This book studies creativity in its own right in the search for a creativity science. If we assume that creativity can best be described by constraint theory, the complexity and paradoxes of creativity can be reduced by dividing it into manageable sections. The model is tested and evidenced by numerous historical cases of pioneering work within the three intellectual fields: science, art, and technology. The model guides non-specialists from the many disciplines studying creativity and demonstrates the first principles of creativity (...) science. Going all the way back to Aristotle, the author makes the basic ideas of the original founder of creativity science accessible and up to date with current research. (shrink)

The automatic tendency to anthropomorphize our interaction partners and make use of experience acquired in earlier interaction scenarios leads to the suggestion that social interaction with humanoid robots is more pleasant and intuitive than that with industrial robots. An objective method applied to evaluate the quality of human–robot interaction is based on the phenomenon of motor interference (MI). It claims that a face-to-face observation of a different (incongruent) movement of another individual leads to a higher variance in one’s own movement (...) trajectory. In social interaction, MI is a consequence of the tendency to imitate the movement of other individuals and goes along with mutual rapport, sense of togetherness, and sympathy. Although MI occurs while observing a human agent, it disappears in case of an industrial robot moving with piecewise constant velocity. Using a robot with human-like appearance, a recent study revealed that its movements led to MI, only if they were based on human prerecording (biological velocity), but not on constant (artificial) velocity profile. However, it remained unclear, which aspects of the human prerecorded movement triggered MI: biological velocity profile or variability in movement trajectory. To investigate this issue, we applied a quasi-biological minimum-jerk velocity profile (excluding variability in the movement trajectory as an influencing factor of MI) to motion of a humanoid robot, which was observed by subjects performing congruent or incongruent arm movements. The increase in variability in subjects’ movements occurred both for the observation of a human agent and for the robot performing incongruent movements, suggesting that an artificial human-like movement velocity profile is sufficient to facilitate the perception of humanoid robots as interaction partners. (shrink)

Narrative discourse offers a viable perspective on sociocultural, psychological and professional dimensions of the self. Following Labov's early definition of evaluation, current studies explore linguistic and paralinguistic evaluative devices which participants in discourse use to present and construct their self. Organizing metaphors are a global evaluative device often used in broadcast personal stories to summarize local lexical and syntactic repetition. These metaphors constitute succinct self-portraits which facilitate interpersonal communication in a speech situation which is limited in time, and lacking in (...) kinesic cues and shared knowledge. The present psycholinguistic study further explores the functions of organizing metaphors in addicts' broadcast stories, a narrative subgenre which until now has not been studied. Qualitative data analysis shows that addicts use various evaluative devices and `conspiracies' of devices when they construct their detailed self-portraits. We also identified organizing metaphors which summarized the detailed narrative portrait, and constituted succinct versions of the addicted self. (shrink)