Results for 'H. Arts'

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  1. Mishnato ha-hagutit shel Rabi Yehudah ha-Leṿi.Ḥayah Shṿarts (ed.) - 1977 - Yerushalayim: Miśrad ha-ḥinukh ṿeha-tarbut, ha-Maḥlaḳah le-tarbut Toranit.
     
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  2.  4
    The Analysis of Art.De Witt H. Parker & N. Metropolitan Museum of Art York - 1926 - Yale University Press H. Milford, Oxford University Press.
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  3.  11
    Beautiful, bright, and blinding: phenomenological aesthetics and the life of art.H. Peter Steeves - 2017 - Albany, NY: SUNY Press.
    Painting, seeing, concepts -- Gone, missing -- Arshile's heel, Gorky's line -- You are here and not here: the concept of conceptual art -- Moving pictures & memory -- The doubling of death in the films of Michael Haneke -- Yep, Gaston's gay: Disney and the beauty of a beastly love -- And say the zombie responded -- Other animal others -- The man who mistook his meal for a hot dog -- Rachel Rosenthal was an animal -- Laughing beyond (...)
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  4. Ṿe-raḥamaṿ ʻal kol maʻaśaṿ: leḳeṭ be-ʻinyene isur tsaʻar baʻale ḥayim.Yoʼel ben Aharon Shṿarts - 1983 - [Jerusalem]: Hotsaʼat Devar Yerushalayim.
     
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  5.  10
    O filósofo da Vida moderna: Baudelaire, Merleau-ponty E a arte da crítica fenomenológica.Duane H. Davis & Richard Theisen Simanke - 2009 - Revista de Filosofia Aurora 21 (29):503.
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  6. Truth and reality.H. G. Stoker (ed.) - 1971 - Braamfontein.: De Jong's Bookshop.
    Is 'n transendentale kritiek religieus bepaald? deur V. Brümmer. -- Constitution and creativity in the philosophy of Edmund Husserl, by A. L. Conradie. -- Studium Generale, deur H. J. De Vleeschauwer. -- Sociology of law and its philosophical foundtions, by H. Dooyeweerd. -- Beginvrae en antwoorde in der Wysbegeerte, deur P. G. W. Du Plesis. -- Max Scheler's concern with the highest perfection, by S. I. M. Du Plessis. -- Christelike wetenskap, highest perfection, by S. I. M. Deu Plessis. -- (...)
     
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  7. al-Uṣūl al-jamālīyah lil-fann al-ḥadīth.Ḥasan Muḥammad Ḥasan - 1963 - Cairo,: Dār al-Fikr al-Arabi.
     
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  8. Svit desi︠a︡ty muz.Leonid Panasovych Smorz︠h︡ - 1973
     
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  9.  1
    al-Fann al-multazim wa-al-fann lil-fann: al-maʻná fī al-fikr wa-al-falsafah.Qāsim Jalīl Ḥusaynī - 2017 - ʻAmmān: Dār al-Riḍwān lil-Nashr wa-al-Tawzīʻ.
    Art, Ancient; art, modern; ethical and philosophical aspects; comparative study.
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  10.  11
    Experiences of Clinical Clerkship Students With Mindfulness-Based Stress Reduction: A Qualitative Study on Long-Term Effects.Inge van Dijk, Maria H. C. T. van Beek, Marieke Arts-de Jong, Peter L. B. J. Lucassen, Chris van Weel & Anne E. M. Speckens - 2022 - Frontiers in Psychology 13.
    PurposeTo explore the mindfulness practice, its long-term effects, facilitators and barriers, in clinical clerkship students 2 years after participation in an 8-week mindfulness-based stress reduction training.MethodA qualitative study was performed by semi-structured in-depth interviews with 16 clinical clerkship students selected by purposive sampling. Students had participated in a MBSR training 2 years before and were asked about their current mindfulness practice, and the long-term effects of the MBSR training. Thematic analysis was conducted using the constant comparison method. Data saturation was (...)
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  11. Art, perception and reality.E. H. Gombrich, J. Hochberg & Black - 1975 - Revue Philosophique de la France Et de l'Etranger 165 (4):487-488.
     
