In May 1968, Gilles Deleuze was an established philosopher teaching at the innovative Vincennes University, just outside of Paris. Felix Guattari was a political militant and director of an unusual psychiatric clinic at La Borde. Their meeting was unlikely, and the two were introduced in an arranged encounter of epic consequence. From that moment on, Deleuze and Guattari engaged in a surprising, productive partnership, collaborating on several groundbreaking works, including Anti-Oedipus, What Is Philosophy? and A Thousand Plateaus. Francois (...) Dosse, a prominent French intellectual, examines the prolific, if improbable, relationship between two men of distinct and differing sensibilities. Drawing on unpublished archives and hundreds of personal interviews, Dosse elucidates a collaboration that lasted more than two decades, underscoring the role that family and history--particularly the turbulence of May 1968--played in their monumental work. He also takes the measure of Deleuze and Guattari's posthumous fortunes and weighs the impact of their thought within intellectual, academic, and professional circles. (shrink)

Introduction: Cartographies in becoming -- The happy depression -- Integrated world capitalism -- Planetary psychopathia -- Postmediatic affect -- User's manual-- Deleuze and the rhizomatic machine -- Why is anti-Oedipus the book of the '68 movement? -- Kafka, hypertext, and assemblages -- The tantric egg -- Chaosmosis -- The provisional eternity of friendship.

This is the first detailed assessment of the life and work of Felix Guattari--"Mr. Anti" as the French press labelled him--the friend of and collaborator with..

This book offers a detailed look at Guattari's working methods in transdisciplinary experimentation from the time of his youth to his final years.His youthful adventures in the post-war Youth Hostels movement, decisive contact with institutional pedgagogy and the mentor figures of Fernand Oury and his brother Jean, give rise to an extraordinary penchant for organizational innovation in his life at Clinique de La Borde in Cour-Cheverny, France, and collective forms of expression manifested in publishing ventures and diverse collaborative research (...) formations.Guattari's highly original and hitherto neglected theories of a-signifyng semiotics and minor cinema are explored in depth with reference to the political goals of the critique of infoculture and the molecular revolutionary tendencies that are released in the search for a people to come.Guttari's engagement with eco-politics and art practices displays his originality as a political thinker and is firmly grounded on his exporation of how subjectivity is produced inlate capitalism.Guattari's ground-breaking conception of transversal politics is fully explored in relation to Michel Foucault's sense of the concept and its role in global political theory. (shrink)

Un enjeu éthico-politique de taille, retentissant autant chez Gilles Deleuze que chez Félix Guattari, consiste par conséquent à analyser les transformations de la subjectivité et de l'être-ensemble dans le cadre des mutations en cours..

More than a simple expository history, A Thousand Years of Nonlinear History sketches the outlines of a renewed materialist philosophy of history in the tradition of Fernand Braudel, Gilles Deleuze, and F lix Guattari, while also engaging the critical new understanding of material processes derived from the sciences of dynamics.Following in the wake of his groundbreaking War in the Age of Intelligent Machines, Manuel De Landa presents a radical synthesis of historical development over the last one thousand years. More (...) than a simple expository history, A Thousand Years of Nonlinear History sketches the outlines of a renewed materialist philosophy of history in the tradition of Fernand Braudel, Gilles Deleuze, and F lix Guattari, while also engaging the critical new understanding of material processes derived from the sciences of dynamics. Working against prevailing attitudes that see history as an arena of texts, discourses, ideologies, and metaphors, De Landa traces the concrete movements and interplays of matter and energy through human populations in the last millennium. De Landa attacks three domains that have given shape to human societies: economics, biology, and linguistics. In every case, what one sees is the self-directed processes of matter and energy interacting with the whim and will of human history itself to form a panoramic vision of the West free of rigid teleology and naive notions of progress, and even more important, free of any deterministic source of its urban, institutional, and technological forms. Rather, the source of all concrete forms in the West's history are shown to derive from internal morphogenetic capabilities that lie within the flow of matter-energy itself. (shrink)

