This article treats the ideational process that turns men into warring bodies. Beginning with a gloss on Immanuel Kant’s Perpetual Peace, where he expresses optimism about the peace-fostering potential of publicity, the analysis notes Kant’s neglect of what Michel Foucault calls ‘the coercive structure of the signifier’ and goes on to a reading of Michael Cimono’s film The Deer Hunter, which focuses on the discursive frailties that grease the skids for youth to slide from child-like innocence to nationalist-macho violence. (...) The Deer Hunter, which provides an elaborate treatment of the transition from working to warring bodies, features a group of young men whose lack of a discursive rapport with themselves – much less with each other – makes them susceptible to becoming ‘warriors’, sent out to an exotic venue in order to ‘proudly serve their country’ (as the MC directing the wedding festivities in the first half of the film puts it). Contrasting the thought world of the characters in The Deer Hunter with more discursively complex models of thought, the article ends with a speculation on the importance of genre disruption, and the scrambling of codes as antidotes to the linguistic claustrophobia that often attends unreflective transitions from citizen subjects to warring bodies. (shrink)

Cosmopolitanism, new and newer : Anthony Appiah -- Noam Chomsky's golden rule -- Blaming the system : Immanuel Wallerstein -- The sweatshop sublime -- Edward Said and effort -- Intellectuals in public, or elsewhere -- War without belief : Louis Menand's The Metaphysical Club -- Comparative national blaming : W.G. Sebald and the bombing of Germany.

This article seeks to explore the way that warfare, and categories gleaned from warfare and military practice, are used in the work of Carl Schmitt and Michel Foucault. Despite their profound political and theoretical differences both writers seek to understand politics and society through the idea of war. Because both writers resist the use of the state-civil society distinction their account of war renders it a perpetual phenomenon of the social and political order; this creates difficulties concerning fascism, though (...) for different reasons. At the same time the article explores the similarities and differences in the way both Schmitt and Foucault appropriate Hobbesian and Nietzschean ideas and motifs. Key Words: fascism • Foucault • Schmitt • state • war. (shrink)

_Althusser and His Contemporaries_ alters and expands understanding of Louis Althusser and French philosophy of the 1960s and 1970s. Thousands of pages of previously unpublished work from different periods of Althusser's career have been made available in French since his death in 1990. Based on meticulous study of the philosopher's posthumous publications, as well as his unpublished manuscripts, lecture notes, letters, and marginalia, Warren Montag provides a thoroughgoing reevaluation of Althusser's philosophical project. Montag shows that the theorist was intensely engaged (...) with the work of his contemporaries, particularly Foucault, Derrida, Deleuze, and Lacan. Examining Althusser's philosophy as a series of encounters with his peers' thought, Montag contends that Althusser's major philosophical confrontations revolved around three themes: structure, subject, and beginnings and endings. Reading Althusser reading his contemporaries, Montag sheds new light on structuralism, poststructuralism, and the extraordinary moment of French thought in the 1960s and 1970s. (shrink)

In this essay, I reflect on the divergent arguments about limited force made by Daniel R. Brunstetter and Samuel Moyn in their respective monographs. Arguing that their positions can be reconciled, I agree with Brunstetter that limited force has a role to play in establishing and maintaining a just world order. At the same time, however, I am mindful of Moyn's warning that limited force may lead to perpetual war. The way to ensure that limited force both works toward (...) justice and does not result in perpetual war, I argue, is to focus more on considerations of jus ante bellum (right before war) and jus post bellum (right after war), the so-called “growing edges of just war theory.” I hold that the responsible use of statecraft, which just war thinking seeks to inform, accepts that limited force constitutes a legitimate tool to facilitate order, justice, and peace. However, any justifiable use of force must be restrained and limited and aim for a just peace. The embrace of limited force should thus be complemented with an effort by state leaders to bolster the edges of just war in order to facilitate a security environment that requires the use of limited force less frequently. (shrink)

ExcerptA 1988 Die Welt “video tip” that revisited Bernhard Wicki's film The Bridge (1959) declared it one of the earliest confrontations with Germany's Nazi past.1 The film is seen as an initiating, even originary moment of the engagement with Germany's difficult past that would famously, and contentiously, mark the 1960s and 70s. Of course the piece's presupposition is complete nonsense. It provides stark testimony as to how one historical moment frequently conjures a past that never was, for cultural and political (...) purposes entirely its own. In this case, the later understanding of the film projects onto the past a public…. (shrink)

Name der Zeitschrift: Kant-Studien Jahrgang: 107 Heft: 1 Seiten: 179-195.

Contemporary debate on humanitarian intervention has prompted a revival of interest in the Just War ( justum bellum ) tradition of moral reflection. This tradition can be seen to provide an ethical vocabulary for assessing and possibly justifying these interventions. Just War is typically viewed as a middle way between Pacifism, on the one hand, and Realism, on the other; hence an ample literature exists comparing these traditions. Considerably less has been written, however, contrasting Just War with Perpetual Peace. (...) This article seeks to remedy that lacuna, with particular application to the question of humanitarian intervention. Taking the political controversy over NATO's 1999 Kosovo intervention as its point of departure, the article shows how support or opposition to this intervention often hinged upon the differing presuppositions of the Just War and Perpetual Peace traditions. It then proceeds to map out these different presuppositions by historical reference to exponents of each tradition, Aquinas and Vitoria for the former, Dante and Kant for the latter. (shrink)