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  12.  27
    Boekbesprekingen.J. Lambrecht, W. Beuken, J. -M. Tison, P. Fransen, P. van Doornik, J. Vanneste, P. Grootens, R. D'hondt, L. Bakker, H. Arts, J. Van Torre, C. Traets, W. Klijn, S. de Smet, Jos Vercruysse, Alph Houben, H. van Leeuwen, W. Boelens, J. Mulders, H. Robbers, H. Somers, J. Kijm, J. Kerkhofs, M. Dierickx, Cl Beukers & A. Poncelet - 1966 - Bijdragen 27 (2):317-348.
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  13.  17
    The one and the many: contemporary collaborative art in a global context.Grant H. Kester - 2011 - Durham: Duke University Press.
    From text to action -- Park fiction, ala plastica, and dialogue -- The risk of diversity -- Programmatic multiplicity -- Art theory and the post-structuralist canon -- Lessons in futility -- Enclosure acts -- The twelfth seat and the mirrored ceiling -- The atelier as workshop -- Labor, praxis, and representation -- The divided and incomplete subject of yesterday -- Memories of development -- The limits of ethical capitalism -- The art of the locality -- Blindness and insight -- The (...)
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  14. Truth and Method.H. G. Gadamer - 1975 - Journal of Aesthetics and Art Criticism 36 (4):487-490.
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  15.  2
    Eeuwige en eindige waarden in kunst en leven.H. C. Verkruysen - 1947 - Amsterdam,: Nederlandsche Keurboekerij.
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  16. De taal van de schilderkunst.H. A. C. Roem - 1957 - Den Haag,: Ned. Boek- en Steendrukkerij v/h H. L. Smits.
     
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  17.  5
    al-Sīnimā wa-al-maʻná al-mītāfīzīqī lil-ṣūrah.ʻAzīz Ḥaddādī - 2023 - al-Qāhirah: Dār Ruʼyah lil-Nashr wa-al-Tawzīʻ.
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  18.  5
    Ishrāqāt fī falsafat al-fann wa-al-jamāl.Munīr Ḥāfiẓ - 2019 - ʻAmmān: Dār al-Khalīj lil-Ṣaḥāfah wa-al-Nashr.
    كل ما أعنيه في مؤلفي، هو التعبير عن وجهات نظر تجاه آراء، طرحها بعض الفلاسفة والمفكرين والمنظرين والمبدعين الذين تناولوا جانباً حساساً في ما يتعلق بدور الوعي الفـني والجمالي في عملية إستلهام الحقائق الجمالية، والإفصاح عنها بواسطة الفن، والكشف عن البِنى القاعدية والتاريخية والمعرفية والفنية والتراثية والروحية والفكرية والجمالية.. سواء في تطابق وجهات النظر، أم دحض وتفنيد الأفكار التي رأت الفن والجمال في الوجود رؤية ســـطحية، وتوضيح الآراء المتباينة وتعددية المناهج المختلفة، التي حددت وظيفة الفن في بنائية الحياة. ويجدر الانتباه (...)
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  19.  22
    Beyond the Sovereign Self: Aesthetic Autonomy from the Avant-Garde to Socially Engaged Art.Grant H. Kester - 2024 - Duke University Press.
    In _Beyond the Sovereign Self_ Grant H. Kester continues the critique of aesthetic autonomy begun in _The Sovereign Self_, showing how socially engaged art provides an alternative aesthetic with greater possibilities for critical practice. Instead of grounding art in its distance from the social, Kester shows how socially engaged art, developed in conjunction with forms of social or political resistance, encourages the creative capacity required for collective political transformation. Among others, Kester analyzes the work of conceptual artist Adrian Piper, experimental (...)
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  20.  24
    The Art of Revolutionary Praxis.Duane H. Davis - 2021 - Sartre Studies International 27 (1):76-98.
    Merleau-Ponty, in Humanism and Terror, addresses the spectrum of problems related to revolutionary action. His essay, Eye and Mind, is best known as a contribution to aesthetics. A common structure exists in these apparently disparate works. We must reject the illusion of subjective clairvoyance as a standard of revolutionary praxis; but also we must reject any idealised light of reason that illuminates all—that promises a history without shadows. The revolutionary nature of an act must be established as such through praxis. (...)
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  21.  27
    The ethics of care: the state of the art.Frans J. H. Vosman, A. J. Baart & Jacobus Retief Hoffman (eds.) - 2020 - Bristol, CT: Peeters.
    The ethics of care, developed in early 1980s within feminism as a critique on the biases of neokantian ethics, is 40 years old. This book presents its key insights, the developments and debates over the years and the challenges care ethics faces. Internationally renown scholars from various continents have contributed, a clear sign that care ethics has spread over the globe. The key insights regard issues close by, care from person to person, but also at an institutional level and questions (...)
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  22.  72
    Plato Republic.G. H. Plato & Wells - 1945 - New York: Basic Books (AZ). Edited by Allan Bloom & Adam Kirsch.
    A model for the ideal state includes discussions of the nature and application of justice, the role of the philosopher in society, the goals of education, and the effects of art upon character.
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  23.  10
    Incorporating the Creative Arts into the Study of Business Ethics.Hershey H. Friedman, Deborah S. Kleiner & James A. Lynch - 2023 - Journal of Business Ethics Education 20:77-102.
    Many scholars believe that traditional courses in ethics (especially business ethics) have not been successful in making students ethical. The best that educators can hope is that these courses will help build ethical awareness. It is thus apparent that the apparatus used to teach ethics does not inspire the intellectual leap needed between the abstract awareness of ethical issues to the functional changes in behavior and decision-making. This paper posits that the creative arts, including literature, poetry, music, pictorial art, (...)
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  24.  5
    What your eyes tell your brain about art: insights from neuroaesthetics and scanpath eye movements.Wolfgang H. Zangemeister - 2017 - [Hauppauge] New York: Nova Science Publishers. Edited by Claudio M. Privitera.
    In the last decade, we have observed a continuous increase of interest in eye movement research. According to a recent investigation, eye movements are discussed in over one million publications. The number of publications with eye movement in the title or abstract has been steadily increasing over the years, with over 1,200 papers published alone in 2013. The last decade has also witnessed the emergence of many new sub-disciplines in the field of neuroscience and cognition - one of them is (...)
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  25. What's the matter with matter? Problems in the criticism of Greenberg, Fried, and Krauss (Modern art).H. Mauzerall - 1998 - In Donald Kuspit (ed.), Art Criticism. pp. 13--1.
     
