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  1.  22
    Ecological consciousness in traditional chinese aesthetics.Fan Meijun - 2001 - Educational Philosophy and Theory 33 (2):267–270.
    Ecological consciousness in traditional Chinese culture is a very important thought resource in the process of constructing ‘a postmodern worldview’.
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  2.  19
    Ecological Consciousness in Traditional Chinese Aesthetics.Fan Meijun - 2001 - Educational Philosophy and Theory 33 (2):267-270.
    Ecological consciousness in traditional Chinese culture is a very important thought resource in the process of constructing ‘a postmodern worldview’.
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  3.  29
    Toward a Complementary Consciousness and Mutual Flourishing of Chinese and Western Cultures: The Contributions of Process Philosophers.Fan Meijun & Wang Zhihe - 2015 - Philosophy East and West 65 (1):276-297.
  4.  16
    The Contributions of Chinese Yin-Yang Thinking to the Contemporary Dialogue Between Science and Religion.Fan Meijun, Liu Xiaoting & Wang Zhihe - 2014 - Balkan Journal of Philosophy 6 (2):117-126.
    As a non-dualistic but holistic and harmonious way of thinking, Chinese Yin-Yang Thinking can make great contributions to the contemporary dialogue between science and religion, especially in its emphasis on interdependence, mutual complementarity, and mutual transformation. It can help us understand the complex and multifaceted relationship between science and religion, and provides a middle way to move beyond the impasse between scientism and religious fundamentalism. This paper explores the following three contributions that Yin-Yang Thinking can make to the contemporary dialogue (...)
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  5.  15
    The Second Enlightenment as an Aesthetic Enlightenment and its Relevance.Fan Meijun & Wang Zhihe - 2015 - Balkan Journal of Philosophy 7 (2):159-168.
    The Second Enlightenment is a deep reflection and an immanent transcendence of the first Enlightenment (17th and 18th centuries). Although the great achievements of the first Enlightenment cannot be denied, its limits are increasingly being exposed. Among the many limitations of the Enlightenment, the suppression of beauty in general and natural beauty in particular is one of its main drawbacks, caused by its blind worship of reason and the domination of a modern mechanistic worldview. The suppression of beauty and natural (...)
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