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  1.  22
    Historical Semantics in Medieval Studies: New Means and Approaches.Bernhard Jussen & Gregor Rohmann - 2015 - Contributions to the History of Concepts 10 (2):1-6.
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  2.  7
    Tanz in der Vormoderne.Philip Knäble, Gregor Rohmann & Julia Zimmermann - 2018 - Das Mittelalter 23 (2):241-253.
    Name der Zeitschrift: Das Mittelalter Jahrgang: 23 Heft: 2 Seiten: 241-253.
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  3. Christian hagiography as anti-pagan polemics : conceptions of interreligious encounter in the "Passio Viti" (7th century).Gregor Rohmann - 2019 - In Alexandra Cuffel & Nikolas Jaspert (eds.), Entangled hagiographies of the religious other. Newcastle upon Tyne, UK: Cambridge Scholars Press.
     
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  4.  24
    Dancing on the Threshold: A Cultural Concept for Conditions of Being Far from Salvation.Gregor Rohmann - 2015 - Contributions to the History of Concepts 10 (2):48-70.
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  5.  20
    Tanz als Krankheit, Tanz als Therapie. Die Formierung eines religiös-medizinischen Konzepts.Gregor Rohmann - 2018 - Das Mittelalter 23 (2):281-307.
    ‘Dancing mania’ has often been understood as an expression of purportedly ‘typical medieval’ mass hysteria. Yet evidence suggests that a better interpretation would be to see it as a disease, the idea of which was shaped by patterns tracing back to antique cosmology. During the later Middle Ages, this concept became reality as a form of suffering primarily determined by spiritual forces which typically struck only individuals or small groups in narrowly defined regions. This article closely examines a key shift (...)
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