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  26. Concepto humanista de la historia.M. H. Alberti & Juan B. Justo (eds.) - 1966 - Buenos Aires,: Ediciones Líbera.
    Juan B. Justo en la historia y el pensamiento argentinos, por A. Solari.--Teoría y práctica de la historia, por M. H. Alberti.--La base biológica de la historia, por F. Escardó.--La técnica, por A. Justo.--La economía, por R. Bogliolo.--La guerra, por A. G. Rodríguez.--La política, por A. Ghioldi.--La lucha de ciases, por R. Mondolfo.--El salariado, por M. Palacín.--Las formas típicas del privilegio, por J. L. Pena.--El gremialismo proletario, por E. Frugoni.--La cooperación libre, por N. Repetto.--La democracia obrera, por L. Pan.--La religión, (...)
     
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  27.  6
    Middenmatigheid: cultivering van emoties in Chinese filosofie en kunst.J. F. H. van Rappard - 2020 - 's-Hertogenbosch: Gompel & Svacina.
    Ook al staan de beelden van Confucius, Lao Zi en Boeddha in sommige Chinese tempels weer broederlijk bijeen op het altaar, hun verschillende wegen tot zelfcultivering worden zelden in onderlinge samenhang beschreven. Dit boek benadert confucianisme, daoïsme en het Chinese boeddhisme in zijn vroege ontwikkeling vanuit hun visie op de praktijk van de zelfcultivering. Hoewel ze een volstrekt ander doel hebben dan de westerse zelfverwerkelijking, mogen de Chinese wegen zich in onze contreien toch in een grote populariteit verheugen. Omdat de (...)
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  28.  50
    Philosophy of Art.H. Gene Blocker - 1980 - Journal of Aesthetics and Art Criticism 38 (3):328-329.
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  29.  5
    Right living: lessons in ethics for schools.Susan H. Wixon - 1903 - New York [etc.]: Thompson-Brown.
    Excerpt from Right Living: Lessons in Ethics for Schools Human experience has shown the value of right living, also, the disaster that follows wrong living. It has been clearly demonstrated, again and again, that the basis of symmetrical life is character, first, last, and always, and good character comes only from a right use of life, and a correct understanding of its duties. Emerson says Character is the most valuable pos session and acquisition of life. Higher than intellect, and a (...)
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  30. Counterfeiting materials, imitating nature.Pamela H. Smith & Isabella Lores-Chavez - 2023 - In Marjolijn Bol & E. C. Spary (eds.), The matter of mimesis: studies of mimesis and materials in nature, art and science. Boston: Brill.
     
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  31. Counterfeiting materials, imitating nature.Pamela H. Smith & Isabella Lores-Chavez - 2023 - In Marjolijn Bol & E. C. Spary (eds.), The matter of mimesis: studies of mimesis and materials in nature, art and science. Boston: Brill.
     
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  32. Art, Mind and Religion.Hilary Putnam, W. H. Captain & D. D. Merrill - 1967 - In William H. Capitan & Daniel Davy Merrill (eds.), Art, mind, and religion. [Pittsburgh]: University of Pittsburgh Press.
     
