In 1885, the Austrian music critic and scholar Friedrich von Hausegger published his book “Die Musik als Ausdruck” (“Music as Expression”) which may be understood as an answer to Eduard Hanslick’s “Vom Musikalisch-Schönen” (“On the Musically Beautiful”, 1854). Unlike Hanslick, Hausegger takes the body as central to any adequate account of music. Hence Charles Darwin’s theory of evolution, in particular his book “The Expression of Emotions in Man and Animals” (1872), becomes a central reference for Hausegger. (...) His treatise is a detailed and systematic reconstruction of the probable development of musical expression. The new edition is the first to present the complete text of the second edition of 1887 (amended by Hausegger) in modern Latin typeface. (shrink)

Critic, poet and philosopher Friedrich von Schlegel was a leading figure of German Romanticism. In the two years before his untimely death, he wrote three cycles of lectures intended as part of a larger project to lay the foundations of a new general philosophy. Two of these cycles, 'Philosophie des Lebens' and 'Philosophie des Sprache und des Wortes', are reissued here in an 1847 English translation. The first presents Schlegel's understanding of philosophy as independent of theology or politics, concerned (...) with the 'inner spiritual life' of humankind. The second explores the nature of communication through language and art. Schlegel argues that full human consciousness cannot be restored by Enlightenment science, but only by divine revelation and redemption. He offers no ready-made solutions, but encourages his listeners to develop their own responses to these questions. (shrink)

To call a piece of music sad or joyous need not imply reference to a subjective state. Speaking in this vein, we do not have to attribute sad or joyous feelings to the composer or to the performer. Nor do we predict that listeners will become sad or joyful when they will listen to a performance of that composition. Musical expression is not a mode of consciousness in those who produce it and it is not an effect of music either. (...) Rather, it is a feature of the music itself. Once we have discarded the psychological reduction of expression, the way may be clear to explore the intricate relation between expression and subjectivity. Friedrich von Hausegger’s Music as Expression (1885/87) stands out among the guides to be recommended for a journey along that path. (shrink)

Três poemas de Schelling-Bonaventura. Tradução de “Tier und Pflanze”, “Lied” e “Los der Erde”.

Every student of the twentieth century has heard both of the great Viennese economist Friedrich von Hayek and of the equally great philosopher Ludwig Wittgenstein. But what isn't well known is that the two were distant cousins and that, shortly after Wittgenstein's death in 1951, Hayek set out to write a biography of his cousin. The project was derailed by Wittgenstein family members, who felt it was to soon to publish such a work - especially one like Hayek's, so (...) candid about his cousin's difficulties and depressions. But Hayek's draft acquired an underground readership, and Wittgensteins biographers have used it extensively. Here finally, is the text of that work itself - a true goldmine in being one great thinker's view of another, whom he knew personally, even if not well. Hayek's account has the great merit of being close to its subject; the draft, moreover sheds light, not only on Wittgenstein but on Hayek as well. (shrink)

This is a three-part study of the relations between law and liberty.

En 1794, Schelling propose une lecture très orientée du Timée de Platon, qui est pris comme porte-enseigne dans les débats post-kantiens sur la relation entre forme et matière de la connaissance : le travail que l'intellect ...

In this paper we compare the thesis of underdetermination of theories with the thesis of indeterminacy of translation. Drawing upon this comparison, we argue that, in the context of Quine’s philosophy, the thesis of indeterminacy of translation can only be maintained if it is taken as establishing an indeterminacy in the logical form of sentences. Consequently, we contend that Quine lacks a solid argument for indeterminacy of translation.

Die "Aphorismen uber die Naturphilosophie" (1806/07) wie auch die zugehorigen "Aphorismen zur Einleitung in die Naturphilosophie " (1805) sind in der Forschung bisher weitgehend unbeachtet geblieben, obwohl sie einen bedeutenden ubergangstext von der Natur zur Freiheitsphilosophie Schellings darstellen. SIe wurden ursprunglich in der kurzlebigen, in nur sechs Ausgaben erschienenen Zeitschrift "Jahrbucher der Medicin als Wissenschaft" veroffentlicht, die Schelling zwischen 1805 und 1808 herausgab und zu der er die maSSgeblichen Beitrage beisteuerte. DIe 469 "Aphorismen", die sich in zwei Hauptteile sowie eine (...) vorangehende Einleitung gliedern, sind in wesentlichen Teilen Reflexionen uber das Absolute und knupfen zwar noch an das "System der gesammten Philosophie" von 1804 an, enthalten aber zugleich auch den ubergang von der fruhen, von Kant und Fichte ausgehenden Identitatsphilosophie hin in "ein langsames Abdriften zu den dunklen Bereichen des Seins" (X. TIlliette), denen sich Schelling nach 1806 verstarkt zuwendet. SPrachlich und gedanklich entfernt er sich vom "System", spricht von der "Liebe" und den "Relationen" und in Wendungen, die an Jacob Bohme erinnern, von der "Seele" der Dinge, "welche also zwar an sich betrachtet gleich dem Centro, relativ aber auf das Ding, das verworrene Gegenbild ihrer Einheit, nur ein Geschopf des Centri ist". HIer vollzieht sich die systematische Voraussetzung fur das, was die folgenden Schriften wesentlich ausmacht: das Ausloten des Dunklen in der Natur und damit in uns selbst. Die Textgattung "Aphorismus" war um 1800 noch nicht auf jene Bedeutung verengt, die uns heute an ein isoliertes "Kurzestfragment" denken lasst. ES handelt sich um kurze Abschnitte einer genetischen Darstellung, die jedoch anders als ein durchkomponierter Text einzelne Motive freier variieren und von verschiedenen Seiten her beleuchten kann. (shrink)

