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Gregory Minissale
University of Auckland
  1. Enacting Higher Order Thoughts: Velazquez and Las Meninas.Gregory Minissale - 2009 - Journal of Consciousness Studies 16 (2-3):165-89.
    This paper bridges art history and consciousness studies and investigates the network of gazes and frames in Las Meninas and how this engages with a system of higher-order thoughts and reflexive operations.
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  2.  99
    Beyond Internalism and Externalism: Husserl and Sartre's Image Consciousness in Hitchcock and Buñuel.Gregory Minissale - 2010 - Film-Philosophy 14 (1):174-201.
    Husserl and Sartre’s analyses of mental imagery and some of the latest cognitive research on vision provide a framework for understanding a number of films by Hitchcock (Psycho and Rear Window) and Buñuel (Un Chien Andalou), films which similarly probe the subtleties and uses of mental imagery. One of the many ways to enjoy these films is to see them as explorations of visual phenomenology; they allow us to enact, as well as reflect upon, mental images as part of the (...)
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    The Invisible Within: Dispersing Masculinity in Art.Gregory Minissale - 2015 - Angelaki 20 (1):71-83.
    :Visual culture – art, film, entertainment, advertising – are saturated with images of normative heterosexual masculinity. They form visual narratives that project a largely coherent kind of masculinity where heterosexual men are shown to be creative and powerful; they initiate heroic action, take the moral high ground and preserve traditional roles and the status quo. This widely extensive visual field, peopled with normative images of masculinity, also affects and infiltrates the domain of art exemplified by Jackson Pollock and abstract expressionism (...)
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