In his _Treatise on the Golden Lion_, Fazang says that wholes are _in_ each of their parts and that each part of a whole _is_ every other part of the whole. In this paper, I offer an interpretation of these remarks according to which they are not obviously false, and I use this interpretation in order to rigorously reconstruct Fazang's arguments for his claims. On the interpretation I favor, Fazang means that the presence of a whole's part (...) suffices for the presence of the whole and that the presence of any such part is both necessary and sufficient for the presence of any other part. I also argue that this interpretation is more plausible than its extant competitors. (shrink)

Recently, much attention has been given to Buddhism as a precursor to contemporary holistic theories, and more specifically to the Huayan school’s radical holistic metaphysics (often given the metaphorical name of The Net of Indra), as well as to Huayan’s most elaborate theoretician, Fazang. Nevertheless, contemporary interpretations of Fazang have been weighted by either too strict an adherence to atomistic logic or by unfortunate translations. In this paper, I present new translations of the key passages of Fazang’s (...) The Rafter Dialogue, as well as a philosophical commentary that his departure from atomism. I then proceed to argue that the six characteristics Fazang attributes to a whole that cannot be reduced to its parts are both sufficient and necessary for holism. (shrink)

The Treatise on Golden Lion is one of the most familiar and the most popular treatises in Chinese Mahayana Buddhism. Fazang, who made a system out of the classical form of learning in the Chinese school called „Flower wreath“ (Huayan), allegedly wrote this short work as a description of a real event – he explained his doctrine in the emperor's palace using a golden sculpture of a lion. He explains the fundamental implications of the doctrine oh his school – (...) the doctrine of the absolute interwovenness and absolute mutual inclusiveness of all things. These, as in all schools of Mahayana Buddhism, are based on the theory of the emptiness of all things and the world. These implications, valid in all phenomenal world (there is nothing but the phenomena, beyond the phenomena there is nothing) are explained also by means of the specification of the relationship between the principle (the gold) and the phenomena (the lion). (shrink)

This paper examines the metaphysics of interdependence in the work of the Chinese Buddhist Fazang. The dominant approach of this metaphysics interprets it as a species of metaphysical coherentism wherein everything depends upon everything else, no individual is more fundamental than any other, and so reality itself is non-well-founded in the sense that chains of dependence never terminate. I argue, to the contrary, that Fazang's metaphysics is better interpreted as a novel variety of foundationalism. I argue, as well, (...) using set- and graph-theoretic techniques, that there is a consistent way to model this alternative interpretation, and that this model differs in significant ways from a coherentist model. (shrink)

This paper examines the Huayan teaching of the six characteristics as presented in the Rafter Dialogue from Fazang's Treatise on the Five Teachings. The goal is to make the teaching accessible to those with minimal training in Buddhist philosophy, and especially for those who aim to engage with the extensive question-and-answer section of the Rafter Dialogue. The method for achieving this goal is threefold: first, contextualizing Fazang's account of the characteristics with earlier Buddhist attempts to theorize the relationships (...) between wholes and their parts; second, explicating the meaning Fazang likely attributes to each of the six characteristics; third, situating the characteristics as explicated within Fazang's broader metaphysical framework. (shrink)

This paper explicates the counting ten coins metaphor as it appears in Fazang’s Treatise on the Five Teachings of Huayan. The goal is to transform Fazang’s inexact and obscure mentions of the metaphor into something that is clearer and more precise. The method for achieving this goal is threefold: first, presenting Fazang’s version of the metaphor as improving upon prior efforts by Zhiyan and Ŭisang to interpret a brief stanza in the Avataṁsaka sutra; second, providing textual evidence (...) to support this interpretation; third, contrasting this interpretation with alternatives from Francis Cook as well as Yasuo Deguchi and Katsuhiko Sano. (shrink)