Immanuel Kant, in his political project, “Perpetual Peace” has attempted to show a moral hope for the scourge of humanity, i.e. war. For Kant, man’s intrinsic selfish nature is a cause of constant collision that can be controlled by universal laws of reason to ensure an enduring peace among the warring nations. But is this idealistic approach towards war equally applicable to concrete particular situations of humankind? What if there are conditions under which war becomes inevitable or even a (...) desirable alternative? Can the choice of war be a morally justified alternative? And again, with the choice of war, can we ever hope for perpetual peace? It seems not! There are certain conditions when humanity is put at stake and war turns out to be the ultimate way to find peace Kant hinted but has not explored at length. In this paper, I want to explore and expound on these human conditions by bringing the situational examples of Mahābhārata and its idea of Dharma Yudha (righteous war). Mahābhārata serves as illuminating justifications for irremediable difficulties and dilemmas behind the inescapability of war in certain human circumstances. I will try to understand how far this “realistic” effort is ethically warranted in the way of seeking peace. I argue that although the Kantian universal model of rejection of war is a valuable ideal, and Mahābhārata’s realistic solution in terms of recognition of righteous war is relevant on the practical ground, both these positions of morality and corporality do not seem to provide a sufficient means of achieving perpetual peace in a contingent world, and therefore, it requires to look at some other alternatives. In doing so, an attempt will be made to critically analyse the incessant struggle between universal and particular, or idealism and realism by highlighting the existential contingencies and ambiguities of human finitude in the light of Kant and Mahābhārata in relation with perpetual peace and war. (shrink)

The author presents Simone Weil’s theory that force, an inherent part of the human condition, generates and regenerates its own existence. She examines three essays by Weil: ‘The Iliad or a Poem of Force’, ‘Reflections on War’, and ‘The Power of Words’. Doering situates the essays historically: their publication in French journals, as World War Two was looming, and again in the mid-1940s when translations of the essays appeared in Dwight Macdonald’s New York journal: politics. She applies to modern times (...) Weil’s conviction that the escalation of war preparations on grounds of national security inexorably undermines the belief in the supreme value of the individual. Major issues include the hyping of war as an act of interior politics, fear as a means of social control, freedom of thought in a permanent war economy, Dorothy Day on violence, the media in a democracy and the Greek concept of nemesis. (shrink)

This article compares the rhetorical strategies employed by American and French scientists in the research article introductions published by both research teams during the so-called ‘AIDS War’. The controversy concerned priority rights for the discovery of the AIDS virus. Using Swales’s CARS model as a comparative template, the results indicated that while the Americans proceeded with a deductive, bold and highly elaborated pattern of rhetorical presentation, the French opted for an inductive, more nuanced and unelaborated rhetoric which prioritized the communication (...) of scientific content at the expense of the writers’ attitude and personal perspective. The observed variations can be accounted for on the basis of perceptions of what constitutes appropriate academic style during the debate, audience design, power relationships and the sociopolitics of knowledge production in American and French scientific cultures. The article concludes by exploring the implications of these results for the use of English in the resolution of global research problems across the intercultural continuum. (shrink)

This dissertation examines philosophical and literary configurations of "violence" in discourses of human freedom and imperial subjugation in Germany and Japan. The concept of "violence" marks the ethical limit of normative claims. Without a definition in itself, "violence" serves the critical function of disclosing norms orienting social and political life. Each of the authors studied in this dissertation turned toward a conception of human freedom founded in the confrontation of social norms disclosed by rhetorical violence. Chapter one examines the rhetoric (...) of Immanuel Kant's Zum ewigen Frieden in the historical context of its writing. Kant engages in a performative argument for publicity in his critique of Prussian imperialism and the censorship of revolutionary views. Through rhetorical gestures such as the title of his essay as an invocation of death and the clausula salvatoria as a hedge against his critics, Kant encodes the political upheavals of the historical exterior in the rhetorical movement of his essay. He argues for peace by performing violence in language. Whereas Kant's essay has been conventionally read apart from its historical context, Heinrich von Kleist's Die Herrmannsschlacht has been interpreted strictly in terms of the historical moment of its writing. Chapter two argues instead for a rhetorical reading of Kleist's play in which language emerges as both the central theme of the text and an agent of anti-imperial violence. Kleist concretizes metaphors of the body such that they perform the politics of absolute opposition. Freedom for Kleist means opposition to the other. Chapter three turns to an alternative conception of human freedom grounded in opposition. In his Phanomenologie des Geistes, Hegel produces a performative narrative of the development of subjectivity in relations of violence. As an "unhappy consciousness," the subject no longer opposes an external other but itself as an internal "enemy." The freedom that it attains is constituted in self-subjection. Chapter four examines the appropriation of Kant and Hegel by the Japanese wartime philosophers Miki Kiyoshi and Tanabe Hajime. Both defend the project of Japanese imperialism by arguing for a form of freedom in which the subject negates its attachment to the imperial state. This negation inverts into a performance of subjectivity as the movement of self-subjection. (shrink)

