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  1.  93
    Laura Dern's Vomit, or, Kant and Derrida in Oz.Eugenie Brinkema - 2011 - Film-Philosophy 15 (2):51-69.
    This article explores the role of disgust in Kant’s aesthetic philosophy, Derrida’s deconstruction of Kant’s third Critique in his article 'Economimesis,' and the figure of vomit in two films by David Lynch in order to argue for the ethical possibilities of not giving ground relative to one’s disgust—what I term an ethics of the worse than the worst.
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  2.  2
    Life-Destroying Diagrams.Eugenie Brinkema - 2022 - Duke University Press.
    In _Life-Destroying Diagrams_, Eugenie Brinkema brings the insights of her radical formalism to bear on supremely risky terrain: the ethical extremes of horror and love. Through close readings of works of film, literature, and philosophy, she explores how diagrams, grids, charts, lists, abecedaria, toroids, tempos, patterns, colors, negative space, lengths, increments, and thresholds attest to formal logics of torture and cruelty, violence and finitude, friendship and eros, debt and care. Beginning with a wholesale rethinking of the affect of horror, orienting (...)
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  3.  24
    To Cut, to Split, to Touch, to Eat, as of a Body or a Text: Secretary and Dans Ma Peau.Eugenie Brinkema - 2009 - Angelaki 14 (3):131 – 145.
    (2009). To cut, to split, to touch, to eat, as of a body or a text. Angelaki: Vol. 14, shadows of cruelty sadism, masochism and the philosophical muse – part one, pp. 131-145.
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  4.  36
    Psychoanalytic Bullshit.Eugenie Brinkema - 2007 - Journal of Speculative Philosophy 21 (1):61-79.
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