In addition to this much-needed clarification of the uses and abuses of the term "modernity," Yack here provides a fresh look at familiar modern ideas and practices such as nationalism, constitutionalism, and liberal democratic politics. Our world, the author suggests, offers us far stranger and more unexpected combinations that are dreamt of in modernist and postmodernist philosophies. His critique of the tendency to treat modernity as an integrated and coherent whole will expand the reader's vision to take in the broader (...) landscape of surprising and inconsistent features in the social and political world that surrounds us. The Fetishism of Modernities will be of interest to social, political and cultural theorists, intellectual historians and philosophers, as well as anyone with a stake in current debates about modernity and postmodernity. (shrink)

This article tries to resume Karl Marx’ concept of “commodity fetishism”, not just as a phenomenon of conscience, but as being the real heart of capitalist society based on abstract labor and value, money and commodity. This concept is often misunderstood, as well as the concept of “narcissism”. Following Freud and Christopher Lasch, the article underlines the sociological side of narcissism and how this pathology is the psychological counterpart to commodity fetishism, forming thus the typical subjectivity of consumerism.

In this paper the 'moral fetishism' argument originally presented by Michael Smith against moral judgment externalism is defended. I argue that only the internalist views on the relation of moral judgment and motivation can combine two attractive theses: first, that the morally admirable are motivated to act on the reasons they take to ground actions' being right, and second, that their virtuousness need not be diminished by their acting on their thinking something right. Lastly, some possibilities are envisaged for (...) internalists in light of a worry to the effect that the argument, if successful, undermines the internalist theories, too. (shrink)

Criticism and sarcasm are interspersed with description and analysis throughout Marx's work. Most of the criticism is aimed at one or another side of a single target: what Marx sees as capitalism's pretensions of freedom, equality, and prosperity in the face of exploitation and recurrent crises. But the remarks on commodity fetishism in the first volume of Capital seem to be directed at a different target. Here Marx tells us that a commodity is ‘a queer thing, abounding in metaphysical (...) subtleties and theological niceties.’ But instead of going on to reveal the nature of commodites-the task that occupies him for the preceding 30 and subsequent 700 pages-Marx takes the opportunity to explore their ‘mystical’ character. The passage repays careful consideration. It is one of the few places in his mature writings in which Marx returns to the tone of his youthful works. It is also the passage in which commentators have claimed to find grounds for attributing a doctrine of ‘false consciousness’ to Marx. (shrink)

Laura Mulvey _Fetishism and Curiosity_ London: British Film Institute, 1996 ISBN: 0-85170-5480 hbk, 0-85170-5472 pbk xv + 175 pp.

A major point of debate about morally good motives concerns an ambiguity in the truism that good and strong-willed people desire to do what is right. This debate is shaped by the assumption that “what’s right” combines in only two ways with “desire,” leading to distinct de dicto and de re readings of the truism. However, a third reading of such expressions is possible, first identified by Janet Fodor, which has gone wholly unappreciated by philosophers in this debate. I identify (...) Fodor’s nonspecific reading of “desire to do what’s right” and briefly discuss its merits. (shrink)

The tendency in semiotics toward unnecessary abstractionism and antinaturalism is criticized. More broadly, a transformation is proposed from abstractionism, with its fetishism of signs, to an animism of signs in which the imagination and the signs it gives birth to not only reconnect with the biocultural heritage, but also animate an idea of culture as involving living purpose, not simply inert code. See the revised version of this chapter in my book, Meaning and Modernity.