The article considers the modern meaning of Kant’s doctrine of war. The author examines the context and content of the key provisions of Kant’s concept of perpetual peace. The author also reviews the ideological affinity between Kant and previous authors who proposed to build alliances of states as a means of preventing wars. It is noted that the French revolution and the wars caused by it, the peace treaty between France and Prussia served as the historical background for the (...) conceptualization of Kant’s project. In the second half of the 20th century, there is a growing attention to Kant’s ethical and political philosophy. Theorists of a wide variety of political and ethical schools, pay attention to Kant’s legacy and relate their own concepts to it. Kant’s idea of war is reconsidered by Michael Doyle, Jürgen Habermas, Ulrich Beck, Mary Kaldor, Brian Orend. Thus, Doyle tracks democratic peace theory back to Kant’s idea of the spread of republicanism. According to democratic peace theory, liberal democracies do not solve conflict among themselves by non-military methods. Habermas, Beck, Kaldor appreciate Kant as a key proponent of cosmopolitanism. For them, Kant’s project is important due to notion of supranational forms of cooperation. They share an understanding that peace will be promoted by an allied authority, which will be “governing without government” and will take responsibility for the functioning of the principles of pacification of international relations. Orend’s proves that Kant should be considered as a proponent of the just war theory. In addition, Orend develops a new area in just war theory – the concept of ius post bellum – and justifies regime change as the goal of just war. (shrink)

This paper explores two phases of the early modern genre wars. The first was fought by Marie de Gournay, in her “Preface” to Montaigne's Essays, on behalf of her adoptive father and in defense of his naked and masculine prose. The second was fought half a century later by Nicholas Boileau in opposition to Gournay's feminizing successor, Madeleine de Scudéry. In this debate Gournay's position is egalitarian, whereas Scudéry's approximates to a feminism of difference. It is claimed that both female (...) protagonists in this early debate occlude the female body. The far more sexually explicit prose of Mary Delarivier Manley is then used to raise the question: is it genre, or is it, rather, the very nature of erotic sexuality, that makes it so difficult for women to masterfully expose themselves as authoritative subjects? (shrink)

In 1795 Immanuel Kant published an essay entitled "Toward Perpetual Peace: A Philosophical Sketch." The immediate occasion for the essay was the March 1795 signing of the Treaty of Basel by Prussia and revolutionary France, which Kant condemned as only "the suspension of hostilities, not a peace." In the essay, Kant argues that it is humankind's immediate duty to solve the problem of violence and enter into the cosmopolitan ideal of a universal community of all peoples governed by the (...) rule of law.The essay's two-hundredth anniversary, 1995, also marked the fiftieth anniversary of the end of World War II and of the establishment of the Charter of the United Nations. The essays in this volume were written for a conference held in Frankfurt in May 1995 to commemorate these three anniversaries. Together, the authors argue for the continued theoretical and practical relevance of the cosmopolitan ideals of Kant's essay. They also show that history has both confirmed and outstripped Kant's prognoses. As recent events have shown, we certainly have not emerged from the violence of the state of nature. Accelerating globalization also gives these reconstructions and reappraisals of Kant's cosmopolitan ideal a new urgency.Contributors : Karl-Otto Apel, Kenneth Baynes, James Bohman, Jürgen Habermas, David Held, Axel Honneth, Matthias Lutz-Bachmann, Thomas McCarthy, Martha Nussbaum. (shrink)

Whether this satirical inscription on a Dutch innkeeper's sign upon which a burial ground was painted had for its object mankind in general, or the rulers of states in particular, who are insatiable of war, or merely the philosophers who dream this sweet dream, it is not for us to decide. But one condition the author of this essay wishes to lay down. The practical politician assumes the attitude of looking down with great self-satisfaction on the political theorist as a (...) pedant whose empty ideas in no way threaten the security of the state, inasmuch as the state must proceed on empirical principles; so the theorist is allowed to play his game without interference from the worldly-wise statesman. Such being his attitude, the practical politician — and this is the condition I make — should at least act consistently in the case of a conflict and not suspect some danger to the state in the political theorist's opinions which are ventured and publicly expressed without any ulterior purpose. By this clausula salvatoria the author desires formally and emphatically to deprecate herewith any malevolent interpretation which might be placed on his words. (shrink)

This chapter discusses the tradition of just war theory. It focuses on Rawls's comments in A Theory of Justice (TJ). The discussion is entirely in the service of an account of conscientious refusal to fight in war. The chapter focuses on Rawls's best developed discussions of the doctrines of just war and related ideas in The Law of Peoples (LP). It discusses the place of these doctrines in Rawls's account of the law of peoples, the importance of human rights to (...) the accounts, and Rawls's account of the conditions in which the hope for peace is reasonable. Rawls takes Kant's Perpetual Peace as a guide for the development of his views in LP. The domestic conditions that Rawls takes to be necessary to produce satisfaction for the right reasons are demandingly egalitarian. Rawls maintains that it would be unrealistic to hope for an international society comprised entirely of liberal people. (shrink)

In this short essay, Kant completes his political theory and philosophy of history, considering the prospects for peace among nations and addressing questions that remain central to our thoughts about nationalism, war, and peace. Ted Humphrey provides an eminently readable translation, along with a brief introduction that sketches Kant's argument.