The article contains general definition of the phenomenon of hypertext and the Internet in a virtual consciousness philosophy of post-modernism. Describes the phenomenon of hypertext as nonlinear forms of computer and literary texts, its structural units and the main aspects of the organization of hypertext. The article contains the detailed analysis of publications on the issue of hypertext and the history of investigation of this problem. The specific features which allow defining of hypertext as the brand new phenomenon are analyzed (...) in the article. Among them we can mention the following points: - Hypertext is constantly updateable, amendable, editable; - Hypertext has neither any set beginning or the end nor any hierarchical structure; - Hypertext has decentralized nature; - The specific features of hypertext are manifested in text transformations. If an "ordinary" text has linear character, and one can move in its "area" only in the directions limited by one and the same space, then rhizomorphic hypertext opens new "transverse" changes in the text Universe. The way of organizing of text in Internet corresponds to the major ideas of "nomadology" and "Rhizome" developed by Gilles Deleuze and F?lix Guattari in their Capitalism and Schizophrenia project. Postmodernist electronic hypertext is a phenomenon by its nature opposite to modernist printed text. This allows us to consider hypertext as one of the features of coming of "post- Gutenberg era". Hypertext fundamentally changes the way of construction of text environment - to replace the one-dimensional text comes multi-dimensional. In the phenomenon of the global information network, created on the basis of hypertext technology, - intertextual fiber, series of texts, which intercross with other texts, produce new texts. In conclusions of the article - the characterization of hypertext as postmodernist phenomenon is given and the major views of postmodernism which are represented in hypertext - plurality, decentration, fragmentariness, intertextuality - are provided. (shrink)

The writings of Gilles Deleuze and Félix Guattari have had an immense impact on architectural discourse during the last two decades, particularly in the realm of digital design and fabrication. Well-known concepts such as the rhizomatics, striated and smooth space, and folding have become part of architectural jargon. While Deleuze and Guattari do not devote much text directly to permanent forms of architecture, they are intrigued by structures like tents, shantytowns, and burrows. This 3 volume set of writings (...) on architecture and urbanism presents a range of previously published pieces by Deleuze and Guattari and by many architectural and cultural theorists that explore the implications of their theories on the built environment. This critical collection will be useful to anyone looking into the impact of these great thinkers as it gathers together in one place the best sources for easy access. (shrink)

A critique of capitalism and a manifesto for a new way of thinking, this book is also an introduction to the work of one of Europe's most radical thinkers. This edition includes a chronology of Guattari's life and work, introductions to both his general philosophy and to the work itself and extended notes to the original text.

Este artículo trata, en un primer momento, de presentar los puntos fundamentales de la propuesta de Deleuze y Guattari en torno a la literatura menor, para pasar, en un segundo momento, a mostrar cómo, en Tirano Banderas, Del Valle-Inclán crea una literatura menor que permite al lector experimentar distintas maneras de enunciación que rompen formas tradicionales de creación literaria y expresan intensidades y rupturas en el mecanismo maquínico de ejercicio del poder en América Latina. De esta manera, Tirano Banderas, (...) como obra de arte, vuelve sensible preceptos y afectos autónomos en el marco de una metamorfización de la forma en la que se presentan los personajes, los contenidos y los acontecimientos. (shrink)

Uncovering the theoretical and creative interconnections between posthumanism and philosophies of immanence, this volume explores the influence of the philosophy of immanence on posthuman theory; the varied reworkings of immanence for the nonhuman turn; and the new pathways for critical thinking created by the combination of these monumental discourses. With the philosophy of Gilles Deleuze and Félix Guattari serving as a vibrant node of immanence, this volume maps a multiplicity of pathways from Deleuze, Guattari and their theoretical allies (...) - including Spinoza and Nietzsche - to posthuman thought. As positions that insist, respectively, on the equal yet distinct powers of mind and body (immanence) and the urgent need to dismantle human privilege and exceptionality (posthumanism), each chapter reveals concepts for rethinking established notions of being, thought, experience, and life. The authors here take examples from a range of different media, including literature and contemporary cinema, featuring films such as Enthiran/The Robot (India, 2010) and CHAPPiE (USA/Mexico, 2015), and new developments in technology and theory. In doing so, they investigate Deleuzian and Guattarian posthumanism from a variety of political and ethical frameworks and perspectives, from afro-pessimism to feminist thought, disability studies, biopolitics, and social justice. Countering the dualisms of Cartesian philosophy and flattening the hierarchies imposed by Humanism, From Deleuze and Guattari to Posthumanism launches vital interrogations of established knowledge and sparks the critical reflection necessary for life in the posthuman era. (shrink)

