Results for 'Gothic revival (Literature '

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  1. Gothic Radicalism: Literature, Philosophy and Psychoanalysis in the Nineteenth Century.Andrew Smith - 2000 - St. Martin's Press.
    Applying ideas drawn from contemporary critical theory, this book historicizes psychoanalysis through a new and significant theorization of the Gothic. The central premise is that the nineteenth-century Gothic produced a radical critique of accounts of sublimity and Freudian psychoanalysis. This book makes a major contribution to an understanding of both the nineteenth century and the Gothic discourse which challenged the dominant ideas of that period. Writers explored include Mary Shelley, Edgar Allan Poe, Robert Louis Stevenson, and Bram (...)
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    One Region, Many Regionalisms: The Multiple Identities of a Neo-Gothic Circle in the Low Countries (1863–1900).Roberto Dagnino - 2012 - History of European Ideas 38 (3):440-451.
    Summary Historical scholars have recently turned their attention to local communities, resulting in a lively debate about the role of regions and provinces in Western Europe. This has quite predictably led many to question this resurgence of local identities in order to discover the cultural roots and the geographical boundaries of these identities and their interaction with the formation of nation-states in the literary, artistic and political practices of the past two centuries. This article provides an introduction to one specific (...)
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    Igreja Nossa Senhora da Consolação por Maximilian Emil Hehl : ecletismo na arquitetura sacra paulistana com predomin'ncia do neorrom'nico.Marcos Eduardo Melo dos Santos & Susana Aparecida da Silva - 2015 - Revista de Teologia 9 (16):151-159.
    This article presents the recent literature about the church Nossa Senhora da Consolação, considered through the prism of the study of sacred art. After a historical overview about the neighborhood and the ancient temple of Consolation, will be highlighted some most relevant artistic aspects of architecture and works of art gathered in the sacred building, designed by German engineer Maximilian Emil Hehl, whose inspiration reports to the formal and stylistic features of Romanesque architecture as well as the influences of (...)
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