The approach to religion -- The soul of a saint, St. Catherine of Genoa -- The philosophy of religion.

All Souls' Day -- Autumn walk -- Christmas Eve interlude -- Walk before spring.

In 1810, after establishing a reputation as Europe's most prolific philosopher, F. W. J. Schelling embarked on his most ambitious project, The Ages of the World. For over a decade he produced multiple drafts of the work before finally conceding its failure, a "failure" in which Heidegger, Jaspers, Voegelin, and many others have discerned a pivotal moment in the history of philosophy. Slavoj Zizek calls this text the "vanishing mediator," the project that, even while withheld and concealed from view, connects (...) the epoch of classical metaphysics that stretches from Plato to Hegel with the post-metaphysical thinking that began with Marx and Kierkegaard. Although drafts of the second and third versions from 1813 and 1815 have long been available in English, this translation by Joseph P. Lawrence is the first of the initial 1811 text. In his introductory essay, Lawrence argues for the importance of this first version of the work as the one that reveals the full sweep of Schelling's intended project, and he explains its significance for concerns in modern science, history, and religion. (shrink)

Toward the beginning of 2013, I received reports of passages in the Black Notebooks that offered observations on Jewry, or as the case may be, world Jewry. It immediately became clear to me that the publication of the Black Notebooks would call forth a wide-spread international debate. Already in the Spring of 2013, I had asked Professor Friedrich-Wilhelm von Herrmann, last private assistant – and in the words of my grandfather, the “chief co-worker of the complete edition”, – if (...) he might review the Notebooks as a whole, based on his profound insight into the thought of Martin Heidegger, and in particular, review those Jewish-related passages that were the focus of the public eye. Publications about the Black Notebooks quickly came to propagate catchy expressions such as “being-historical anti-Semitism” and “metaphysical anti-Semitism”. The first question that obviously arises is: Does the thought of Martin Heidegger exhibit any kind of anti-Semitism at all? In this book Professor von Herrmann now advances his hermeneutic explication. With Professor Francesco Alfieri of the Pontificia Università Lateranense he has found a colleague who has drawn up a comprehensive philological analysis of volumes GA 94 through GA 97 of the Complete Edition. The fact that Heidegger designated the hitherto published “black notebooks” as Ponderings and as Observations has been given little consideration. He intentionally placed them at the conclusion of the Complete Edition because without acquaintance with the lectures, and above all, with the being-historical treatises that would come to be published in the framework of the Complete Edition, they would not be comprehensible. (shrink)

Mit Descartes' 'Meditationen' setzt eine neue Epoche der Philosophie ein: ohne sie keine 'Kritik der reinen Vernunft', keine 'Wissenschaftslehre' und keine 'Phänomenologie des Geistes'. F.-W. v. Herrmann liest die 'Meditationen' mit phänomenologischem Blick und unter Beachtung der ihnen eigentümlichen Grundhaltung der 'Cartesianischen Epoché': als Grundlegung einer Metaphysik des Selbstbewusstseins aus dem Selbstbewusstsein. Er stellt die Lektüre der sechs Meditationen unter den Leitgedanken der Endlichkeit des Selbstbewusstseins und des Problems der Transzendenz. Denn das endliche Selbstbewusstsein vollzieht sich in einem Gefüge dreifachen (...) Transzendierens. Durch diese Metaphysik des Selbstbewusstseins wird Descartes zum entscheidenden Wegeröffner der großen Metaphysiken der Neuzeit von Spinoza über Leibniz, Kant, Fichte, Schelling bis zu Hegel - und darüber hinaus im 20. Jahrhundert zum Wegbereiter der Transzendentalen Phänomenologie Edmund Husserls. (shrink)

The following lecture, published in German under the title, Abhandlung über die Quelle der ewigen Wahrheiten, in Schelling’s Sämmtliche Werke, v. 11, pp. 575–590, was one of the last that Schelling delivered in his long career. It contains in a condensed form the central ideas of his final philosophical system. In this new system he sought to rethink the operative principles of dialectical method and thereby to redirect the movement which he had once helped to found.