‘A rare and remarkable book.’ Times Literary SupplementGilles Deleuze (1925-1995) was Professor of Philosophy at the University of Paris VIII. He is a key figure in poststructuralism, and one of the most influential philosophers of the twentieth century.F\’elix Guattari (1930-1992) was a psychoanalyst at the la Borde Clinic, as well as being a major social theorist and radical activist. A Thousand Plateaus is part of Deleuze and Guattari’s landmark philosophical project, Capitalism and Schizophrenia - a project that still (...) sets the terms of contemporary philosophical debate. A Thousand Plateaus provides a compelling analysis of social phenomena and offers fresh alternatives for thinking about philosophy and culture. Its radical perspective provides a toolbox for ‘nomadic thought’ and has had a galvanizing influence on today’s anti-capitalist movement.Translated by Brian Massumi>. (shrink)

Mon corps est-il un objet parmi d'autres dans l'espace ou bien crée-t-il l'étendue qu'il perçoit jusqu'à l'écho des étoiles? À quelle spatialité suis-je assujetti pour être relié de l'intérieur au monde et aux autres corps qui m'entourent? Les dimensions de l'espace sont-elles des coordonnées de la matière morte ou sont-elles des variations modales de mon esprit? C'est à la découverte de la spatialité du corps vivant que nous invite Guy-Félix Duportail dans son Analytique de la chair. il nous apprend, entre (...) autres, que la phénoménologie et la psychanalyse se rencontrent en ces lieux de la chair suivant des principes topologiques communs. Guy-Félix Duportail dessine le schéma intérieur de la subjectivité comme se donnant à l'extérieur, dans le monde. La subjectivité incarnée se retourne comme un gant et se retrouve ainsi exposée au-dehors, dans son sinthome, comme disait Lacan, dans son implexe, comme disait Merleau-Ponty. Dans tous les cas, elle se réalise dans une création réparatrice de son mal-être. L'immanence est donc dans la transcendance, et l'espace-temps se réfléchit dans la chair, dans les tourbillons de sa jouissance. La présente Analytique de la chair révèle qu'un corps sans organes (Deleuze et Guattari) est certes moins qu'un noeud, mais demeure plus qu'un emmêlement, et qu'une chair sublime mais sans corps (Levinas, Henry) ne fait du visage qu'un masque, et de la Vie glorieuse du Moi qu'un éloge de la pulsion de mort. (shrink)

La 4e de couverture indique : "Dans cet ouvrage de référence consacré à une analyse approfondie du thème du consentement aux soins dans la pratique médicale, M.-F. Civil porte son regard de médecin et de philosophe sur les comportements de bon nombre de praticiens à l'heure actuelle plus ou moins soumis à la « mathématisation » de la médecine. Loin de se contenter d'un état des lieux complet de la question, il nous conduit pas à pas sur les chemins d'une (...) « éthique existentielle » tout à fait singulière, renvoyant à des situations pratiques de soins où délibérer avant d'agir et réfléchir à l'action déjà prise permet aux patients d'exprimer le sens donné à leur vécu dans le cadre de leur projet de vie immédiate ou future. Son approche très phénoménologique, aux côtés notamment de Heidegger et Husserl, ouvre la porte à un vaste chantier de réflexion pour tous ceux qui envisagent de se pencher sur la manière concrète d'être-au-monde en médecine comme souci pour soi et pour les autres. Ainsi ce livre interpelle les étudiants, les chercheurs, les professionnels de santé, mais également tous ceux qui ont été, ou seront, tôt ou tard, confrontés au problème du consentement.". (shrink)

Deleuze, G., Guattari, F., 2019. Kas yra filosofija? Vertė Daina Habdankaitė, Nijolė Keršytė. Vilnius: Jonas ir Jokūbas, 242 p. ISBN 978-609-8236-06-4.