ABSTRACTThis article contributes to the recent historiography on Enlightenment plans for European peace by shedding light on the political and intellectual work of the neglected Spanish minister and intellectual José Carvajal y Lancaster. The article begins by outlining the intellectual context surrounding the War of Spanish Succession, and proceeds to analyse the ways that Carvajal deployed, both in his texts and in power, Enlightenment ideals to reform the Spanish Empire and achieve perpetual peace in Europe. The ideas of his (...) first work, his Testamento Político, revealed the ways that the logic of joint-stock companies could catalyse the reform of the Spanish Empire. His measures in government, in turn, illustrated how international cooperation could be mutually beneficial, but turned on his fraught relationship with the future Marquis of Pombal. Finally, his text Mis Pensamientos, written in 1753, envisaged a formal commercial and political coalition between the Spanish and the British Empires. Carvajal’s vision for European peace was at once utopian and clear-eyed, and the ideas behind his plan persist as demanding questions for our age. (shrink)

This forum contribution addresses two major themes in de Goede’s original essay on ‘Financial security’: (1) the relationship between stable markets and the proverbial ‘security dilemma’; and (2) the development of new decision-technologies to address risk in the post-World War II period. Its argument is that the confluence of these two themes through rational choice theory represents a fundamental re-evaluation of the security dilemma and its relationship to the rule of law governing market relations, ushering in an era of (...) class='Hi'>perpetual physical and financial insecurity. (shrink)

The popular conception of the Renaissance as a culture devoted to order and perfection does not account for an important characteristic of Renaissance art: many of the period's major works, including those by da Vinci, Erasmus, Michelangelo, Ronsard, and Montaigne, appeared as works-in-progress, always liable to changes and additions. In Perpetual Motion, Michel Jeanneret argues for a sixteenth century swept up in change and fascinated by genesis and metamorphosis. Jeanneret begins by tracing the metamorphic sensibility in sixteenth-century science and (...) culture. Theories of creation and cosmology, of biology and geology, profoundly affected the perspectives of leading thinkers and artists on the nature of matter and form. The conception of humanity (as understood by Pico de Mirandola, Erasmus, Rabelais, and others), reflections upon history, the theory and practice of language, all led to new ideas, new genres, and a new interest in the diversity of experience. Jeanneret goes on to show that the invention of the printing press did not necessarily produce more stable literary texts than those transmitted orally or as hand-printed manuscripts—authors incorporated ideas of transformation into the process of composing and revising and encouraged creative interpretations from their readers, translators, and imitators. Extending the argument to the visual arts, Jeanneret considers da Vinci's sketches and paintings, changing depictions of the world map, the mythological sculptures in the gardens of Prince Orsini in Bomarzo, and many other Renaissance works. More than fifty illustrations supplement his analysis. (shrink)

Kant’s landmark essay “On Perpetual Peace” is as timely, relevant, and inspiring today as when it was first written over 200 years ago. In it we find a forward-looking vision of a world respectful of human rights, dominated by liberal democracies, and united in a cosmopolitan federation of diverse peoples. The essay is an expression of global idealism that remains an enduring antidote to the violence and cynicism that are all too often on display in international relations and foreign (...) affairs. This book features a fresh and vigorous translation of Kant’s essay by Ian Johnston, and it includes an extended introduction by philosopher Brian Orend. The introduction situates Kant’s essay in its historical context and offers a substantial analysis, section by section, of the essay itself. In doing so, Orend not only discusses Kant’s personal life and the history of the perpetual peace tradition, he also shows how Kant’s provocative ideas have inspired and infused our own time, especially the concept of a global alliance of free societies committed to respecting human rights. (shrink)

This book is 1st ever Hindi translation of Kant's German work “Zum ewigen Frieden: Ein philosophischer Entwurf”, translated into English by M. Cambell Smith, Lewis White Beck etc. with the title “Perpetual Peace: A Philosophical Sketch”. It is a small but significant political treatise that attempts to analyse the causes of war and fundamental conditions of peace. Apart from that political philosophy and different theories associated with international relations and perpetual peace as a moral and political ideal have (...) been brought under philosophical discussion whose relevance in the present political scenario is self-evident. For Kant, Perpetual Peace is an ideal as well as a concrete thought and his firm conviction that such an ideal can be realised, moral rejuvenation is the pre-condition of attaining perpetual peace. The need is to have transparent and faithful relations among different countries, correct interpretation of treaties and goodwill to be ensured at the level of implementation. The another condition for moral rejuvenation is to have a republican form of the constitution. Here we find linguistic beauty, clarity, systematic presentation and deep-rooted philosophical insights. This is undoubtedly valuable work for teachers and scholars and can be of great interest to the general reader too. (shrink)

