Exploration into the concept, origins and meaning of place, taking Delphi, Rome and Jerusalem as principle examples.

v. 1. La fisica concettuale. Revisione delle categorie del pensiero scientifico e visione unitaria del mondo fisico sulle bast della dialettica di Hegei.

Normative positions are sometimes illustrated in diagrams, in particular in didactic contexts. Traditional examples are the Aristotelian polygons of opposition for deontic modalities (squares, triangles, hexagons, etc.), and the Hohfeldian squares for obligative and potestative concepts. Relying on previous work, we show that Hohfeld’s framework can be used as a basis for developing several Aristotelian polygons and more complex diagrams. Then, we illustrate how logical theories of increasing strength can be built based on these diagrams, and how those theories enable (...) us to determine in a computably efficient way whether a set of normative positions can be derived from another set of normative positions. (shrink)

_Brill’s Companion to the Reception of Athenian Democracy_ delivers a fresh and wide-ranging analysis of the uses and reinterpretations of ancient Greek democracy from the late Middle Ages to the XXI century, offering a comprehensive and multidisciplinary approach to this important topic.

Reale (history of ancient philosophy, Catholic U. of Milan) covers the first 500 years of the common era.

The paper argues that it is the rise of Artificial Intelligence as a concrete possibility (the idea of a thinking machine) that favoured the growth of interest in Cognitive Science within the academic community. This puts the history and the definition of AI in a different light, as it can be seen and understood as "a continuation of Philosophy by other means" (Landi, 2020) and not merely as a technology or a sum of technologies.

Some philosophical considerations over Yann LeCun’s position paper “A Path Towards Autonomous Machine Intelligence”.

The relationship between 1. recipes, 2. ingredients and 3. dishes may be understood in analogy to the relationship between elements in the performing arts: for example, in music, 1. musical works, 2. ‘musical ingredients’ and 3. performances. The recipe’s inventor is a ‘composer’ and the cook is a ‘performer’. As I will argue, both in musical performances and in the preparation of dishes, the application of norms requires ‘creative’ adaptation to the concrete specific situation and the final product emerges from (...) practical interactions that involve transformations of their own normative bases. Hence, both in culinary practices and performing arts like music, the improvisational case is paramount for understanding how their normativity, as paradigmatic of the normativity of human practices in general, works. (shrink)