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Harold Osborne [149]H. Osborne [99]
  1. What is a work of art?Harold Osborne - 1981 - British Journal of Aesthetics 21 (1):3-11.
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  2. Mathematical beauty and physical science.Harold Osborne - 1984 - British Journal of Aesthetics 24 (4):291-300.
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  3. Notes on the aesthetics of chess and the concept of intellectual beauty.Harold Osborne - 1964 - British Journal of Aesthetics 4 (2):160-163.
  4.  77
    Colour concepts of the ancient greeks.H. Osborne - 1968 - British Journal of Aesthetics 8 (3):269-283.
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  5.  60
    Aesthetic and other forms of order.Harold Osborne - 1982 - British Journal of Aesthetics 22 (1):3-16.
  6.  46
    Aesthetic relevance.Harold Osborne - 1977 - British Journal of Aesthetics 17 (4):291-304.
  7. Odours and appreciation.Harold Osborne - 1977 - British Journal of Aesthetics 17 (1):37-48.
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  8.  80
    Primitive art and society.Harold Osborne - 1974 - British Journal of Aesthetics 14 (4):290-305.
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  9.  37
    Some theories of aesthetic judgment.Harold Osborne - 1979 - Journal of Aesthetics and Art Criticism 38 (2):135-144.
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  10.  26
    The Concept of Creativity in Art.Harold Osborne - 1978 - Dialectics and Humanism 5 (2):5-12.
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  11. Aesthetics and Art Theory. An Historical Introduction.Harold Osborne - 1970 - Philosophy 45 (173):254-255.
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  12.  41
    Expressiveness: Where is the feeling found?Harold Osborne - 1983 - British Journal of Aesthetics 23 (2):112-123.
  13.  91
    Inspiration.Harold Osborne - 1977 - British Journal of Aesthetics 17 (3):242-253.
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  14.  23
    The Art of Appreciation.Dorothy Walsh & Harold Osborne - 1971 - Philosophical Quarterly 21 (84):283.
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  15. Expressiveness in the arts.Harold Osborne - 1982 - Journal of Aesthetics and Art Criticism 41 (1):19-26.
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  16.  6
    Aesthetics: An Introduction.H. Osborne - 1972 - Philosophical Quarterly 22 (86):90-93.
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  17.  28
    Aesthetics and Theory of Art.Harold Osborne - 1971 - Journal of Aesthetics and Art Criticism 30 (2):262-264.
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  18.  32
    Definition of Value.H. Osborne - 1931 - Philosophy 6 (24):433 - 445.
    Any attempt to construct a philosophy of Value must presuppose some general understanding of what Value is. And so it might seem natural to begin with a precise definition of the concept we are about to investigate. What, we might ask ourselves, is the characteristic peculiar to all those situations in the description of which we are accustomed to use the word “value” or its cognate terms, and distinguishing them as a class from all those situations to which we do (...)
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  19.  22
    The Hidden Order of Art. By Anton Ehrenzweig. (Weidenfeld and Nicolson, 1967. Pp. xiv + 306. Price 63s.).H. Osborne - 1968 - Philosophy 43 (166):396-.
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  20.  38
    Twentieth Century Interpretations of Molloy, Malone Dies, the UnnamableJohn Singer Sargent, Paintings-Drawings-WatercolorsThe Oxford Companion to ArtColeridge and Wordsworth. The Poetry of Growth.Robert D. Hume, J. D. O'Hara, R. Ormond, Harold Osborne & Stephen Prickett - 1971 - Journal of Aesthetics and Art Criticism 29 (3):428.
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  21.  28
    Early Florentine Designers and Engravers: A Comparative Analysis of Early Florentine Nielli, Intarsias, Drawings, and Copperplate EngravingsAesthetics and Criticism.Margaret MacDonald, John Goldsmith Phillips & Harold Osborne - 1956 - Journal of Aesthetics and Art Criticism 14 (3):391.
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  22.  91
    Aesthetics.Harold Osborne - 1972 - London,: Oxford University Press.
    Valéry, P. The idea of art.--Sartre, J.-P. The work of art.--Ingarden, R. Artistic and aesthetic values.--Merleau-Ponty, M. Eye and mind.--Moore, G. E. Wittgenstein's lectures in 1930-33.--Findlay, J. N. The perspicuous and the poignant.--Hungerland, I. C. Once again, aesthetic and non-aesthetic.--Wollheim, R. On drawing an object.--Elliott, R. K. Aesthetic theory and the experience of art.--Savile, A. The place of invention in the concept of art.--Bibliography (p. [178]-184).