As interest in Huayan thought among Western scholars has grown over the last few decades, a number of individuals have noted similarities between A. N. Whitehead's ideas of reality as a process of arising actual occasions and Huayan doctrines concerning the interdependent arising of dharmas. Comparisons of the two systems do show striking similarities, but as Steve Odin has pointed out, one area of noteworthy difference may be their views of temporal passage.1 There seems to be clear agreement among Whitehead (...) scholars that his view requires temporal asymmetry such that the present arises as a creative advance toward an open future. In contrast, Huayan is well known for advocating a symmetrical view of reality, and the Huayan view of time, it has been argued, is no exception. On this basis some have suggested that in accounting for and even requiring an open future, Whitehead's views effectively allow for a free advance of becoming that may not be possible within the context of Huayan views. But is this the case? -/- By examining sections of Fazang's works that specifically deal with tense and temporal passage, we will see that the typical view of Huayan as advocating a temporally symmetrical notion of passage is only partially accurate. Even further, it is apparent in light of that material that the Whiteheadian critique of Huayan is partly inaccurate as well. It is this latter point that may mean Huayan views allow for a type of becoming that Whitehead's cannot. To see how this is the case, it will be helpful to briefly summarize the Whiteheadian critique before focusing on key elements of Fazang's view. (shrink)

Fazang’s arguments in his Treatise on the Five Teachings of Huayan provide a philosophical foundation for the Avatamsaka Sutra’s rich and suggestive imagery. This chapter focuses on one of Fazang’s central arguments in that treatise, namely, his argument that mutually reliant dharmas are mutually identical. The chapter presents the background context for Fazang’s argument, reconstructs the argument’s logical structure, interprets the central concepts appearing therein, and explains why Fazang might have found plausible his argument’s premises. Specific (...) discussion points include: the non-duality of existence and emptiness; relations between causes and their conditions; the meaning of creation and identity; connections with the ti-yong paradigm; Fazang’s analogy of the ten coins. The chapter concludes by considering the implications of Fazang’s metaphysics for contemporary discussions of substance and ontological foundations. (shrink)

The Buddhist master Fazang is regarded as one of the greatest metaphysicians in medieval Asia.

The Principle of Sufficient Reason is very seldom, if ever, referred to in the works of whom we might think of as the eminent Asian metaphysicians. In spite of this, the big picture metaphysical views available in the thought of philosophers such as Nāgārjuna, Fazang and Nishida appear to share certain structural features with views more familiar to us from our own tradition; views that explicitly accept or reject the Principle of Sufficient Reason. Nāgārjuna looks to develop a kind (...) of metaphysical infinitism, Fazang an extreme form of coherentism, and Nishida a species of foundationalism. These three positions - infinitism, coherentism and foundationalism - are typically thought to exhaust the spread of possibilities by those working within the Western tradition. -/- In spite of their similarities to positions advanced within our own tradition, the cosmologies of many of the giants of Asian philosophy are characterised by their rather striking conclusions. Amongst such conclusions for Nāgārjuna is that everything is empty; for Fazang that everything is identical to everything else; and for Nishida that everything depends on absolute nothingness. If the Principle of Sufficient Reason is playing a role in the derivation of such striking conclusions, then it looks that there are more options regarding the metaphysical structure of the world available to us than our own tradition typically courts. If, on the other hand, these striking cosmological conclusions are arrived at without any consideration of sufficient reason, then there may well be ways of reasoning about the overarching structure of reality that are powerful but unfamiliar to Western thinking. In this contribution, I explore what, if any, role the PSR might be playing in the thought of Nāgārjuna , Fazang and Nishida, and what we might be able to learn from it. (shrink)

