Das Eröffnungskapitel von Hegels Phänomenologie des Geistes hat wegen der Tragweite ihrer Behauptung, das Wahre der sinnlichen Gewißheit sei identisch mit dem nur in der Sprache zu erfassenden Allgemeinen, und wegen der äußersten Komprimiertheit der Argumentation, mit der Hegel seine These darzulegen beansprucht, eine Vielzahl verschiedener Interpretationen hervorgerufen. Abweichend von bisherigen Ansätzen betont Brady Bowman in seiner Studie die positive Funktion der sinnlichen Gewißheit des Absoluten als Ausgangspunkt von Hegels "Darstellung des erscheinenden Wissens". Indem er die Analyse der z.T. stark (...) rekonstruktionsbedürftigen Argumentation zu den philosophiehistorischen Referenzen und zum Gesamtzusammenhang der Phänomenologie des Geistes in Beziehung setzt, liefert er eine umfassende Interpretation des Textes. Dabei beleuchtet der Autor zugleich die Hintergründe in der antiken Philosophie, im klassischem Empirismus, in der Philosophie des Common Sense sowie im Umfeld der klassischen deutschen Philosophie; zugleich jedoch verfolgt er systematische Bezüge bis in die Sprachphilosophie der Gegenwart. (shrink)

The poet and dramatist Friedrich Schiller was also a profound philosopher, who described his work On the Asethetic Education of Man as 'the best thing that I have done in my life'. This impassioned treatise analyses politics, revolution and human nature to define the relationship between beauty, art and morality. Expressed as a series of letters to a patron, it argues that only an aesthetic education--rather than government reform, religion or moral teachings--can achieve a truly free society, and (...) must be placed at the heart of human experience. One of the most important works of German philosophy, its arguments remain as arresting and inspiring as when they were first written. (shrink)

Kallias, oder, Über die Schönheit -- Über Anmut und Würde -- Vom Erhabenen -- Über das Pathetische -- Über die ästhetische Erziehung des Menschen in einer Reihe von Briefen -- Über naive und sentimentalische Dichtung.

El mito griego atribuye al a diosa de la belleza un cinturón que posee la virtud de otorgar gracia a quien lo lleva, y procurarle amor. Esta misma deidad va acompañada de las Gracias. Los griegos distinguían de la belleza, pues, la gracia y las Gracias, puesto que representaban a éstas por atributos que podían ser separados de la diosa de la belleza. Toda gracia es bella, ya que el cinturón de los encantos es propiedad de la diosa de Cnido; (...) pero no todo lo bello es gracia: aun sin ese cinturón sigue siendo Venus lo que es. (shrink)

A classic of 18th-century thought, Schiller’s treatise on the role of art in society ranks among German philosophy’s most profound works. An important contribution to the history of ideas, it employs a political analysis of contemporary society—and of the French Revolution, in particular—to define the relationship between beauty and art. Schiller’s proposal of art as fundamental to the development of society and the individual remains an influential concept, and this volume offers his philosophy’s clearest, most relevant expression. Translated (...) and with an introduction by Reginald Snell. (shrink)

Schiller's 1795 essay on the educative function of art is one of the most important contributions to the history of ideas in modern times. This English-German parallel text edition includes a long analytical introduction and extensive notes.

Friedrich Schiller: Über Anmut und Würde Edition Holzinger. Taschenbuch Berliner Ausgabe, 2016 Vollständiger, durchgesehener Neusatz mit einer Biographie des Autors bearbeitet und eingerichtet von Michael Holzinger Entstanden 1793, Erstdruck in: Neue Thalia (Leipzig), 2. Jg., 1793, Heft 2. Textgrundlage ist die Ausgabe: Friedrich Schiller: Sämtliche Werke, Auf Grund der Originaldrucke herausgegeben von Gerhard Fricke und Herbert G. Göpfert in Verbindung mit Herbert Stubenrauch, Band 1-5, 3. Auflage, München: Hanser, 1962. Herausgeber der Reihe: Michael Holzinger Reihengestaltung: Viktor (...) Harvion Umschlaggestaltung unter Verwendung des Bildes: Friedrich Schiller (Pastell von Frenzel nach dem Gemälde von Ludovike Simanowitz, 1793) Gesetzt aus der Minion Pro, 11 pt. (shrink)

Contributed seminar papers; the Goethe Society and the Centre of German Studies, JNU, organized a seminar on 17th-18th March 2005, at JNU, New Delhi, commemorating the bi-centenary of Friedrich Schiller, 1759-1805; papers on his work entitled "Über die ästhetische Erziehung des Menschen in einer Reihe von Briefen".

Our contact with men of distant lands has made possible the notion of universal history. All societies are members of the same human civilization, though at different stages in its development. From the small sum of known past events the universal historian selects only those whose influence on contemporary life has been essential and readily discernible, and moves backward in time toward the origins. This produces an aggregate of world-changes which fit together only in a disconnected and fortuitous way. But (...) his philosophical understanding transforms the aggregate into a coherent whole: the unity of the laws of physical and human nature allows him to infer backward to phenomena which had been left hidden or unrecorded. The universal historian transplants his reasoned harmony into the nature of things, a teleological principle into the course of world history. This elevates our every deed to immortality in the progression toward human perfectibility. (shrink)

This Is A New Release Of The Original 1845 Edition.

Ce sont en tout dix textes, dont beaucoup etaient devenus introuvables depuis longtemps, qui sont rassembles ici dans une nouvelle traduction, tournant autour de la grace, du sublime et du pathetique. La reflexion esthetique de Schiller est largement tributaire de la Critique de la faculte de juger de Kant; elle lui emprunte ses principaux concepts. Mais par son souci de leur decouvrir de nouveaux champs d'application, Schiller a contribue a leur ouvrir de nouveaux horizons et a demontrer ainsi (...) la fecondite de ce texte, central s'il en fut, pour le premier idealisme allemand. (shrink)

Resumo: Este artigo tem por objetivo apontar uma relação entre a estética e a ética em Sartre, mostrando que a constituição ética do indivíduo não se distingue da sua constituição estética. Primeiramente, parte-se da crítica que Merle faz em seu artigo à psicanálise existencial e se evidencia como o encontro com a história e a postulação de uma teoria da personalização nas obras biográficas destituem tais críticas. Num segundo momento, legitimam-se as postulações anteriores, apontando-se como na obra Saint Genet Sartre (...) ratifica a constituição do gosto sobre a moral pelo processo de personalização. Por fim, será visto que toda ética tem um pressuposto transgressor, na medida em que o sujeito ético é também sujeito estético.: This article aims to point out a relation between aesthetics and ethics in Sartre, showing that the ethical constitution of the individual does not distinguish from his or her aesthetic constitution. First, we start from Merle’s criticism of existential psychoanalysis, and we show how such criticisms can be dismissed on the basis of the encounter with history and the postulation of a theory of personalization in biographical works. Second, we point out how Sartre, in his Saint Genet, ratifies the constitution of a taste regarding the moral by the process of personalization. Finally, we will see that all ethics have a transgressive presupposition insofar as the ethical subject is also an aesthetic subject. (shrink)

This is the first English scholarly edition of this pivotal essay, accompanied by the first comprehensive commentary on it.