This paper discusses Hannah Arendt’s model of the Jewish pariah, developed in her study of Jewish assimilation. The argument is that Arendt’s model represents her early efforts to move beyond Martin Heidegger’s philosophy. The paper focuses on Arendt’s concept of a conscious pariah as a model for political resistance, independence, and agency. It shows how Arendt infused elements of Heidegger’s philosophy into her early vision of Jewish politics, while also transcending the limits of Heidegger’s ontological project with her political vision. (...) The paper suggests that Arendt’s book on Rahel Varnhagen shares similarities with Heidegger’s work on Mitsein in Being and Time, while her 1944 model of the conscious pariah, especially the focus on the pariah as a rebel, illustrates her concerns with Heidegger’s work on the Volk. (shrink)

Dynamic Repetition proposes a new understanding of modern Jewish theories of messianism across the disciplines of history, theology, and philosophy. This book explores how ideals of repetition, return, and the cyclical occasioned a new messianic impulse across an important swath of late nineteenth and early twentieth century German Jewish thought.

Moses and Monotheism brings together fundamental new contributions to discourses on Freud and Moses, as well as new research on the intersections of theology, political theory, and history in Freud's psychoanalytic work.

This article suggests a rereading of Schelling’s theory of freedom in the through Freud’s psychoanalytic theory. Schelling’s philosophy of freedom manifested a latent essentialism of the idealistic formulation of human freedom. In Schelling’s scheme, free was “what acts only in accord with the laws of its own being.” In practice, Schelling theory of freedom was based on an intelligible act in the “beginning of creation” which set an eternal unreachable essence to the subject. I propose to read “Schelling through Freud” (...) as a way to revisit this theoretical structure. I argue that Freud’s theory of early libido formation should be recognized as a naturalistic formulation of the intelligible unconscious act. This allows Freud to restructure Schelling’s unconscious eternal essence. Freud’s shift from the metaphysical to the metapsychological drama suggests a human intervention in place of divine redemption, and, thus transpires as a modern articulation of German Idealism. (shrink)