Sophists’ apologia. -/- Sophists were the first paid teachers ever. These ancient Greek enlighteners taught wisdom. Protagoras, Antiphon, Prodicus, Hippias, Lykophron are most famous ones. Sophists views and concerns made a unified encyclopedic system aimed at teaching common wisdom, virtue, management and public speaking. Of the contemporary “enlighters”, Deil Carnegy’s educational work seems to be the most similar to sophism. Sophists were the first intellectuals – their trade was to sell knowledge. They introduced a new type of teacher-student relationship – (...) the mutually beneficial communication on equal terms. They taught pupils how to think independently and how to persuade others, which was inseparably connected with the rise of democracy in the most advanced Greek polices. Sophists were the first to proclaim that all people are naturally equal. They put forward the idea of natural rights and social contract, working out the fundamentals of the present-day law. In addition, they developed the basics of philology, psychology, logic, and gave a scientific explanation to the origins of religions. They embodied definite positive ideals of their epoch. Sophistry flourished in the second half of the Vth through he first third of the IVth centuries B. C. The period coincides with the heyday of the entire Greek history – the so called Greek Miracle epoch. Sophists expressed some present-day concepts of Ancient Greek ideology and mentality, characteristic of its Golden Age times. The Ancient Athens of the times of Periclus were similar to the Florence of Renaissance as to the type of social structure. That is why (?) the art of eloquence (public speaking) was highly respected in Florence. The two cities had a lot of features of the present-day capitalist society, which was due to their role as the main centres of industry of their “worlds-economies”. During the subsequent Hellenic period, the Old Order was restored, based on the feudal rent recipients’ rule. The degradation of society resulted in the decline of sophistry. Sophistry represents the highest point in the evolution of Greek philosophy. It is also the most prominent school as to the novelty of its ideas. That was owing to the common propensity for innovation typical of Periclus’ Golden Age, which in its turn resulted from the establishment of the individualistic and rationalistic thinking similar to present-day mentality. Among other aspects, close attention was paid to ethnic issues; some humanistic ideas such as Master and Servant ethics and Enlightment as the primary condition of man’s freedom, received scientific grounding. The genre of philosophical dialogue was developed, as well as the rationalistic scientific gnoceology, aimed at consistently opposing any religion. Dialectics, the most outstanding achievement of the Antiquity, was also worked out by the sophists. Zeno of Helleas was one of the sophists. Democrites’ ideas were, too, quite close to dialectics. Socrates’ contemporaries regarded him ironically, as shown, for example, in the Aristophanes’ comedy “Clouds”. Nevertheless, this scholar can still be referred to as a sophist, although of somewhat weird personality. Socrates’ popularity, which came later, should be attributed to the fact that he was the first philosopher ever to have been sentenced and executed by law, rather than to any valuable scientific contributions. Sophistry as such, rather than Socrates, marks the line between pre-Socratic and post- Socratic schools. Plato, with the exception of his latest works, is considered to belong to the same philosophical school. Specifically, there are valid reasons to believe that he was paid fees by his disciples. In Plato’s Dialogues, all points of view will be proven and then disproved, so that an integral philosophical system is hard to observe. Plato’s “Idealism” is but one of the many possible theories. His ideal philosophy is a high-minded argument of wise men. As late as towards the end of his life, Plato betrayed the ideals of sophistry, turning into the world’s first proponent of totalitarianism. Sophistry is Greek classical literature. Later on, philosophy, as well as the entire Greek civilization, started to fall into decline. Over 500 subsequent years, Hellenistic-Roman scholars never came up with anything novel. The entire process of antique philosophical evolution can be subdivided into the following six stages: Phoenician (IX–VIIth centuries B. C.), archaic (VIth – the first half of IVth century B. C., classic (the epoch of sophistry: the second half of the Vth through the first decades of the IIIrd centuries B. C.), late antique (middle of the IIIrd – first decades of the VI th centuries B.C.) The fact that early in the VIth century B. C. sophistry was rejected in Athens, has a lot to do with the consequences of their defeat in Peloponnesian war, a social catastrophe. Ever since, the prevalent part of the criticism of sophistry is a criticism of sophists’ immoral ways of life and personalities, rather than the essentials of their philosophy. For instance, Aristotle’s criticism primarily concerns their pragmatism and tendency to make a profit out of teaching. However, Aristotle himself taught his disciples along similar lines, showing them how to “be able to prove both opposites”. It was Aristotle who summed up sophists’ century-long elaborations. The traditional modern interpretation of sophists as shown in Plato’s dialogues appears to be groundless. The truth of the matter is that Plato regards sophists as more serious philosophers than Socrates was. It becomes especially clear in the dialogue titled “Protagoras”, which shows the latter as gaining an undoubted victory over Socrates. Generally speaking, Plato’s works never regard sophists as weak or worthless opponents. A common opinion as to the essence of sophists’, in particular, Protagoras’s philosophy, has hitherto not been worked out. Many researchers renounce the very existence of any specific philosophical position in sophistry. The term “relativism” itself now has a bad name. However, it should be borne in mind that Protagoras doctrine emerged as a result of an attempt to get out of the ontological dead-end to which the entire Greek natural philosophy had come. To this purpose, he employed Anaxagoras’s idea about everything comprising everything, whereupon he built his physical-ontological theory, and Zeno of Helleas’s concept that all objects are such and different at the same time in the same respect. According to Protagoras’s philosophy, every object does not only seem, but is different from every other object, including human beings. Therefore, every person is his or her own measure of all other entities. The objective reality is the Ego’s relations with the outer world. Every object’s essence is defined through its interaction with ourselves. Nothing remains stagnant – every existence already contains non-existence, and vice-versa. However, the relativity of being is not to be regarded as absolute. That means, that relatively stable and therefore relatively cognizable entities do exist, among them the words we say. Doubt is not considered absolute by relativists either, which differentiates them from skeptics and agnostics. They dare to believe. Uncertainty