Chinese Buddhist thought is more than a case of “Indianization” or “Sinicization,” and even less, “Distortion.” Chinese Buddhist thought should be grasped, first, in its own terms and only then in terms of the possible influences or confluences that flowed into it. The present article will seek to look into the concept of “Suchness vasana” (perfumation by the Buddhist absolute, Suchness, upon avidya, ignorance) as used by the Huayan school in China. Then it will show how, in the elaboration of (...) this idea, Fazang, the key patriarch of the Huayan school, apparently drew on a mode of thought that is derived from the Yijing, the Book of Changes. It is in the nature of the present article that only the Chinese influence will be underlined and that the Indian contributions to the formation of a theory of a “dynamic Suchness” will only be briefly touched upon. Scholars have long noticed the Daoist influence of Chinese Buddhological thinking, especially within the Ch'an and the Hua-yen circles. However, too often scholars only suggest impressionistic parallels, between, say, the book Laozi and the Platform Sutra of the Sixth Patriarch or between Mencian humanism (“Every man can be Sage Yao and Shun”) and the idea that “Every man can be Buddha.” Such presentations of Chinese influence bypass the various problems involved in the long and thorny history of conflict, compromise, mutual self-discovery, and fertilization between the two cultural traditions. The present article will try to be much more concrete by documenting and analyzing the series of incidents that led to a datable innovation on Fazang's part. (shrink)

Translation of Nagarjuna's -Treatise on the Twelve Gates- as well as fazang's commentary on that treatise.

According to many experiments in cross-cultural psychology, East Asians exhibit holistic cognitive style typified by use of resemblance heuristics, field dependence, external sources of causation, intuitive forms of reasoning, and interdependent forms of social thinking. Holistic cognitive style contrasts with analytic cognitive style, which is common to Westerners. Section 1 presents information on the background of Buddhism’s entry into and treatment by China. Section 2 discusses experimental evidence for the representation of holistic cognitive style in contemporary East Asians. Section 3 (...) presents preliminary evidence for the interaction between holistic cognitive style and the history of ideas in China at large. Section 4 analyzes two discussions of the same philosophical problem conducted by Chinese Buddhist philosopher Fazang and Indian Vedic philosopher Shankara. It is provisionally argued that the interpretive strategies displayed by Fazang interact with several components of holistic cognitive style, in contrast with Shankara. Implications are discussed. (shrink)

This chapter examines the structure and role of ambiguity in the Japanese Organ Transplant Law by looking at the Chinese Huayen Buddhist doctrine of dharmadhatu-pratityasamutpada or universal dependent “coarising”, a major interpretation of the Buddha's pratityasamutpada, dependent-coarising or interdependence. Specifically, it will examine the nature of ambiguity through the zhuban yuanming jude men or “the attribute of the complete accommodation of principal and secondary dharmas” that Fazang formulated. The interdependent and evolving Buddhist vision of reality causes ambiguity in decision (...) making and action. (shrink)

This is an attempt to explain, in a way familiar to contemporary ways of thinking about mereology, why someone might accept some prima facie puzzling remarks by Fazang, such as his claims that the eye of a lion is its ear and that a rafter of a building is identical to the building itself. These claims are corollaries of the Huayan Buddhist thesis that everything is part of everything else, and it is intended here to show that there is (...) a rational basis for this thesis that involves a nonstandard notion of parthood and, importantly, that does not violate the principle of noncontradiction. (shrink)

Names name, but there are no individuals who are named by names. This is the key to an elegant and ideologically parsimonious strategy for analyzing the Buddhist catuṣkoṭi. The strategy is ideologically parsimonious, because it appeals to no analytic resources beyond those of standard predicate logic. The strategy is elegant, because it is, in effect, an application of Bertrand Russell's theory of definite descriptions to Buddhist contexts. The strategy imposes some minor adjustments upon Russell's theory. Attention to familiar catuṣkoṭi from (...) Vacchagotta and Nagarjuna as well as more obscure catuṣkoṭi from Khema, Zhi Yi, and Fa Zang motivates the adjustments. The result is a principled structural distinction between affirmative and negative catuṣkoṭi, as well as analyses for each that compare favorably to more recent efforts from Tillemans, Westerhoff, and Priest. (shrink)