This article draws on a five-year, multi-sited transnational research project on the global traffic in human organs, tissues, and body parts from the living as well as from the dead as a misrecognized form of human sacrifice. Capitalist expansion and the spread of advanced medical and surgical techniques and developments in biotechnology have incited new tastes and traffic in the skin, bones, blood, organs, tissues, marrow and reproductive and genetic marginalized other. Examples drawn from recent ethnographic research in Israel, the (...) Palestinian Authority and Turkey serve to cast light on the dark side of organs harvesting and transplantation. The article focuses on the dangers of the `fetishized kidney' for both sellers and buyers, for whom this new commodity has become an organ of opportunity and an organ of last resort. The bodily sacrifice is disguised as a donation, rendered invisible by its anonymity, and hidden under the medical rhetoric of `life saving' and `gift giving'. It suggests that the ultimate fetish as recognized long ago by Ivan Illich is the idea of `life' as object of manipulation. (shrink)

Sometimes it’s not certain which of several mutually exclusive moral views is correct. Like almost everyone, I think that there’s some sense in which what one should do depends on which of these theories is correct, plus the way the world is non-morally. But I also think there’s an important sense in which what one should do depends upon the probabilities of each of these views being correct. Call this second claim “moral uncertaintism”. In this paper, I want to address (...) an argument against moral uncertaintism offered in the pages of this journal by Brian Weatherson, and seconded elsewhere by Brian Hedden, the crucial premises of which are: that acting on moral uncertaintist norms necessarily involves motivation by reasons or rightness as such, and that such motivation is bad. I will argue that and are false, and that at any rate, the quality of an agent’s motivation is not pertinent to the truth or falsity of moral uncertaintism in the way that Weatherson’s and Hedden’s arguments require. (shrink)

In The Moral Problem Michael Smith presents what he claims is a decisive argument against moral externalism. Smith's claims that (i) moral externalists are committed to explain the connection between moral beliefs and moral motivation in terms of de dicto desires, and (ii) de dicto desires to perform moral acts amounts to moral fetishism. The argument is spelled out and the difference between desires de dicto and desires de re explained. The tenability of the fetishist argument (as it has (...) been named) is then questioned by focusing on the second clause; contrary to what Smith seems to think, it seems a plausible description of a good moral person that she is often motivated by both kinds of desires and, moreover, there are ways of being motivated to perform moral acts solely by de dicto desires that would not amount to moral fetishism. Lastly, two cases are suggested where being motivated by de dicto desires to perform moral acts would be reasonable as well as morally preferable. Internalists then, should also provide room for de dicto desires in moral motivation.The upshot is that the fetishist argument is unconvincing, though no attempt is made to defend moral externalism in general. (shrink)

In this paper Marx’s concept of fetishism is used in order to analyze contemporary representations of technology in the science-fiction genre (concretely Terminator, The Jetsons and Dune will be used as examples) and discuss their correspondence to two major ideological perceptions of technology (the luddite and the productivist) and to one of the best attempts to grasp technology in a non-fetishized form (Marx’s analysis in Capital).

Laurie Foos's feminist novel Ex Utero is a comic exploration of the value of the uterus. Simultaneously recursive and resistant, Foos's novel reenacts, with a difference, two confining essentialisms: hysteria, a female disorder, and fetishism, whether understood as the psychosexual response to female lack, or as capitalism's motor, the displacement of desire onto commodities. The essay explores how, if we think of the womb neither as individual possession or commodified object, we can create a new space of possibility for (...) women at the end of the millennium. (shrink)

In his book The Moral Problem and in a recent issue of this journal, Michael Smith claims to refute any theory which construes the relationship between moral judgements and motivation as contingent and rationally optional. Smith’s argument fails. In showing how it fails, I shall make three claims. First, a concern for what is right, where this is read de dicto, does not amount to moral fetishism. Second, it is not always morally preferable to care about what is right, (...) where this is read de re. Third, the externalist can account for why a good and strong-willed person is reliably motivated in accordance with her moral judgements without appealing to a basic moral motive to do what is right, where this is read de dicto. (shrink)

New Blackfriars, Volume 103, Issue 1106, Page 436-457, July 2022.