is Godly – here, Protagoras becomes very close to the concept of apathetic theology. Gorgius shared Protagoras’s views and tried to prove them applying the same method as Zeno applied when upholding Parmenidis’s philosophy. He argued that if one accepts the opposite point of view and agrees that nothing can exist and not exist at the same time, one is bound to come to an the absurd conclusion that nothing is cognizable and nothing exists. To prove that there is a universal contradiction within the Existence itself, Protagoras and his followers in their turn put forward a number of special logical arguments, called rules of contraries, or sophisms. The most well-known of them is the Euathle’s sophism, which proves that an object can be such and different at the same time in the same respect. Generally speaking, all relationships of any entity are extraneous. The idea that all entities, including concepts, exist and do not exist at the same time, was also accepted by Plato. It should be stressed, that Plato’s philosophy as a whole is relativists’ greatest achievement. In his dispute against relativism, Aristotle put forward the main concepts of his ontology: the existence falls into the existence in possibility and the existence in reality, or substance and accidence – the ever changing “sublunary” world and the stable world of divine heavenly bodies. This division made his system self-contradictory to the point of absurd. Aristotle quite realized, that the direct disproof of relativism is hardly possible, which fact makes his criticism a mere tautology. It is very indicative in this respect that materialists, idealists and even skeptical agnostics applied the same arguments do disprove relativism. That demonstrates that the inner contradiction between any forms of “absolutism” and relativism is the most fundamental philosophical problem. Relativist ideas were repeatedly renewed throughout history, provided the social conditions were favourable. In variations, the concepts were advanced by Tzuan Tsi and ancient Chinese sophists, apostle Paul, Nicolas of Cusa, Galileo, Rene Descartes, G. Berkley, D. Hume, Ch. S. Pierce, E. Mach, A. Bogdanov, F. de Saussure, N. Bore, P. Feuerabend, U. Quain and others. However, no consistent relativist ontological system was developed after Protagoras. Meanwhile, a valid relativist theory could provide a clue to a fuller and more adequate general physical concept of the world, and to a deeper understanding of quantum mechanics. -/- Relativism as an ontological system of beliefs. -/- The relativist principle of relativity of all that exists is fundamental for the entire system of philosophy. Absolutely everything exists, but, at the same time, no existence is absolute. Anything is possible, but those entities only exist for us with which we interact this way or another, i. e., reality is interaction, “I interact – hence, I exist”. However, an overly close relationship between entities leads to non-existence – in other words, there is a certain existential optimum. For all of us, information, or perceptible heterogeneities, is real. Each of us is the center of a definite system of interactions with the world. If God is an endless Possibility, then the World is but the man’s dialogue with God. However, the ties that bind us with the world are of some definite kind, which predetermines our reality. The principle of relativity constrains itself, as any relativity is relative. On the one hand, that calls forth the Evil – caused by our own weakness. On the other hand, it makes our world relatively stable and cognizable. Generally speaking, the world is what we are. Everybody has an own Universe, but since people are fairly similar, our universes can be regarded as one Universe with common laws and regulations. It is possible for us to change the degree of objects’ existence in relation to ourselves and one another. It is equally important, though, to remain ourselves (keep following our “warrior’s path”). Since everything exists and no existence is absolute, the process of cognition should involve a criticism of everything but never a complete rebuttal of anything. The criterion of verity for any theory then is in its capacity to build itself upon a bigger number of diverse statements than in any other theory. Theoretically, all philosophies should ideally be complementary. The question of what in fact happened is meaningless unless we specify the “we”, the “where” and the “when”. The past can only exist as part of the present. When we change, our past undergoes corresponding qualitative objective changes, all of which are irreversible. The contemporary physics regards all objects of the Universe as existing for one another, which results in absurd conclusions. In fact, only what we interact with, exists. The so called “speed of light in vacuum” c is the maximum speed of direct interaction and direct exchange of signals. Specifically, at the oncoming speed c with a significant blue parallax the gamma-quantum is unable to interact with the matter. When this speed is reached, the gravitational mass of objects in relation to one another becomes equal to zero (imaginary), whereas their inertial mass equals infinity. Further acceleration will bring us into an entirely different Universe. That means that the Universe is an open system, which fact destroys all present-day cosmological models. Anything is possible in this world. Our reality is magic. Every bit of space contains a potentially limitless number of bits of other, however virtual, universes, as well as an infinite number of particles, which are still virtual for us (as postulated by quantum mechanics). In other words, there exists an infinity of different realities. With all the above in mind, the different levels of entities’ existence, in particular, of Life and Reason, should be taken into consideration. For example, to which extent a live system exists in relation to the inanimate forms of being is very indefinite, as what life is has to be determined by living creatures. An even greater compass of levels of existence can be brought about through interaction – that is the core idea of Godel’s theorem. As a result, the range of forms of existence tends towards infinity – the evolution of matter through super-intelligence will bring us up to God’s heights. A more generalized mathematical model of the physical world, including a universal operator of the co-existence of objects, can be developed based on the above considerations. The bonds between objects become weaker owing to 1) a high speed, 2) acceleration, 3) rotation, 4) strong gravity, 5) strong fields of other kinds, 6) the difference of levels of existence , 7) phase shifts. Yet, there always is an existential optimum. Such mathematical model is to operate certain non-transitive algebras. Relativist ontology assumes that the notion of “temperature” is relative, thus making it possible to ignore the Second Law of Thermodynamics. In its turn, that will allow for phase shifts. A perpetual motion machine of the second type will become a reality. Rotation could presumably be used to increase inertial and decrease gravitational mass, slowing down the time. An experimental research could shed light on the mentioned effects. (shrink)

