex problematics in Kierkegaard's oeuvre as (...) the interrelationship between the human, the divine, and the spiritual; between the secular and the Christian; between human and Christian love; between state and church institutions and the single individual of faith; and between this individual's concern for quality in civic and religious life and the quantitative forces of modern society's masses and crowds. Special attention is given to the indisputable authority of God, Christ, and the apostles as opposed to the debatable authority, or non-authority, of the author. Of particular interest is the nexus between Kierkegaard's existential and religious concerns, on the one hand, and his intricate textual conceptions, multifarious poetic strategies, and various means of pseudonymous and indirect communication, on the other. Between the covers of Anthropology and Authority some chapters seek to refine received knowledge of Kierkegaard in such disciplines as theology and moral philosophy. Conversely, other chapters submit rather postmodern critiques of the author's stylistic and rhetorical devices. A summary assessment of the nineteen contributions would fail to recognize this considerable methodological and theoretical diversity. Instead, the reader's access to the smorgasbord of insights has been facilitated by an introduction in which one of the American editors briefly outline the individual contributions on a general historical and intellectual background. Altogether, the probing insights of Anthropology and Authority go to the core of Søren Kierkegaard's authorship. Individual chapters either update previous responses to the many challenges presented by this work, or the chapters face new challenges and/or present critical challenges on their own. (shrink)

Le présent article revient sur l’expression en vieil islandais vargr í véum (« loup dans les sanctuaires »). En comparant différents récits de tels loups, notamment le mythe de l’enchaînement de Fenrir, l’article montre que plutôt qu’une vieille catégorie préchrétienne dénotant le sacrilège, l’expression doit être comprise comme un moyen discursif servant à marginaliser son objet. Elle devait ainsi s’avérer utile pour des auteurs médiévaux et donc chrétiens au moment où ceux-ci pensaient des problèmes tels que les hiérarchies sociales ou (...) encore la centralisation de l’état. (shrink)

Rec. av Håkon Witt Andersen et al., Aemula Lauri: The Royal Norwegian Society of Sciences and Letters, 1760–2010.

The Tristan legend is the quintessential love story of the Middle Ages. From the formative period of its courtly branch, the only extant complete version is Tristrams saga ok Ísöndar (1226). King Hákon of Norway commissioned this and other romances to convince his aristocratic warriors to give up the kinship society ethos of heroic love that directed them to rape their enemies’ women. Courtly love sacralized female consent, yet critics have struggled to make sense of which purposes courtliness served. This (...) evolutionary reading of Tristrams saga reveals how courtly love not only functioned as an ideological bridge be­tween mating regimes, but also embodied proto-WEIRD psychology, the impersonal pro­sociality of the new mobile, educated, and transculturally inclusive European individual-as described by Henrich (2020). This ethos would evolve to become the morality of modernity. How it was disseminated exemplifies how fiction can help communities find provisional solutions to problems that cannot be solved definitely. (shrink)

The Tristan legend is the quintessential love story of the Middle Ages. From the formative period of its courtly branch, the only extant complete version is Tristrams saga ok Ísöndar (1226). King Hákon of Norway commissioned this and other romances to convince his aristocratic warriors to give up the kinship society ethos of heroic love that directed them to rape their enemies’ women. Courtly love sacralized female consent, yet critics have struggled to make sense of which purposes courtliness served. This (...) evolutionary reading of Tristrams saga reveals how courtly love not only functioned as an ideological bridge be­tween mating regimes, but also embodied proto-WEIRD psychology, the impersonal pro­sociality of the new mobile, educated, and transculturally inclusive European individual-as described by Henrich (2020). This ethos would evolve to become the morality of modernity. How it was disseminated exemplifies how fiction can help communities find provisional solutions to problems that cannot be solved definitely. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Sacrificial Nationalism In Henrik Ibsen's The Pretenders William Mishler University ofMinnesota Even during his lifetime, the ambiguity essential to Henrik Ibsen's dramatic method gave rise to considerable interpretive debate. In the near century since his death new approaches to his work have steadily continued to arise in accord with the changes in critical and literary theory. We have had, writes Charles Lyons in a recent survey, Ibsen "the realist, (...) the iconoclast, the successful or failed idealist, the poet, the psychologist, the romantic, the antiromantic" (4). The extraordinary "hermeneutic generativity" evinced by Ibsen's plays cannot be attributed, in my view, solely to their aesthetic excellence or to changes in critical fashion, but as much or even more to the fact that they touch in a prescient way on conundrums inherent in modern life that are both fundamental and particularly intractable. In The Pretenders, for example, Ibsen composed an artistic meditation on the nature of nationalism which, seen from today's vantage point, can be called prophetic. The question the work implicitly poses might be formulated as follows: Is it possible for modern people to create a nation-state on a basis other than the threat of reciprocal violence? In other words, can a modern state attain to a condition ofpeace that would amount to something other that the mere stasis of fear? And if the answers to this question is negative—the work clearly asks—what will prevent the modern nation-state, which lacks the safeguards and restraints formerly supplied by various institutions of transcendent authority, from falling into desperate conditions? These are questions that are easy, even unavoidable, to pose today when we witness with horror the fires ignited by nationalism around the world. In mid-nineteenth century, however, when Ibsen wrote The Pretenders, the situation was vastly different. Then was the high noon of nationalistic optimism in Europe and America and elsewhere, the euphoric cultural moment when in the wake of the French and American Revolutions small 128William Mishler elites in numerous countries were shifting their spiritual and philosophical allegiance from outmoded agencies of order (religious, humanistic, transnational ) to the ethnically ordered collective. The story of this shift is a familiar one, no doubt, but one whose lessons only now are becoming fully apparent. In mid-nineteenth century Norway, nationalist enthusiasm was the order of the day. Accorded its independence from Denmark in 1814, and with it the end to 400 years of subjugation, Norway had good grounds to be enthusiastically self-preoccupied. Its historians engrossed themselves in the fervent recital of the national past, its artists worked to create works that celebrated the Norwegian spirit and projected images of future national greatness. In short, as the literary histories designate it, this was Norway's period of National Romanticism, and it was in this atmosphere that Ibsen in 1850, age 21, began composing plays. For the first dozen years of his career all of his plays were written in the National Romantic mode. It is true that his first play, Catalina, takes its subject matter from Roman history, but it is a Roman history largely stripped of its specificity and adapted for purposes ofpsychological allegory. Ibsen's next four plays all use material drawn from Norway's history and folklore. The Pretenders, begun in 1858 and completed in 1864, was the last and by common consensus the greatest of these. The most Shakespearean of Ibsen's plays, its plot material was taken from Norwegian historian P. A. Munch's account of Norway's civil wars in the thirteenth century. Ibsen chose the climactic moment when several of the deceased King Sverre's heirs were laying claim to the throne, directing his attention to the two major contenders, Sverre's grandson Hâkon and his rival Duke Skule, his maternal uncle and former guardian. The play traces the course of their rivalry from its inception to the final confrontation in which Skule is killed and Norway is united under King Hâkon. From the early days of Ibsen criticism the biographical approach, later amplified by various thematic readings, has been the dominant one to The Pretenders. In this view Skule and Hâkon are seen as vehicles... (shrink)