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  33.  32
    The Art of the Greeks. By H. B. Walters. With 112 plates and 18 illustrations in the text. Methuen. 12 s_. 6 _d. net.H. D. R. W. - 1907 - The Classical Review 21 (06):186-.
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  34. Hadar zeḳenim: mitsṿat ḳimah ṿe-hidur--zeḳenim, talmide ḥakhamim ṿe-rabotaṿ shel adam: leḳeṭ ṭaʻame ha-mitsṿah, ḥashivutah ṿe-dineha.Yoʼel ben Aharon Shṿarts - 1985 - [Jerusalem]: Devar Yerushalayim.
     
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  35. Pesiʻot bi-shevile ha-ḥayim: pirḳe hadrakhah be-sugyot ha-ḥayim.Yoʼel ben Aharon Shṿarts - 1985 - [Jerusalem]: Hotsaʼat Devar Yerushalayim.
     
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  36.  42
    Seeing Yourself in Others’ Blindness: Learning from Literature as Epitomized in Proust’s In Search of Lost Time.Jonas H. Aaron - 2021 - Philosophical Papers 50 (1-2):1-29.
    Recognizing yourself in literature cannot only help you to get a clearer grasp of what you already think and feel. It can also deeply unsettle your vision of yourself. This article examines a hitherto neglected mechanism to this effect: learning by way of seeing yourself in others’ blindness. I show that In Search of Lost Time epitomizes this phenomenon. Confronting characters oblivious to their old age makes the protagonist realize that he, too, has aged without noticing it, and invites readers (...)
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  37. Norm and Form: Studies in the Art of the Renaissance.E. H. Gombrich - 1966
  38.  29
    The Language of Art and Art Criticism: Analytic Questions in Aesthetics.H. E. Matthews - 1966 - Philosophical Quarterly 16 (65):422.
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  39.  19
    Engineering as an art.H. H. Rosenbrock - 1988 - AI and Society 2 (4):315-320.
  40.  4
    Nietzsche: ein akademisches Publikum.Richard H. Grützmacher - 1910 - Leipzig: Deichert.
    Excerpt from Nietzsche: Ein Akademisches Publikum Beurteilung zu erwarten, die ihre Maßstäbe klar darlegen wird, wenn auch deren Haltbarkeit der Natur der Sache nach an dieser Stelle nicht eingehend wird begründet werden können. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the (...)
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  41.  16
    Art in Cyprus.H. W. Catling - 1994 - The Classical Review 44 (01):148-.
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  42.  8
    Futurity report.Eric C. H. de Bruyn & Sven Lütticken (eds.) - 2020 - Berlin: Sternberg Press.
    Theorists, historians, and artists address the precarious futurity of the notion of the future. Not long ago, a melancholic left and a manic neoliberalism seemed to arrive at an awkward consensus: the foreclosure of futurity. Whereas the former mourned the failure of its utopian project, the latter celebrated the triumph of a global marketplace. The radical hope of realizing a singularly different, more equitable future displaced by a belief that the future had already come to pass, limiting post-historical society to (...)
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  43. L'art de comprendre.H. G. Gadamer - 1983 - Revue Philosophique de la France Et de l'Etranger 173 (1):60-61.
     
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  44.  11
    L'art et la vie intérieure.H. Delacroix - 1902 - Revue de Métaphysique et de Morale 10 (2):164 - 183.
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  45.  17
    Visionary art? Shamans, Charles Bonnet, and the cave paintings.H. N. Claman - 2011 - The Pharos of Alpha Omega Alpha-Honor Medical Society. Alpha Omega Alpha 74 (1):4.
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  46.  10
    The Creative Process: A SymposiumThe Art of the ArtistModern Artists in America: First Series.H. H., Brewster Ghiselin, Arthur Zaidenberg, Robert Motherwell, Ad Reinhardt & Bernard Karpel - 1953 - Journal of Aesthetics and Art Criticism 11 (4):419.
  47. Rodolfo Kusch, hacia una razón poética geoculturalmente situada.Roberto H. Esposto - 2016 - In José Tasat, Juan Pablo Pérez & Rodolfo Kusch (eds.), Arte, estética, literatura y teatro en Rodolfo Kusch. Sáenz Peña, Provincia de Buenos Aires: Universidad Nacional de Tres de Febrero.
     
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  48.  7
    Art and Reality.H. G. Schrickel - 1942 - Journal of Aesthetics and Art Criticism 2 (7):69-69.
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  49.  10
    On Art and Unity. By Tryggve Emond. (Lund. 1964. Gleerup. Pp. 208. Sw. Cr. 23.).H. Osborne - 1965 - Philosophy 40 (151):83-.
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  50. Philosophy, Art... and Life (An Interview with Professor Harold Osborne).H. Osborne - 1987 - Dialectics and Humanism 14 (2):5-14.
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