In this article, I seek to present some examples of the philosophy of myth in Japan during the early Shōwa era (1926–1945), especially in works by Tanabe Hajime, Kihira Tadayoshi, Isobe Tadamasa, Kōsaka Masaaki and Miki Kiyoshi. While the concept of myth is closely linked to the question of nationality, I intend to show that the philosophical concept of myth is also related to a fundamental ambiguity that prevents an absolutisation of myth and offers specific conceptual tools for a critique (...) of nationality. (shrink)

This article introduces the little-studied figure of Saigusa Hiroto, a twentieth century Marxist philosopher who reconstructed the history of technical thought in Japan. The article focuses on Saigusa’s thought between 1939 and 1942, contextualizes his thinking in relation to the technology controversy of the 1930s and presents his critique of the dualism between spiritual and technological culture. Saigusa defines technology as a “means as a process” and not a skill or system of things. The author argues that Saigusa’s notion of (...) “means as a process” dislocates the idea of Western technology as superior to Eastern technology, paving the way for current debates in the field of post-European philosophies of technology. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Tetsugaku Companion to Nishida Kitarō ed. by Matsumaru Hisao, Arisaka Yoko, and Lucy Christine SchultzFernando Wirtz (bio)Tetsugaku Companion to Nishida Kitarō. Edited by Matsumaru Hisao, Arisaka Yoko, and Lucy Christine Schultz. Cham, Switzerland: Springer, 2022. Pp. v + 240. Hardcover $109.99, isbn 978–3-319417-83-7.This collection of essays has several virtues. First, although Nishida is one of the most widely translated Japanese philosophers into English, this is the first collection (...) of interpretative essays that attempts to cover the different aspects and stages of his work in a comprehensive manner.Second, this collection gives voice to several Japanese scholars who have long been working on Nishida's philosophy, but who are nevertheless little known outside Japan. Of course, as the editors explain in the introduction, the book intentionally seeks to incorporate perspectives that may dislocate the reader given the "fact that academic authors in countries other than the English-speaking Anglo-American regions write differently to express their ideas" (p. vii). This is a significant gesture, since Japanese philosophy has from its very beginnings been wracked by the problem of translation and counter-translation. It is an act of courage for the book to acknowledge that there are different "forms of expression" that, even if they may confuse the Anglo-American reader, serve to broaden the reader's philosophical sensibility (p. xiii–xiv).Third, rather than each chapter limiting itself to expounding Nishida's thought in a general way, each in turn problematizes specific aspects of the philosopher's work, connecting it with other authors and problems.As the editors explain, the book has a bipartite structure. In the first part, several contributors explore "seven principal concepts" that are intended to reflect Nishida's perception of his own system, while in the second part, contributors investigate the place of Nishida's thought in the global history of philosophy, drawing connections between Nishida's thought and other fields such as religion, science, and art. In addition, the relevance of his thought to both the present and the future is discussed. The book includes an appendix with a chronology of Nishida's life and work and also a glossary of fundamental concepts.In Chapter 1, Nakajima Yuta explores the concept of "pure experience," highlighting its importance in Nishida's later philosophy and its relation to the self-developing structure of consciousness. In particular, Nakajima analyzes the influence of Wilhelm Wundt's Outlines of Psychology in the work An Inquiry into [End Page 1] the Good. In that sense, this article provides the historical context in which Nishida developed his ideas in contrast to the psychologist. As the author points out: "The main point of criticism is that Nishida regards the foundational elements in Wundtian psychology as mere virtual abstractions of the primordial systematic unity of experience" (p. 7). This last statement leads to the recognition that any linguistic limitation of this primordial unity becomes an abstraction, since pure experience is the framework of the meaningful, where all meanings are dynamically generated and superimposed (p. 10).Itabashi Yūjin, in Chapter 2, establishes the transition from pure experience to "absolute free will" in the work, Intuition and Reflection in Self-Awareness, by comparing Nishida's text with the philosophies of Cohen and Schopenhauer. To understand this transition, we must not lose sight, as the author says, that when the self reflects itself in itself, it is self-producing and self-determining. This self-determination is not purely intellectual, but a total activity in which "thinking and sensation are one" (p. 20). Thus, the will is absolute because there is nothing prior to the self-productive activity of the will. For this reason, it is precisely in religious experience that "authentic life" (p. 22) emerges from the negation of the subjective self, that is, from the fiction of a foundation of absolute will.The person responsible for presenting the concept of "self-awareness" is Okada Katsuaki. In Chapter 3, Okada takes as a starting point the "subjectless" (p. 28) character of the Japanese language in order to explain the paradoxical possibility of experience experiencing itself. (p. 30). The self-awareness of the activity of the previous chapters becomes... (shrink)

In this paper, I argue that Miki’s concept of myth offers a continuation and consolidation of his Philosophy of History, providing an important conceptual tool to comprehend his philosophica...