Do the meanings of the innumerable fetish-signs appearing in recent artworks depend on the senders' intentions? Is the meaning of postfeminist glamour the celebration of femininity that its practitioners tout to counter ersatz macho posturing? To fully examine and clarify these and other issues involving gender, postcolonial, and artistic otherness, this book argues for a more adequate view of performativity than presently available from speech-act theory and certain strains of linguistic pragmatics. In drawing simultaneously on Charles Sander Peirce’s pragmatic analysis (...) of signs, Freudian and post-Freudian psychoanalytic inquiry, and radical feminist thought, the concern of Beyond Fetishism is with the ethical and aesthetic import of the psychopragmatics resulting from this intermingling. (shrink)

Jean-Paul Sartre, in Being and Nothingness, develops the concept of “bad faith” in order to account for the paradoxical fact that knowledge can be ignorant of itself, and thus that a self-conscious subject can deceive itself while being aware of its own deception. Sartre claims that Freudian psychoanalysis would account for self-deception by positing an unconsciousness that guides consciousness without consciousness being aware of it. Therefore, Freudian psychoanalysis is an insufficient model with which to address bad faith. I disagree. There (...) is a specific psychic mechanism in Freud that answers Sartre’s criteria for bad faith, and it is called “disavowal” . Disavowal is the mechanism responsible for fetishism. And thus, fetishism is the Freudian account of bad faith. (shrink)

The recent arrival ofFrom Economics Imperialism to Freakonomicsby Fine and Milonakis is especially propitious given the context of the Great Recession of 2008 – and the associated decline of public faith in the verities of mainstream economics. Fine and Milonakis provide a magisterial critical survey of contemporary economics and demonstrate the need for a ‘new and truly interdisciplinary political economy’ capable of ‘incorporating the social and historical from the outset’. But their cause requires the explicit development of value analysis within (...) the framework of dialectical social theory. This requires foregrounding the ways in which Marx’s categories inCapitalare from the start historical precipitates that acknowledge their own inherent historicity. (shrink)

Throughout the twentieth century, moral philosophers have done their best to push the question of moral change off the intellectual agenda. If you look back to Principia Ethica, which appeared in 1903, you will find G.E. Moore taking it for granted that ethics is concerned with a single unanalysable object called “the good”, which is the only thing we can ever really mean when we talk about “goodness”. There could be no progress in morality as such, apart from throwing out (...) any historical flotsam and jetsam that might have made its way into the clear waters of ethical intuition. Genuine ethics did not have a history, in Moore’s opinion; only pseudo-ethics did. (shrink)

Throughout the twentieth century, moral philosophers have done their best to push the question of moral change off the intellectual agenda. If you look back to Principia Ethica, which appeared in 1903, you will find G.E. Moore taking it for granted that ethics is concerned with a single unanalysable object called “the good”, which is the only thing we can ever really mean when we talk about “goodness”. There could be no progress in morality as such, apart from throwing out (...) any historical flotsam and jetsam that might have made its way into the clear waters of ethical intuition. Genuine ethics did not have a history, in Moore’s opinion; only pseudo-ethics did. (shrink)

Reification, fetishism, alienation, mastery, and control – these are some of the key concepts of modernity that have been battered and beaten by postmoderns and nonmoderns alike, with Bruno Latour, a nonmodern, discarding them most recently. Critical of this approach, which creates a rift between moderns and nonmoderns, the author engages in dialogue with modern thinkers – particularly Peter Berger, Thomas Luckmann and Stanley Pullberg – with a view to recycling and redefining the concept of reification from a nonmodern (...) perspective. Marxian scholars associate reification with an attitude of detachment and passivity. Drawing on two years of ethnographic fieldwork in a Luvale-speaking region of northwest Zambia, Africa, the author seeks to convert the negative and asymmetrical Marxian reading of reification, which places subjects above objects, to a positive symmetry. Marx explained the capitalist economy through the lens of religion. Reversing the direction of symmetrical comparison, the author considers the northwestern Zambian universe of ancestors and their different mahamba manifestations in the form of spiritual beings, diseased bodies and material objects through the lens of Marxian concepts, mainly reification and fetishism. Three aspects of reification understood as a human universal come to light: first, reification and animation entail each other both in the realms of materiality and immateriality, being best perceived as a form of fetishism. Reifacts are fetishes and fetishes are reifacts. Second, because fetishes are animated and do things, reification is a form of engagement with the world, a means to action and a tool for transformation. Third and last, and without contradiction, reification entails engagement and detachment, action and withdrawal, control and surrender. There is much to gain from recycling the old concept of reification. In a non-partisan symmetrical perspective, the redefinition of reification as fetishism yields a new, positive understanding of the place of material and immaterial things in social life and the ways in which we humans apprehend the world and implicate those things in our projects and struggles. Reification is not an impediment to action but a condition for action. (shrink)

