Called “the most important critic of his time” by Hannah Arendt, Walter Benjamin has only become more influential over the years, as his work has assumed a crucial place in current debates over the interactions of art, culture, and meaning. A “natural and extraordinary talent for letter writing was one of the most captivating facets of his nature,” writes Gershom Scholem in his Foreword to this volume; and Benjamin's correspondence reveals the evolution of some of his most powerful ideas, while (...) also offering an intimate picture of Benjamin himself and the times in which he lived. Writing at length to Scholem and Theodor Adorno, and exchanging letters with Rainer Maria Rilke, Hannah Arendt, Max Brod, and Bertolt Brecht, Benjamin elaborates on his ideas about metaphor and language. He reflects on literary figures from Kafka to Karl Kraus, and expounds his personal attitudes toward such subjects as Marxism and French national character. Providing an indispensable tool for any scholar wrestling with Benjamin’s work, The Correspondence of Walter Benjamin, 1910–1940 is a revelatory look at the man behind much of the twentieth century’s most significant criticism. (shrink)

“Thy word (or: essence) is true from the beginning”; thus reads the Psalmist's passage, oft quoted in kabbalistic literature (Psalm 119: 160). According to the originally conceived Judaistic meaning, truth was the word of God which was audible both acoustically and linguistically. Under the system of the synagogue, revelation is an acoustic process, not a visual one; or revelation at least ensues from an area which is metaphysically associated with the acoustic and the perceptible (in a sensual context). This is (...) repeatedly emphasised with reference to the words of the Torah (Deuteronomy 4: 12): “Ye heard the voice of the words, but saw no similitude; only ye heard a voice.” What precisely we are to understand by this voice and what is uttered through it is the very question which the various currents of Judaistic religious thought have constantly posed themselves. The indissoluble link between the idea of the revealed truth and the notion of language—is as much, that is, as the word of God makes itself heard through the medium of human language, if, otherwise, human experience can reach the knowledge of such a word at all—is presumably one of the most important, if not the most important, legacies bequeathed by Judaism to the history of religions. (shrink)

Lament, mourning, and the transmissibility of a tradition in the aftermath of destruction are prominent themes in Jewish thought. The corpus of lament literature, building upon and transforming the biblical Book of Lamentations, provides a unique lens for thinking about the relationships between destruction and renewal, mourning and remembrance, loss and redemption, expression and the inexpressible. This anthology features four texts by Gershom Scholem on lament, translated here for the first time into English. The volume also includes original essays by (...) leading scholars, which interpret Scholem's texts and situate them in relation to other Weimar-era Jewish thinkers, including Walter Benjamin, Franz Rosenzweig, Franz Kafka, and Paul Celan, who drew on the textual traditions of lament to respond to the destruction and upheavals of the early twentieth century. Also included are studies on the textual tradition of lament in Judaism, from biblical, rabbinic, and medieval lamentations to contemporary Yemenite women's laments. This collection, unified by its strong thematic focus on lament, shows the fruitfulness of studying contemporary and modern texts alongside the traditional textual sources that informed them. (shrink)

Called “the most important critic of his time” by Hannah Arendt, Walter Benjamin has only become more influential over the years, as his work has assumed a crucial place in current debates over the interactions of art, culture, and meaning. A “natural and extraordinary talent for letter writing was one of the most captivating facets of his nature,” writes Gershom Scholem in his Foreword to this volume; and Benjamin's correspondence reveals the evolution of some of his most powerful ideas, while (...) also offering an intimate picture of Benjamin himself and the times in which he lived. Writing at length to Scholem and Theodor Adorno, and exchanging letters with Rainer Maria Rilke, Hannah Arendt, Max Brod, and Bertolt Brecht, Benjamin elaborates on his ideas about metaphor and language. He reflects on literary figures from Kafka to Karl Kraus, and expounds his personal attitudes toward such subjects as Marxism and French national character. Providing an indispensable tool for any scholar wrestling with Benjamin’s work, _The Correspondence of Walter Benjamin, 1910–1940_ is a revelatory look at the man behind much of the twentieth century’s most significant criticism. (shrink)

Jewish mysticism represents the totality of the attempts to interpret in terms of mystical conceptions the meaning of rabbinical Judaism as it has crystallized in the time of the Second Temple and later. Such a development, of course, could take place only after this process of crystallization had attained a certain degree of fixity. This holds good for both the type of legal Judaism which Philo of Alexandria tried to interpret, as well as for the more developed type of Talmudic (...) Judaism which served as a frame for the spiritual efforts of the Medieval Kabbalists. It is not my purpose to discuss here the historical problems of the development of Jewish mysticism, and especially of Kabbalism; I have done so in other places, especially in my book Major Trends in Jewish Mysticism. On the other hand, the subject with which I propose to deal here occupies a central place in Jewish mysticism. In a religious system that is based on Divine Revelation and the acceptance of Holy Scriptures which determine its tenets, the questions connected with the essential nature of such revelation in Scripture are obviously vital ones. Moreover, in a time of crisis—andmysticism as a historical phenomenon is a child of times of crises—such questions are especially pressing. Mystics are people who, through their own experience and speculation on such experience, detect new layers of meaning in their traditional religion. If this kind of experience and speculation does not lead them to break away from the traditional institutional framework of their religion, then the first question bound to come up is how to find their own experience reflected or anticipated in their sacred texts; also how to reconcile their vision of things with that accepted by their own tradition. It is, of course, a truism that allegorical interpretation makes its appearance spontaneously whenever new ideas clash with those of a holy book, seemingly standing in contradiction to them and requiring some process of reconciliation. What is true of allegorical interpretation applies even more so to mystical interpretation in a more precise sense. (shrink)