An elegant introduction to Bataille's major concepts and concerns, "Bataille: A Critical Reader" underlines the powerful impact his work has had, in different ...

This article interrogates postmodern and Levinasian conceptions of ethics with recourse to Quentin Tarantino's Reservoir Dogs and certain psychoanalytical concepts formulated in Jacques Lacan's Ethics of Psychoanalysis. Since Levinas, ethical thinking has, in some quarters, moved away from conventional questions about moral agency, rights and social justice, on to a concern towards the ultimate unknowability of `the other'. Ethics depends, for Levinas, on an unpredictable, accidental encounter with something Other, that, in its singularity, demands a response; it is precisely the (...) contingency of the encounter that constitutes the ethical difference from the realm of morality and law. Tarantino's movie narratives are also structured around accidents, disclosing the pain and jouissance of accidental expenditures that lie at the heart of any relation to the Other. In the midst of trauma, the Thing emerges, around which goods and signification circulate, that both delimits the identification of the Good and marks a space beyond moral law that becomes the site of radical ethical questioning. (shrink)

Excellence is everywhere. At the heart of the performance‐centred, technocratic language of business, sport and the university, the ubiquity of excellence is accompanied by a transparency of effects that mean nothing but nevertheless manage to transform practices within and between all cultural and corporate institutions. Tracing the notion of excellence associated, in the nineteenth century, with culture and humanity, this paper addresses the implications of its usage in recent decades for ideas concerning the contemporary role and status of the university (...) in order to theorise the upheavals in social and economic thinking that underlie recent cultural transformations. (shrink)

‘Extimatrix’ reconsiders conventional assumptions separating human from technical objects, images and things. Looking at philosophical and scientific versions of the ‘brain in a vat’ thought experiment, the essay re-examines the division between inside and outside. The notion of extimatrix proposes more than a process of technological exteriorization at work: it discloses an interior excess as the locus for a dynamic evacuating and inscriptive movement enabling the co-emergence of both humanity and technology. Beings are not only inserted into matrices: matrices are (...) inscribed in beings. (shrink)