In this paper, I will argue in favor of a direct perception account of social cognition, focusing on the idea that we can directly grasp at least some mental states of others through their bodily expressions. I will investigate the way we should consider expressions and their relations to mental phenomena in order to defend DP. In order to do so, I will present Krueger and Overgaard’s idea of expressions as constitutive proper parts of the mental phenomena expressed and I (...) will show how this position can support DP. Then, I will present the way in which the authors seem to construe the relation of parthood between expressions and mental states – that is in terms of components of integral wholes, and I will introduce the possible issues that derive from this strategy. I will propose a different way to understand this parthood relation, referring to Husserl’s notion of moments as distinct from that of pieces. I will narrow my analysis to expressions of feelings, and I will try to argue that they can be described more aptly as moments of the feelings expressed. Finally, I will show how this account can support DP. (shrink)

This paper deals with phenomenological distinctions concerning empathy with real persons and empathy with fictional characters. We will introduce both contemporary accounts of our perception of others and Edith Stein’s account of empathy. These theories will turn out to be fruitful in defending our main thesis, i.e. that the differences between empathy with real people and empathy with fictional characters are not structural but just qualitative. We will argue that in both cases empathy is a direct act of perceiving others (...) and their lived experience. However, stemming from Stein’s work, we will underline that empathy with real persons is in principio more vivid and intense than empathy with fictional characters. In order to identify similarities and differences between empathy de vivo and empathy in fiction, we will focus on the following issues: the quality of perception; the motivational context and the “life-world context”; the ontological status of persons vs. characters. (shrink)

In this paper, I will focus on the process of constitution of oneself as an embodied being and, more precisely, on the specific way in which one can experience oneself not just as an embodied self, but rather as the actual embodied person he/she is. I will start by describing the most basic way in which our embodied self is constituted, that is as a felt-feeling body and as the zero-point of orientation of all our sensations and perceptions. Then, I (...) will show how our body can be constituted for us also as an instrument for action, leading to the experience of what Husserl called “I-can”. I will argue that, even though in this latter form of body awareness we can experience some traits of our own personality, a further dimension of our embodied life – that is, the expressive one – allows us to have a more defined experience of the specific embodied persons we are. I will describe what “person” specifically means in my framework and, on this basis, I will show how the expressive dimension of our body can account for my experience of myself not just as an embodied self, but as the embodied person I am. (shrink)

In this paper I shall attempt to give an enactive account of the dynamic qualities of music. Starting from Krueger’s account of musical experience, I will highlight how music’s qualities of movement are constituted in the horizon of an embodied consciousness – that is, an embodied subject who can virtually or actually bodily entrain with music and then follow the musical profile. I will argue that the common rythmòs-structure of both music and movement makes such an enactive constitution possible. In (...) this sense, the perception of music’s rythmòs – that is, the perception of its teleological tendency – will turn out to be the condition of possibility for the enaction of music dynamic qualities. But if so, music’s quality of being teleologically-structured will remain unexplained by the discussed enactive account and will need another description of how it is constituted in the horizon of consciousness. (shrink)

When it comes to the debate about the constitutive, supervenience basis for cognition and cognitive processes, two theoretical positions are often opposed to each other. The first is the intracranialist one, exemplified by Adams and Aizawa’s idea that cognition has its supervenience basis just within the boundaries of the brain. The second is the transcranialist one, exemplified by Noë’s and Clark and Chalmers’s theses that the constitutive basis of cognition and the mind can span the brain, the body and the (...) environment. In this paper I want to maintain that Adams and Aizawa’s main intracranialist argument against transcranialism does not hold. In particular, I will try to argue that such an argument does not allow them neither to establish intracranialism nor to defeat transcranialism. (shrink)

In this paper I focus on possible boosting factors for the sense of we-agency in joint actions. My aim is to shed light on a factor that, until now, has received little or no consideration at all, and that I call vitality attunement. I argue that vitality attunement stands between two other boosting factors for the sense of we-agency—i.e., rhythmic alignment and emotional attunement. Investigating two examples of joint action, i.e., dancing and joint musical performances, I show that vitality attunement (...) is not reducible to either of the other two boosting factors and that it deserves to be studied on its own as a distinctive boosting factor for the sense of we-agency. In order to argue for my thesis, I first introduce some of the most crucial aspects of the sense of we-agency in joint actions, then I analyze how rhythmic alignment and emotional attunement have been argued to foster such an experience, and finally I introduce vitality attunement, describing how it too can be a boosting factor for the sense of we and of we-agency. (shrink)

In this paper, I will try to integrate Joel Krueger’s enactive theory of music perception with some of Erwin Straus’ reflections on different forms of experiencing spatiality and movement. Krueger (2009, 2011b) maintains that music perception is a form of active perception, in which our body and our ability to move with music act as vehicles to draw out certain features of the piece and to respond to the affordances it presents. However, the author does not specify what kind of (...) movements are involved in the enactment of music perception. I will propose such a specification, using Straus’ distinction between goal-directed and expressive movements (Straus 1930). (shrink)

In this special issue, our aim is to analyse the role of emotions with particular attention to shaping political actions in the face of present challenges to justice. The relationship between the widespread rise of collective emotions and the experience of injustice in our societies is a pressing issue, both in our everyday practice of ethical and political discourse and in philosophical reflection and discussion. Some negative emotions—such as fear, resentment, greed, distrust towards institutions, and disrespect for basic human rights—are (...) often manipulated and amplified. Other, more positive, emotions, such as respect, hope, solidarity, and affinity, often seem to be not enough to give rise to alternative policies. This worldwide problem reflects a deep economic, social, and existential crisis. In this framework, philosophical reflection on emotions can be put fruitfully in dialogue with the contemporary philosophical analysis of collective intentionality and collective agency, which aims at investigating the nature of different types of groups and their main features as well as phenomena such as sense of group membership and group agency. Indeed, it is often argued that collective emotions boost the sense of group belonging in individual members and act to reduce uncertainty in joint actions. In normative terms, feelings such as the rejection of cruelty have been proposed as the foundation of moral equality, and even rationalistic approaches tend to focus on respect first of all as a feeling, as Kant maintained. (shrink)