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  23.  15
    Σϒνεσισ and σϒνειδησισ.H. Osborne - 1931 - The Classical Review 45 (01):8-10.
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  24.  19
    Σϒνεσισ and σϒνειδησισ.H. Osborne - 1931 - The Classical Review 45 (1):8-10.
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  25. Aesthetics.Harold Osborne & G. J. Warnock - 1975 - Mind 84 (335):475-476.
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  26. Aesthetics.H. Osborne - 1975 - Revue Philosophique de la France Et de l'Etranger 165 (4):492-493.
     
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  27.  22
    Abstraction and Artifice in Twentieth-Century Art.Harold Osborne - 1984 - Journal of Aesthetics and Art Criticism 42 (4):467-469.
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  28.  6
    Aesthetics and Art Theory: An Historical Introduction.Harold Osborne - 1968 - Longmans.
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  29.  88
    Alison and bell on appreciation.H. Osborne - 1965 - British Journal of Aesthetics 5 (2):132-138.
  30.  15
    Aesthetics and criticism.Harold Osborne - 1955 - Westport, Conn.,: Greenwood Press.
  31. Aesthetics and Criticism.HAROLD OSBORNE - 1955 - Philosophy 31 (118):262-262.
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  32.  68
    Assessment and stature.Harold Osborne - 1984 - British Journal of Aesthetics 24 (1):3-13.
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  33. Aesthetics and Value.Harold Osborne - 1974 - Revue Internationale de Philosophie 28 (3=109):280.
     
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  34.  34
    Appreciation considered as a skill.H. Osborne - 1969 - British Journal of Aesthetics 9 (4):330-344.
  35.  18
    A contradiction in commonsense ethics.H. Osborne - 1930 - Mind 39 (155):332-337.
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  36.  27
    Aesthetic experience and cultural value.Harold Osborne - 1986 - Journal of Aesthetics and Art Criticism 44 (4):331-337.
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  37. Aesthetic implications of conceptual art, happenings, etc.Harold Osborne - 1980 - British Journal of Aesthetics 20 (1):6-22.
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  38.  10
    Aesthetics in the modern world.Harold Osborne - 1968 - New York,: Weybright & Talley.
  39.  16
    Appreciation of the Arts.Harold Osborne - 1970 - British Journal of Aesthetics 10 (1):82.
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  40.  77
    Aesthetic perception.Harold Osborne - 1978 - British Journal of Aesthetics 18 (4):307-316.
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  41.  37
    Ancient peoples and places.H. Osborne - 1966 - British Journal of Aesthetics 6 (4):392-392.
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  42.  31
    Artistic unity and gestalt.Harold Osborne - 1964 - Philosophical Quarterly 14 (56):214-228.
  43.  5
    Book-reviews.H. Osborne - 1968 - British Journal of Aesthetics 8 (1):202-b-203.
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  44.  4
    Book-reviews.H. Osborne - 1978 - British Journal of Aesthetics 18 (2):185-186.
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  45.  71
    Books, people and affairs: Wittgenstein on aesthetics.H. Osborne - 1966 - British Journal of Aesthetics 6 (4):385-390.
  46. Correspondence.Harold Osborne - 1984 - British Journal of Aesthetics 24 (3):278-281.
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  47.  28
    Creativity in Art and in Life.Harold Osborne - 1980 - Dialectics and Humanism 7 (3):99-103.
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  48.  21
    Creativity, progress and personality.Harold Osborne - 1984 - Journal of Philosophy of Education 18 (2):213–221.
    Harold Osborne; Creativity, Progress and Personality, Journal of Philosophy of Education, Volume 18, Issue 2, 30 May 2006, Pages 213–221, https://doi.org/10.111.
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  49.  3
    Creativity, Progress and Personality.Harold Osborne - 1984 - Journal of Philosophy of Education 18 (2):213-221.
    Harold Osborne; Creativity, Progress and Personality, Journal of Philosophy of Education, Volume 18, Issue 2, 30 May 2006, Pages 213–221, https://doi.org/10.111.
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  50.  17
    Definition and evaluation in aesthetics.H. Osborne - 1973 - Philosophical Quarterly 23 (90):15-27.
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