A fresh look at the French philosopher which argues that Derrida cannot be understood without considering the Jewish dimension of his thought.

Traditionally, definitions of art have been concerned with the characteristics of the art object, the process of its creation or the reactions to it. in this paper i suggest to concentrate on the circumstances of the object's existence and the process by which it comes to exist. these circumstances, which differ in different periods and in different societies, are: (a) it's being declared, either by the artist, or by an exhibition catalogue, or by a collector, or by an art expert, (...) that x is art; (b) it's being understood that the said object in a museum, gallery, concert-hall, living room, is located or arranged or hung in such a way as to indicate that it is being exhibited as a work of art; (c) the said object's resembling objects previously recognized as being works of art; (d) the said declaration, referred to in (a), being made in the proper media--those recognized as having authority in the realm of art. (edited). (shrink)