How often does an interest or pleasure in your life become something that has to be managed, given a hierarchical position amongst other tasks, and thus becomes a chore alongside other chores? When content and possibility are stripped by scheduling and the demands of capitalist required labour mean that free play or time required for speculative and/or creative thought is removed in the interests of deadlines, what happens to the compassionate, generous and intimate functioning of thought and life? This paper (...) considers how Guattari argues that subjectivities are produced and organised by what he describes as machinic assemblages. Machinic assemblages are those aspects of life that operate to regulate the affective powers of life. Guattari's work on activities such as art making, game play, music and performance provides ways to consider the labour of subjectivity outside of work. I ask the reader to consider what the notion and motivation for play signal. Arguing that a singular life at play is the collective event of play, I describe play as a mediatising form for the production of subjectivity. The play field situates and directs the machinic assemblage of subjectivation through its own forms of mediatisation. (shrink)

This article explores some of the ways in which the conceptual apparatus of A Thousand Plateaus, and especially its machinic metaphysics, can be connected to recent developments in computer modelling and social simulation, which provide new tools for thinking that are becoming increasingly popular among philosophers and social scientists. Conversely, the successful deployment of these tools provides warrant for the flat ontology articulated in A Thousand Plateaus and therefore contributes to the ‘reversal of Platonism’ for which Deleuze had called in (...) his earlier works, such as Logic of Sense. The first major section offers a brief exposition of some key concepts in A Thousand Plateaus in order to set the stage for the second and third major sections, which argue that the fabrication of a metaphysics of immanence can be accelerated by connecting its conceptual apparatus more explicitly to insights derived from philosophical analyses of computational modelling and simulation and the social scientific use of ‘assemblage theory’. The article concludes with a summary of the argument and a brief consideration of some of the potential ethical and political implications of this interdisciplinary engagement. (shrink)

This volume brings together some of the leading voices in the field of Deleuze studies to explore - and practice - a variety of approaches to the schizoanalysis of religion. The authors share an enthusiasm for applying Deleuze and Guattari's schizoanalytic project to "religion," but they display significantly different ways of carrying out its creative and destructive tasks. As a whole, the book addresses the relevance of Deleuze for contemporary developments in political theology, liberation theology, Christian doctrine, and the (...) recent growth of interest in spirituality and atheism. Opening up new lines of flight for Deleuze studies, Deleuze and the Schizoanalysis of Religion makes rhizomic connections that will be of interest to scholars in other fields including theology, psychology of religion, philosophy of religion and the history and practice of Western esotericism. (shrink)

The central topic of this essay consists into establishing a relation between two dimensions of formation: the conceptual process of creating philo- sophical toys - that is of reelaborating existing philosophical concepts, mainly deriving from the thought of Gilles Deleuze and Félix Guattari, in terms of their potential as ‘operative constructs' - and their parallel redeployment towards the specific problem of analyz- ing a recent transdisciplinary artwork. By means of this strategical shift, theory looses its character of explanation and (...) illustration. Philosophy as toy becomes rather the matter of evaluating the com- plexity of a specific artistic composition in terms of its aesthetic potential. It contributes towards developing meta- stable conditions of mutual resonance between heterogeneous modalities of creation. (shrink)

In dialogue with key theorists of catastrophe and trauma--including Aimé Césaire, Frantz Fanon, George Lamming, Gilles Deleuze, Félix Guattari, Derek Walcott, as well as key figures in Holocaust studies--Glissant and the Middle Passage hones a sharp sense of the specifically Caribbean varieties of loss, developing them into a transformative philosophical idea. Using the Plantation as a critical concept, John E. Drabinski creolizes notions of rhizome and nomad, examining what kinds of aesthetics grow from these roots and offering reconsiderations of (...) what constitutes intellectual work and cultural production.Glissant and the Middle Passage establishes Glissant's proper place as a key theorist of ruin, catastrophe, abyss, and memory. Identifying his insistence on memories and histories tied to place as the crucial geography at the heart of his work, this book imparts an innovative new response to the specific historical experiences of the Middle Passage. - from the publisher. (shrink)

