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  1.  30
    Philosophy of Art.H. Gene Blocker - 1980 - Journal of Aesthetics and Art Criticism 38 (3):328-329.
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  2.  81
    The Truth About Fictional Entities.H. Gene Blocker - 1974 - Philosophical Quarterly 24 (94):27-36.
    The usual strawsonian account of referring won't do for fictional entities. The problem is that we still don't have a sufficiently clear notion of ordinary referring, And the root of this problem is that referring is still perceived in terms of a paradigm relation of a description to an existing thing. But that relation is preceded by the more fundamental relation of thought to an object of thought, Whether real or imaginary. The conclusion reached is that fictional reference is an (...)
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  3.  34
    Japanese Philosophy.H. Gene Blocker & Christopher L. Starling - 2001 - State University of New York Press.
  4.  22
    Non-Western Aesthetics as a Colonial Invention.H. Gene Blocker - 2001 - Journal of Aesthetic Education 35 (4):3-13.
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  5.  8
    Aesthetics and Education.Ronald Moore, Michael J. Parsons & H. Gene Blocker - 1995 - Journal of Aesthetic Education 29 (2):111.
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  6.  55
    The Language of Mysticism.H. Gene Blocker - 1976 - The Monist 59 (4):551-562.
  7.  77
    Another Look at Aesthetic Imagination.H. Gene Blocker - 1972 - Journal of Aesthetics and Art Criticism 30 (4):529-536.
  8.  70
    Autonomy, Reference and Post-Modern Art.H. Gene Blocker - 1980 - British Journal of Aesthetics 20 (3):229-236.
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  9.  68
    A New Look at Aesthetic Distance.H. Gene Blocker - 1977 - British Journal of Aesthetics 17 (3):219-229.
    A defense of the embattled concept of aesthetic distance is achieved by reinstating a prominent feature of distance ignored in the current controversy. Distance is not the only supposed psychological posturing discussed by bullough, But also the space which is necessary to art between the art medium and the world represented therein. Examples from painting, Film and absurdist literature are discussed in terms of the historical tension between medium "opacity" and "transparency" in order to show how total transparency is avoided (...)
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  10.  8
    Contemporary Philosophy of Art: Readings in Analytic Aesthetics.John W. Bender & H. Gene Blocker - 1993 - Pearson College Division.
    An anthology of contemporary readings in analytic aesthetics, this reference reflects the relationships among the central aesthetic concerns of recent years. Providing a new perspective on the contemporary philosophy of art, this volume examines the challenge of Postmodernism and how it may or may not affect the future of analytic aesthetics... offers a case study of the progress that has been made in handling the problem of expression in the arts... reconceptualizes the concepts of the art work, its properties, and (...)
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  11.  21
    Contextualizing Aesthetics: From Plato to Lyotard.H. Gene Blocker & Jennifer M. Jeffers - 1999 - Wadsworth Publishing Company.
    This book brings philosophical aesthetics into a broader cultural interest in the fine arts and draws together the classics of the history of aesthetics, the mid-twentieth century or "Analytic" aesthetics, and late-twentieth century or "Continental" post-structuralist "theory.".
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  12. Introduction to Philosophy.H. Gene Blocker - 1974 - New York: Van Nostrand.
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  13.  1
    Metaphysics and Absurdity.H. Gene Blocker - 2012 - Upa.
    Blocker argues that the literary problem of absurdity is basically a metaphysical problem of being, focusing on the metaphysical distinction of being as essence and being as existence. This book compares philosophical prose with the fiction writing of four major absurdist writers—Camus, Sartre, Ionesco, and Beckett.
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  14. Mohamed A. Abusabib, African Art: An Aesthetic Inquiry.H. Gene Blocker - 1997 - Journal of Aesthetics and Art Criticism 55 (4):433-434.
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  15. The Meaning of Meaninglessness.H. Gene Blocker - 1974 - Martinus Nijhoff.
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  16.  1
    The Metaphysics of Absurdity.H. Gene Blocker - 1979
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  17. Contemporary Chinese Aesthetics.Liyuan Zhu, Li-yüan Chu & H. Gene Blocker - 1995 - Peter Lang.
    This book is a collection of translations of recent work by contemporary Chinese aestheticians. Because of the relative isolation of China until recently, little is known of this rich and ongoing aesthetics tradition in China. Although some of the articles are concerned with the traditional ancient Chinese theories of art and beauty, many are inspired by Western aesthetics, including Marxism, and all are involved in cross-cultural comparisons of Chinese and Western aesthetic traditions.
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  18.  36
    The Arts, Cognition, and Basic Skills.H. Gene Blocker - 1979 - Teaching Philosophy 3 (2):259-260.
  19.  19
    Interpreting Art.H. Gene Blocker - 1990 - Journal of Aesthetic Education 24 (3):29-44.
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  20.  21
    Reply to Critics.H. Gene Blocker - 1995 - Journal of Aesthetic Education 29 (3):44.
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  21.  11
    The Path of Beauty: A Study of Chinese Aesthetics. [REVIEW]H. Gene Blocker - 1996 - Journal of Aesthetic Education 30 (3):114.
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  22.  10
    Philosophy Looks at the Arts. [REVIEW]H. Gene Blocker - 1980 - Journal of Aesthetic Education 14 (2):120.
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  23.  28
    The Languages of Art.H. Gene Blocker - 1974 - British Journal of Aesthetics 14 (2):165-173.
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  24.  28
    Back to Reality.H. Gene Blocker - 1974 - Metaphilosophy 5 (3):232–241.
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  25.  22
    Robert Cummings Neville, Normative Cultures.H. Gene Blocker - 1996 - Journal of Chinese Philosophy 23 (1):99-109.
  26.  72
    Pictures and Photographs.H. Gene Blocker - 1977 - Journal of Aesthetics and Art Criticism 36 (2):155-162.
  27.  40
    John Rawls' Theory of Social Justice: An Introduction.D. D. Raphael, H. Gene Blocker & Elizabeth H. Smith - 1982 - Philosophical Quarterly 32 (127):190.
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  28.  31
    The Aesthetics of Primitive Art.H. Gene Blocker - 1995 - Journal of Aesthetics and Art Criticism 53 (3):321-323.
  29.  15
    Is Primitive Art Art?H. Gene Blocker - 1991 - Journal of Aesthetic Education 25 (4):87-97.
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  30.  3
    The Oilcan Theory of Criticism.H. Gene Blocker - 1975 - Journal of Aesthetic Education 9 (4):19.
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