La recepción y comprensión de la filosofía japonesa en el contexto académico hispanohablante todavía carece de una estructura coherente. Después de la nada intenta corregir algunos sesgos persistentes y subyacentes en los libros disponibles en español sobre filosofía japonesa: el nacionalismo metodológico, el criterio en la selección de los autores y la categorización de la transmisión del conocimiento de figuras, escuelas o textos de la contemporaneidad filosófica en Japón. De este modo, el valioso aporte de esta obra no es solo (...) sumarse a la tarea de proyectar globalmente la filosofía japonesa para hacerla más accesible al lector hispanohablante, sino también contribuir al esfuerzo de identificar los temas filosóficos contemporáneos que surgen en y desde Japón, recuperando autores poco estudiados como Tsuchida Kyōson, Miki Kiyoshi, Tosaka Jun, Maruyama Masao, Tanaka Mitsu, Karatani Kōjin o Nagasaki Hiroshi, entre otros. (shrink)

Nicht-westliche Gemeinwohlkonzeptionen sind so vielfältig und heterogen, dass sie sich keinesfalls auf einen gemeinsamen Nenner bringen lassen. In manchen Fällen sind die Unterschiede zu westlichen Konzeptionen offensichtlich, andere Konzeptionen dagegen sind den westlichen durchaus ähnlich. Wichtig ist, dass eine ernsthafte Beschäftigung mit nicht-westlichen Gemeinwohlkonzeptionen nicht bei der Kenntnisnahme zusätzlicher Vielfalt stehenbleiben darf, sondern nach den Grunderfahrungen fragen muss, die sich in den verschiedenen Konzeptionen wiederfinden. Darin liegt die Chance, rückblickend auch auf jene Grunderfahrungen aufmerksam zu werden, die westlichen Gemeinwohlkonzeptionen zugrunde (...) liegen. (shrink)

This paper attempts to examine how the concept of character in Tosaka’s philosophy presents us with the distinctive features of a situated epistemology. To do this, I will make comparative, although by no means exhaustive, use of the work of Heinrich Rickert. I will not attempt to argue that Rickert was Tosaka’s main interlocutor; however, I will show that the concept of character can be understood as a response to one of the challenges posed by the neo-Kantian philosopher: how can (...) history be grasped philosophically without falling into metaphysical reduction or subjective relativism? Tosaka would answer this question through the concepts of character and everydayness. (shrink)

This paper explores the notion of cosmotechnics in the context of the history of Latin American philosophy. Since the nineteenth century, Latin American philosophy has developed through an ongoing confrontation between conceptions of “civilization and barbarism.” This tension in turn has impacted the relationship between Latin American philosophy and technology. Consequently, a certain “absence of technique” is visible as a recurring topos in Latin American philosophies. To overcome this apparent absence, this paper criticizes the notion of mestizaje using Silvia Rivera (...) Cusicanqui’s concept of ch’ixi (‘motley’) as an alternative framework. From this perspective, Guaman Poma de Ayala’s description of colonial violence reveals some hints for deconstructing the idea of “Latin Americanness”, while retaining the notion of cosmotechnics. Thus, this paper goes beyond geocultures and metatechnology by formulating a theory of cosmotechnics that is able to articulate politically antagonistic narratives in terms of technical materiality. (shrink)

This paper explores the concept of myth in two books written by Kōsaka Masaaki, The Historical World and Philosophy of the Nation. In both, myth appears as a central moment in the transition from primitive to modern societies. The role of myth is closely related to Kōsaka’s notion of nature, since one goal of his reflection is to show how history is supported by the “substratum” of nature. In this sense, he also distinguishes between the natural and historical aspects of (...) nations. After analyzing the subcategories of primordial nature, environmental nature, and historical nature, the paper shows how these layers are articulated by myth. Authority, in the contractual form of potlatch, signalizes the moment of transition to the true self-determination of nations. Miki Kiyoshi was one author who pointed out the problematic aspects of Kōsaka’s theory of nation. A comparison with Miki’s thought uncovers how authority is the main characteristic of Kōsaka’s view of myth. The paper finishes by investigating where this authority comes from. Since it cannot come from nature alone, it should also come from the past character of myth itself, which is an expression of what Kōsaka terms “the eternal now”. (shrink)