The author reflects on the implications of the Kosovo conflict for under-standing the post-Cold War changes in NATO's strategic concept. He develops a theoretical account of the move from war to police violence and the differences between the two concepts of violence.

The article centres on Italian Neorealist cinema and its crucial role in negotiating the positioning of Italy in the transnational post-war scenario. Recent scholarship on the topic has come to challenge many deeply rooted assumptions about Neorealism, claiming that the disproportioned attention paid to this particular filmic trend has proven in the long term to be an hindrance to a full comprehension of the Italian visual culture of the period. I seek to contribute to such a renewed understanding of the (...) ideological and aesthetical issues at stake in the definition of Neorealism. It is indeed very important to underscore that the innovations brought about by Neorealist films (connected in particular to the diffusion of location shooting practices) must always be framed in the context of a lively relationship with popular genre cinema. The article thus focuses on the close reading of one specific filmic text, Sotto il sole di Roma (1948). Castellani’s film proposes an original blending of Neorealist techniques, melodramatic structures and comedic tones: an hybridization of genres representing in itself a most apt correlate to the moment of flux Italy and Italian cinema were experiencing at the time. The film’s use of Rome’s ‘Non-synchronous’ and ‘Heterotopic’ spaces can be read as an attempt to come to terms and overcome fascism’s agendas about history, community, and, last but not least, masculinity. While offering a very ironic interpretation of Italy’s deeply conflicted route to modernity, Castellani’s film also reflects on (personal as well as national) identity as the result of a performance: a performance in which loss and nostalgia play a major role. (shrink)

Comment les discours et les images produits sur le thème des pratiques sociales de danse deviennent-ils, dans l’entre-deux-guerres (1919-1939), le réceptacle d’un discours plus ample sur les mutations des rapports de genre? C’est ce que cet article essaie d’éclairer, en analysant le contexte de profond bouleversement qui caractérise le domaine de la danse de société au lendemain de la Grande Guerre, avec l’introduction en France de danses importées des Amériques. L’imaginaire des danses nouvelles, support privilégié de la représentation du couple, (...) suscite alors des représentations transgressives des rôles sexués, à travers les figures de la garçonne et du danseur mondain, tandis que les pratiques corporelles des femmes sont profondément affectées par les mutations du répertoire chorégraphique. (shrink)

A singularity of the famous Art of War《孫子兵法》 attributed to Sunzi is the way this work conceives of knowledge as a resource for the military strategist. The idea is new in Chinese tradition, and new in the worldwide context of thinking about strategy, where Sunzi’s ideas about the value of knowledge are far in advance of the thinking of Western theorists like Machiavelli or especially Clausewitz. In this paper I analyze the role of knowledge in the Sunzi theory of strategy, (...) and show the consistency of what this work says about knowledge with a philosophical idea of knowledge that emerges in Warring States texts of diverse genres. (shrink)

House raids represent the genre of military acts which fall within the grey zone of war and peace ? counterinsurgency, post-conflict operations, or phase IV operations (a.k.a. Operations Other Than War) ? in which the Geneva Conventions and their Protocols may reveal protection gaps. This article reviews accounts of the execution of house raids contained in the military literature and compares them to the testimony of soldiers and observers recorded in the media. It assesses the relevant provisions of humanitarian law (...) as pertaining to the necessity, distinction, and proportionality of actions. Further, it highlights the specific human rights and humanitarian standards addressing terror, arbitrary intrusion into the home, violations of honor, and humiliation. The conclusion emphasizes the importance of taking into account gender and cultural considerations to properly address the interests of family members ? i.e., women, children, and the elderly who are most affected by house raids. (shrink)

What do we know about war crimes and justice? What are the discursive practices through which the dominant images of war crimes, atrocity and justice are understood? In this wide ranging text, Michael J. Shapiro contrasts the justice-related imagery of the war crimes trial with?literary justice?: representations in literature, film, and biographical testimony, raising questions about atrocities and justice that juridical proceedings exclude. By engaging with the ambiguities exposed by the artistic and experiential genres, reading them alongside policy and archival (...) documentation and critical theoretical discourses, Shapiro?s War Crimes, Atrocity, and Justice challenges traditional notions of?responsibility? in juridical settings. His comparative readings instead encourage a focus on the conditions of possibility for war crimes as they arise from the actions of states, non-state agencies and individuals involved in arms trading, peace keeping, sex trafficking, and law enforcement and adjudication. Theory springs to life as Shapiro draws on examples from legal discourse, literature, media, film, and television, to build a nuanced picture of politics and the problem of justice. It will be of great interest to students of film and media, literature, cultural studies, contemporary philosophy and political science. (shrink)

What do we know about war crimes and justice? What are the discursive practices through which the dominant images of war crimes, atrocity and justice are understood? In this wide ranging text, Michael J. Shapiro contrasts the justice-related imagery of the war crimes trial with literary justice: representations in literature, film, and biographical testimony, raising questions about atrocities and justice that juridical proceedings exclude. By engaging with the ambiguities exposed by the artistic and experiential genres, reading them alongside policy and (...) archival documentation and critical theoretical discourses, Shapiros War Crimes, Atrocity, and Justice challenges traditional notions of responsibility in juridical settings. His comparative readings instead encourage a focus on the conditions of possibility for war crimes as they arise from the actions of states, non-state agencies and individuals involved in arms trading, peace keeping, sex trafficking, and law enforcement and adjudication. Theory springs to life as Shapiro draws on examples from legal discourse, literature, media, film, and television, to build a nuanced picture of politics and the problem of justice. It will be of great interest to students of film and media, literature, cultural studies, contemporary philosophy and political science. (shrink)

This article contributes to the debate among just war theorists about the ethics of using armed drones in the war on terror. If violence of this kind is to be effectively restrained, it is necessary first to establish an understanding of its nature. Because it is difficult to conceptualize drone-based violence as war, there is concern that such violence is thus not captured by the traditional jus ad bellum framework. Drone strikes probably do not constitute a law enforcement practice, so (...) the peacetime ethics of criminal justice do not apply either. One possible solution is to develop and apply a legitimization framework of jus ad vim in which vim is “force short of war,” although this depends upon a vim–bellum distinction being a sustainable one. Moving beyond discussion of these three alternative concepts of drone-based violence, the article suggests a fourth—vis perpetua —and explores the ethical implications thereof. As a form of violence that presents no physical risk to individual users of force, a program of drone strikes poses a moral problem if it is intended to continue indefinitely, leading to the systematic endangerment of innocents without the eventual promise of peace. (shrink)

