In this paper we describe expertise as a way of seeing. We use match analysis `punditry’ as a setting to show how professional vision is interactionally achieved in TV sport broadcasts through environmentally coupled gestures enhanced by camera actions and a new technology of vision called telestrator. The paper is based on data from video sequences of football TV broadcasts where the pundit shows to the TV host in the studio and to the non-expert audience at home what happened during (...) a football match. We argue that the transparency of seeing is the product of an artfully instructed process whereby the pundit shows what should be seen, how it should be made accountable, and what the audience should expect in order to fully appreciate what they see. The paper shows how broadcasted match analysis expertise interactionally achieves this through the time-critical linking of talk, gesture, and technological environment. (shrink)

The aim of my paper is twofold. First, I show how the notion of phenomenal field can be used to examine, describe and understand particular collective patterns pertaining to the everyday domain of our common social experience. Secondly, I outline the role of the notion of "phenomenal field" in ethnomethodology. I briefly discuss Gurwitsch's notion of functional meaning. After presenting the argument, I show "the locally achieved ordinariness of a common task", that is the lining up of the player of (...) the two teams in the pitch, as an embodied coherence offigural contexture in its empirical perceptual details, as Garfinkel says. (shrink)

The aim of my paper is twofold. First, I show how the notion of phenomenal field can be used to examine, describe and understand particular collective patterns pertaining to the everyday domain of our common social experience. Secondly, I outline the role of the notion of “phenomenal field” in ethnomethodology. I briefly discuss Gurwitsch’s notion of functional meaning. After presenting the argument, I show “the locally achieved ordinariness of a common task”, that is the lining up of the player of (...) the two teams in the pitch, as an embodied coherence of figural contexture in its empirical perceptual details, as Garfinkel says. (shrink)