Scatological shock-merchants, untrained social workers, conflict-zone tourists: from a certain standpoint the relationship between contemporary art and ethics involves a string of negative conjunctions. At their center stands the artist, whose personality and intentions often serve as an ethical measure of the work. This book operates on the basis of a different premise: that artworks themselves have ethical effects, and looking at these effects can tell us about wider processes of social change. As the first full-length study of its kind (...) to outline a positive vision of the ethics of contemporary art, this book distances itself from previous accounts that focus on transgression. The critique of transgressive art is not made on the basis that it is wrong, but that it no longer succeeds on its own terms in societies where language, prohibition and morality are more plastic than they once were. By drawing on the work of Félix Guattari and Jacques Lacan, the book develops a novel theoretical framework that emphasizes the effect of art on subjectivity. Along the way artworks by Kader Attia, Artur Zmijewski, Dora Garcia and others serve as springboards launching discussions of the varied pathways along which a renewed ethics of contemporary art might develop. (shrink)

This reader makes the key essays of 19th century French philosopher Félix Ravaisson available in English for the first time. In recent years, Ravaisson has emerged as an extremely important and influential figure in the history of modern European philosophy. The volume contains the classic 1838 dissertation Of Habit, studies of Pascal, Stoicism and the wider history of philosophy together with the Philosophical Testament that he left unfinished when he died in 1900. The volume also features Ravaisson's work in archaeology, (...) the history of religions and art-theory, and his essay on the Venus de Milo, which occupied him over a period of twenty years after he noticed, when hiding the statue behind a false wall in a dingy Parisian basement during the Franco-Prussian war, that it had previously been presented in a way that deformed its original bearing and meaning. Félix Ravaisson: Selected Essays contains an introductory intellectual biography of Ravaisson, which contextualises each of the essays in the volume. It also features an annotated bibliography of suggested further reading. This book will grant scholars and students alike wider access to his distinctive contribution to the history of philosophy. (shrink)

This study aims to grasp the two distinct artworks one is from the literary field: Penal Colony, written by F. Kafka and the other one is from painting: The Large Glass, designed by M. Duchamp. This text tries to unravel the similarities betwe- en these artworks in terms of two main significations around “The Officer” from Penal Colony and “The Bachelors” from The Large Glass. Because of their vital role on the re-production of status-quo, this text asserts that there is (...) a similarity between them in the name of being part of the dispositions of body and desire. First of all, the text focuses on Penal Colony, especially on “The Officer” in or- der to observe his obsession towards the order that ruled by former and the late officer of colony. Deleuze & Guattari conceptualize it as “abstract-machines” and it refers to a contingent state of being which is produced as an obligatory entity. Besides, The Officers’ application via a “labeling machine” on inmates creates a framewok of a dispositif in Foucauldian terminology. Secondly, it is emphasized that The Bachelors from the Large Glass for his context, due to its reference for the concept of desire and a metaphorical connotation for desire as “cocoa”. The Large Glass is also turn around the dispositif in a different way: love. It is stated that criticizing the love to nowhere which belongs to The Bachelors and it can be found that there is an abstract-machine again in back of this practice and it converts The Bachelors’ energeia to make an apparatus possible and operative. (shrink)

El artículo está dedicado a dos conceptos: el esquizoanálisis y el rizoma,introducidos por G. Deleuze y F. Guattari. Su propósito es mostrarlos comocategorías de la estética posmoderna que proporcionan una nueva herramientaconceptual para describir los procesos transcurridos en las prácticasartísticas actuales, que con frecuencia se enuncian bajo la crisis de representación cuestionando la modernidad “narrativa” y sus imperativos categóricos.Se trata de los conceptos de características similares e intercambiables, quecomplementan uno a otro, pues ambos reflejan un nuevo tipo de relacionesentre (...) el arte contemporáneo y la realidad: no lineales, no estructuralizadas,anti-jerárquicas, heterogéneas, etc. o sea, relaciones “rizomaticas” basadas enel principio “cartográfico”, distintas de las relaciones “arborescentes” en quereside el arte clásico donde predominan los “procedimientos de calco”. (shrink)