Dans l’historiographie vietnamienne des années 1990, apparaît le terme « nữ », désignant le genre féminin pour souligner l’engagement spécifique des femmes dans la guerre, à l’égale de celui des hommes, voire au-delà de celui des hommes dans une facture d’héroïsation. À partir de nouveaux corpus d’histoire orale des combattantes et combattants clandestins dits des « Commandos de Saigon », l’article interroge les tensions de l’écriture d’une histoire des femmes en temps de guerre. En effet, penser le genre de l’indépendance, (...) attentif aux mécanismes des dominations masculines, aide à construire une histoire de la guerre plus proche des réalités sociales, moins hagiographique. (shrink)

continent. 1.4 (2011): 310—311. Writing Death . Jeremy Fernando, foreword by Avital Ronell. Den Haag: Uitgeverij. 2011 ISBN: 978-90-817091-0-1 Rite and ceremony as well as legend bound the living and the dead in a common partnership. They were esthetic but they were more than esthetic. The rites of mourning expressed more than grief; the war and harvest dance were more than a gathering of energy for tasks to be performed; magic was more than a way of commanding forces of nature (...) to do the bidding of man; feasts were more than a satisfaction of hunger. Each of these communal modes of activity united the practical, the social, and the educative in an integrated whole having esthetic form.(1) Jeremy Fernando’s Writing Death is a sensitive attempt at exploring the depths and heights to which the processes of mourning can take us. Death, as an absence, renders all gestures (for what is mourning but a gesture with many faces) surrounding it at once as a possibility and an impossibility. Fernando poses questions that often elude the mourner and the mourned—the same, and different—by raising the specter of subject and object; by compelling the examination of what it actually means to mourn; and most crucially, by considering the very status of possibility itself that the act of mourning foregrounds. Mourning, he reminds us, is premised upon memory (remembrance, recollection), the shadow of forgetting upon which is perpetually cast—the inextricability between memory and forgetting haunts the living more than it does the dead. And if grief has anything to do with it, mourning can quite easily be mistaken for an attempt to remember in order to forget; an attempt, in other words, to deny death, deny the one thing that confirms mortality. As if living has anything to do with it. What, then, of writing death? It becomes an unceasing process of locating—and addressing—possibility itself: the passing as possibility; loss as possibility; impossibility as, and of, naming this possibility. In confronting the passing on, it is possible, nay inevitable, to move on, move away from the site of loss, of grief. All the while, we forget, Fernando reminds us, that mourning has little to do with the dead, and a whole lot to do with the living, the mourning self. Here, he echoes Dewey’s consolidation of rituals and ceremonies, of the dead and of the living, all as parts of a larger unity, of a social, public gesture meant to sate a private need: In trying to “get over it,” are we trying to get over ourselves? Or more than that: are we trying to get over the fact that we can never quite get over ourselves? (Fernando, 77) As if guilt has anything to do with it. And “it” continues to be the point that he is driving at, driving towards. “It” is the possibility and impossibility, death and life, memory and forgetting, lost and cherished. “It” is what eludes mourning, eludes attempts to overcome grief. Nonetheless, move on, he must. And Fernando does this in fewer moves than a 12-step program—hardly therapeutic, but intellectually satisfying. Writing Death attends to some of the pertinent aspects of the act of mourning—both as gesture and as meditation: eulogy, distress (call), tears, and the question of how (beyond ritual, beyond sentimentality) to mourn. And what’s love got to do with it? Everything and nothing. Mourning, after all, is an articulation of love, but it is also one that forces the mourner to be selective, as with myth-making, in the recollection: Remembering only ever occurs in exception to memory—quite possibly in betrayal of a memory. In this way, each remembrance is a naming of that memory, a naming of something as memory, bringing with it an act of violence. (40) Mourning is thus not only an act of fictionalizing, it is also an act of reading, to continually be compelled to respond to another, all the while keeping vigil against a reconceptualization of the dead, without, therefore, misreading the dead. This can only be done, Fernando argues, by all the while “maintaining the otherness of the other. After all, one must try not to forget that one cannot be too close—space is needed—to touch.” (82) There is also tacit acknowledgement that doing so foregrounds the fact that the selectivity of memory becomes exclusive, and concretizes into a singularity, thus negating the multi-dimensionality of a life lived – and thus killing the already dead. Writing Death is framed by two eulogies—or the approximations of eulogies; approximation because both foreground and call into question the eulogy as a genre. The first is Avital Ronell’s foreword to the book, remembering Philippe Lacoue-Labarthe; the second is Fernando’s own response to the passing of a mentor, Jean Baudrillard. Both are not merely attempts to philosophize their way out of the act of mourning. Both are in fact deeply moving pieces that remind us of the emotional possibilities that may reside within any intellectual undertaking, that the latter need not be cold and devoid of feelings. And whereas Writing Death does not attempt to make any philosophical claim for humanism, the underlying wistfulness of both pieces does suggest that there is a proper place for deep-seated human response to death. We can (and the book does) intellectualize and problematize the acts of mourning and grieving, but these do not diminish the fact that we mourn and grieve. And, framing Writing Death as the two eulogies do, Jeremy Fernando perhaps finally, and inadvertently, names “It”—it is, above everything else, Human. August, 2011 Singapore NOTES (1) Dewey, John. Art as Experience . New York: Perigee, 1934. (shrink)