The struggle for domination clearly persists in The Homecoming as it does in almost all of Pinter’s works. Because of the vague atmosphere, enigmatic characters, and dark, tragicomic dialogue and action, a single decisive meaning for the play cannot be identified. Many character analyses have been carried out on the play, frequently focusing on Ruth and her decision at the end. Moreover, critics have sought to read the play in the light of psychoanalysis, centering on the characters’ past and complexes. (...) By adding a sociopolitical dimension to purely realistic or symbolic readings, this article attempts to analyze the relationships of domination and servitude between characters at the micro-level of the family structure through Marx’s notions of fetishism in relations between individuals, and commodity fetishism as expounded by Slavoj Žižek. With the help of Žižek’s ideas on ideology, a new layer of sociopolitical signification to the relationships held between characters is added, particularly that between Ruth and the men, which is seen as a parallel to the macro-level fetishized relationships in pre-capitalist societies and commodity fetishism in a capitalist one. (shrink)

In this text I would like to argue that individualistic culture of today is imbued with a specific notion of the self. Phenomena like life-style blogs, „cult” of celebrities and especially self-realization gurus and literature co-create a discourse on man where self is no longer regarded as an inner essence, substance or existential potency of a man but rather as a tengible and to some extent concrete object. Thus „being oneself” ceases to function as a verb and starts to be (...) a noun – name of a form of psycho-somatic wholeness that we can and should incorporate. As a consequence the self is ultimately brought to a number of styles of living with its rules, worldviews and modes of behavior and ultimately is reified. Becomes a magico-religious object which in anthropological terms can be described as a fetish. (shrink)

The article explores Adorno’s understanding of fetishism and melancholy as immanent to the artwork’s autonomous structure. In order to understand the relation between them, the Freudian understanding of fetishism and melancholy has to be considered along with the more explicit reference to the Marxist concept of commodity fetishism. Analysing the implications of Adorno’s claim that commodity fetishism is at the origin of artistic autonomy, the article shows how it should be understood not only as a materialist (...) demystification but also as a reaffirmation of art’s apparent self-sufficiency and its capacity to resist the commodification of society. Nevertheless—the article claims—thas this is only possible if art’s fetishism is dialectically opposed to its melancholy, through which art establishes a relation to the heterogeneous element of the lost object produced by its autonomous form. (shrink)

The trope of fetishization is central to Latin American liberation philosophy and its proposal for an “anti-fetishist” method. In this essay, I offer a genealogy of the trope of fetishization in the work of the Argentine-Mexican philosopher of liberation Enrique Dussel. Engaging recent work in cultural anthropology that demonstrates how the notion of “fetishism” develops out of a one-sided Eurocentric anthropology of religion that misrepresents elements of Afro-Atlantic religions, I argue that without a serious revision of the metaphysical premises (...) of “anti-fetishism,” liberation philosophy risks perpetuating a Eurocentrism that runs counter to the interests of epistemic decolonization to which it is committed. This essay therefore concludes by outlining the prospects of a decolonial “anti-fetishist” method that might overcome the Eurocentric misapprehension of Afro-Atlantic religions. (shrink)