Šiame straipsnyje siekiama atsakyti į klausimą, kas galėtų susieti filosofiją ir vizualiuosius bei žodinius menus. Ar įmanoma ir jei taip, tai kaip įmanoma reflektuoti visus menus kaip vieno kūrybinio įvykio momentus? Siekiant atsakyti į šį klausimą, pirma, aptariamas logikos ir kūrybiškumo susikertant menui ir filosofijai susidūrimas, antra – žodžio ir vaizdo nebendramatiškumas, surastas / išrastas belgų siurrealisto René Magritte’o ir reflektuotas Michelio Foucault. Čia sugrįžtama prie klasikinio F. Niezsche’s disputo su Sokratu apie logikos ir kūrybiškumo priešpriešą ir siekiama atsakyti į (...) klausimą, kurią pusę – Sokrato ar F. Nietzsche’s – paremia šioje diskusijoje Gilles’is Deleuze’as ir Félixas Guattari. Atrodytų, kad jie suderina logiką ir kūrybiškumą, pastebėdami, kad menas nėra nei mokslinio mąstymo, nei filosofijos koreliatas ar papildas, kad trys minties formos – menas, mokslas ir filosofija – turi po nepriklausomą specifinę kryptį, Kita vertus, interpretuodamas I. Kantą, G. Deleuze’as pastebi disharmoniją tarp vaizduotės, supratimo ir proto, ir, sekdamas Antonino Artaud’o įžvalgomis, jis išskiria naują minties tipą kaip tarpinę teritoriją tarp žodžio ir vaizdo. (shrink)

Begehren, Sexualität, Intimität und Affektivität sind feinmaschig in die spätkapitalistische Matrix des Sozialen eingewebt. Die Studie untersucht die politische Ökonomie des Begehrens nach 1968. Sie unternimmt einen Streifzug quer durch die Philosophiegeschichte – von Platon über die Psychoanalyse zum Poststrukturalismus. Dabei geht sie von der Annahme aus, dass Ökonomie einen konstitutiven Faktor darstellt, wenn man Begehren begreifen will. Umgekehrt lassen sich sozioökonomische Strukturen nicht ohne die Rolle des Begehrens verstehen. Begehren wirkt sozialmobilisierend, indem es normative Ordnungen sowohl errichten und aufrechterhalten (...) als auch überschreiten kann. Neben paradigmatischen Positionen von Platon, Georg W. F. Hegel, Friedrich Nietzsche und Sigmund Freud werden begehrensökonomische Thesen von Gilles Deleuze und Félix Guattari und der im Paris von Mai ’68 aufkommenden Philosophie des Begehrens betrachtet. (shrink)

Este volumen es el resultado del deseo común de un grupo de amigos de ofrecer un texto, el texto que cada uno ha juzgado oportuno, a un eminente profesor de la Universidad española; un profesor al que, ciertamente, la edad ha jubilado, pero que en absoluto ha dejado, y no solo por su actual condición de Emérito, de mantenerse en activo; un maestro del pensamiento cuyo recorrido intelectual ha suscitado en esos amigos suficiente atención y simpatía como para avenirse a (...) participar en esta tarea de reconocimiento. El profesor en cuestión es Félix Duque; un nombre que cualquiera que haya mínimamente seguido las aventuras filosóficas europeas de los últimos decenios, incluidas las españolas, sin duda habrá de reconocer de inmediato. Pues se trata de alguien que ha practicado con éxito todas las artes que se supone ha de frecuentar un universitario de primer rango, un transmisor crítico del saber, un investigador de vanguardia: el profesor Félix Duque, en efecto, no solo ha ocupado multitud de estrados, universitarios o no, multitud de aulas y de salas, universitarias o no; también ha dedicado no pocas horas a ofrecer al investigador traducciones y ediciones, tan rigurosas como útiles, de textos clásicos de la filosofía; y ha encontrado tiempo, además, para ofrecer una panorámica monumental de esa aventura crucial del intelecto que fue el idealismo alemán brotado de la crítica kantiana. Pero tampoco se ha detenido ahí una actividad como la suya, infatigable y paciente —aunque también a las veces, cómo no, relampagueante—. Y así, Félix (que es como le conocemos sus amigos), no ha vacilado en poner su ordenador al servicio de cuestiones estéticas, y políticas, y ciudadanas, como tampoco ha dudado en embarcarse, cuando la ocasión lo requería, en alguna polémica de fuste; intervenciones hechas siempre en el contexto de un análisis poderoso, y en absoluto complaciente, de las muchas tradiciones difíciles que heredamos los europeos. (shrink)

A compilation of all previously published writings on philosophy and the foundations of mathematics from the greatest of the generation of Cambridge scholars that included G.E. Moore, Bertrand Russell, Ludwig Wittgenstein and Maynard Keynes.