What does it mean for Christ to be the "image of God"? And, if Christ is the "image of God," can the human person also unequivocally be understood to be the "image of God"? Augustine's Early Theology of Image examines Augustine's conception of the imago dei and makes the case that it represents a significant departure from the Latin pro-Nicene theologies of Hilary of Poitiers, Marius Victorinus, and Ambrose of Milan only a generation earlier. Augustine's predecessors understood the imago dei (...) principally as a Christological term designating the unity of divine substance. But, Gerald P. Boersma argues, Augustine affirms that Christ is an image of equal likeness, while the human person is an image of unequal likeness. Boersma's careful study thus argues that a Platonic and participatory evaluation of the nature of "image" enables Augustine's early theology of the image of God to move beyond that of his Latin predecessors and affirm the imago dei both of Christ and of the human person. (shrink)

The city of Jerusalem is the focal point of Augustine’s exegesis of the Psalms of Ascent. In Enarratio in Psalmum 121, Augustine presents Jerusalem as a collective unity contemplating God’s being. The city is thoroughly established in peace and love and participates intimately in the divine life. The essential features of the Jerusalem described in Enarratio in Psalmum 121 align neatly with the created intellectual realm of contemplation outlined in Confessiones Book 12. Both texts envisage a city that participates in (...) the divine idipsum. This city is a creature so intimate with God’s being that its creaturely mutability is checked. Both texts articulate this created intellectual realm as participating in God’s eternity. In both cases, this participation is realized in contemplation: through the constancy of its vision, it is conformed to that which it sees. Finally, both the aeterna Ierusalem and the caelum caeli are a communion—in fact, a city—united in love. In Enarratio in Psalmum 121, Augustine urges his congregants to join themselves to this edifice that is still under construction; in the Confessiones, he presents himself as a pilgrim groaning and longing with desire to be part of the Jerusalem that is above, his mother and patria. (shrink)