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  1.  13
    Philip Grierson.Mark Blackburn, Giles Constable & Michael McCormick - 2008 - Speculum 83 (3):802-804.
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  2.  19
    Sacrilege and redemption in renaissance Florence: The case of Antonio rinaldeschi.William J. Connell & Giles Constable - 1998 - Journal of the Warburg and Courtauld Institutes 61 (1):53-92.
  3.  12
    Toward a Resolution of the Franciscan Question: Manuscripts and the Reading of History.Giles Constable - 2008 - Franciscan Studies 66:482-484.
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  4.  6
    The Proprietary Church in the Medieval West.Giles Constable - 2008 - Common Knowledge 14 (3):490-491.
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  5.  50
    Memoirs of Fellows and Corresponding Fellows of the Medieval Academy of America.Carmela Vircillo Franklin, Paul Meyvaert, Jan M. Ziolkowski, Giles Constable, Edward Grant, John E. Murdoch, Robert W. Hanning, Anne Middleton, Roberta Frank & Larry D. Benson - 2007 - Speculum 82 (3):808-829.
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  6.  16
    Carolyn Marino Malone, Saint-Bénigne de Dijon en l'an mil, “totius Galliae basilicis mirabilior”: Interprétation politique, liturgique et théologique. Turnhout: Brepols, 2009. Paper. Pp. 331 plus 38 black-and-white and color figures. [REVIEW]Giles Constable - 2010 - Speculum 85 (3):709-711.
  7.  8
    J.-M. Clément, O.S.B., Lexique des anciennes règles monastiques occidentals. Steenbrugge: St-Pietersabdij; The Hague: Martinus Nijhoff, 1978. 2 vols. . Paper. Pp. xviii, 1335. [REVIEW]Giles Constable - 1979 - Speculum 54 (4):882.
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  8. Jean-Loup Lemaître, with the collaboration of Jean Dufour, Les documents nécrologiques de l'Abbaye Saint-Pierre de Solignac. Published under the direction of Pierre Marot. (Recueil des Historiens de la France, Obituaires, sér. in-8°, 1.) Paris: Académie des Inscriptions et Belles-Lettres, 1984. Pp. xvii, 688; 24 plates, 4 figures. [REVIEW]Giles Constable - 1986 - Speculum 61 (2):436-438.
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  9.  33
    The Plaint of Nature. [REVIEW]Giles Constable - 1983 - Review of Metaphysics 36 (4):913-914.
    The De planctu Naturae of Alan of Lille is by any standards one of the most remarkable products of the Renaissance of the twelfth century. In form it is a Menippean mixture of verse and prose, with nine elegiac meters of between 28 and 79 lines followed by proses of between 63 and 290 lines in the recent critical edition by Nikolaus Häring, on which this translation is based. The subject, apart from many digressions, is the complaint of Nature, the (...)
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