In the present work, I will review how Aristotle understood the connection between reason and emotion - particularly, angry actions - in order to demonstrate that it is due to the presence of intellectual factors that emotions become ethically relevant and not merely an uncontrolled reaction. Then, I will summarize Aristotle's repeated analogies between reason as the master and anger as the slave to explain their connection. My specific contribution to the topic will be to reverse this analogy and, instead (...) of using it as an example of the _lógos-thymós_ connection, make the latter an example of the _despótes-doûlos_ connection as described in Politics I. If my hypothesis is plausible, establishing the actions and virtues of a slave will help shed light on the type of morality inherent in angry actions. (shrink)

The meanings of utterances and thoughts are commonly regarded in philosophical semantics as abstract objects, called «propositions», which account for how different utterances and thoughts can be synonymous and which constitute the primary truth-bearers. I argue that meanings are instead natural properties that play causal roles in the world, that the kind of «One over Many» thinking underlying the characterization of shared meanings as abstract objects is misguided and that utterances and thoughts having truth-values in virtue of their meanings does (...) not entail that meanings themselves are truth-bearers. (shrink)

"A philosophical exploration of Miguel de Unamuno's theory of reality, in regard to man, nature, and God, by examining the famed Spanish philosopher-writer's published works and his correspondence.".

La historia de la filosofía redescubierta a través del singular prisma de la fenomenología del cuerpo no se presenta ya como la historia de las grandes ideas, sino de algunas pequeñas preguntas: una historia de los restos, las sombras y los márgenes de la filosofía. Merleau-Ponty saca a la luz fragmentos de esa otra historia sirviéndose de un único procedimiento cuya práctica constante no parece expresar tanto un método como una obsesión, cuando insiste en formular a los filósofos del pasado (...) la misma pequeña pregunta con la que interpelaba a su amigo Althusser mientras discutían por la madrugada: "Pero usted también tiene un cuerpo, ¿no es así?". Cada filosofía, señala Merleau-Ponty, es una elección filosófica, pero "por más que los filósofos escojan, su elección siempre está acompañada, como al margen, de la sospecha de lo que han dejado de lado". Ese margen acompaña a cada filósofo como su propia sombra. Esta obra explora las distintas aproximaciones de Merleau-Ponty a ciertas obras canónicas de la historia de la filosofía. Acompañar el diálogo de su fenomenología con las célebres teorías del conocimiento de Aristóteles, Descartes, Hume, Kant, Bergson o Husserl significa simultáneamente esbozar una historia de las filosofías del cuerpo y el sentir. Esteban A. García es Doctor en Filosofía por la Universidad de Buenos Aires. Se desempeña como Profesor de Gnoseología en la misma universidad y como Investigador Independiente en el Consejo Nacional de Investigaciones Científicas y Técnicas (Argentina). Es autor de los libros Maurice Merleau-Ponty. Filosofía, corporalidad y percepción (2012); Percepción y lectura en la filosofía de Simone Weil (2015) y de numerosas publicaciones en las áreas de fenomenología, filosofía francesa contemporánea y filosofía moderna. (shrink)

Las preguntas que animan el presente libro se ven atravesadas por el espíritu del tiempo de incertidumbre en el que nos encontramos, pero de manera especial por la incertidumbre misma, ajena a cualquier tiempo, encarnada en ese vínculo que ha establecido desde siempre la filosofía con la literatura. ¿Cuáles siguen siendo hoy día estas relaciones de la literatura con la filosofía? ¿De qué manera se gana o se pierde fuerza semántica con la desaparición de fronteras disciplinares precisas?Estas son algunas cuestiones (...) sobre las que reflexionan el elenco de poetas, escritores y filósofos que colaboran en el libro ofreciendo una incuestionable aportación crítica contra los distintos procesos culturales de secuestro de la palabra. (shrink)

Literatura como pensamiento trágico -- Dostoievski y los escorzos lacerados del alma -- Elogio trágico del reflejo. Sobre la nostalgia antropológica de la identidad -- El desdoblamiento trágico como diálogo hermenéutico del alma consigo misma -- La fisiología nietzscheana de la danza, o sobre el magisterio de Zorba el griego -- El retorno falso de la muerte en la distopía estética de la nueva carne -- La expiación corporal de Nietzsche en el arte actual -- La raíz antropológica de lo (...) sagrado en el arte contemporáneo. (shrink)

A large part of technological advances, especially in the field of industry, have been focused on the optimization of productive processes. However, the detection of anomalies has turned out to be a great challenge in fields like industry, medicine or stock markets. The present work addresses anomaly detection on a control level plant. We propose the application of different intelligent techniques, which allow to obtain one-class classifiers using real data taken from the correct plant operation. The performance of each classifier (...) is assessed and validated with real created faults, achieving successful overall results. (shrink)

Nowadays, the quality standards of higher education institutions pay special attention to the performance and evaluation of the students. Then, having a complete academic record of each student, such as number of attempts, average grade and so on, plays a key role. In this context, the existence of missing data, which can happen for different reasons, leads to affect adversely interesting future analysis. Therefore, the use of imputation techniques is presented as a helpful tool to estimate the value of missing (...) data. This work deals with the academic records of engineering students, in which imputation techniques are applied. More specifically, it is assessed and compared to the performance of the multivariate imputation by chained equations methodology, the adaptive assignation algorithm based on multivariate adaptive regression splines and a hybridization based on self-organisation maps with Mahalanobis distances and AAA algorithm. The results show that proposed methods obtain successfully results regardless the number of missing values, in general terms. (shrink)

En este trabajo se pretende mostrar el sentido político que adquirió la defensa de la teoría por parte de Adorno en los últimos años de su vida. él empleó esta defensa como una respuesta a los imperativos de los estudiantes de izquierda de plegar la teoría crítica a la intervención práctica inmediata. Para justificar esta tesis se atiende no sólo a lo que decía, sino también, en un nivel discursivo diferente, a lo que estaba haciendo cuando empleaba concentraciones de términos (...) y enunciados densos y eruditos para manifestarse. Esto lleva a incluir las reflexiones y valoraciones de Adorno referentes a la actitud teorética y a la praxis, principalmente aquellas esbozadas en Dialéctica negativa, en un contexto más amplio. This work pretends to show the political sense that the defense of the theory by Adorno acquired in the last years of his life. He used this defense as an answer to the students's imperatives of applying the critical theory to the immediate practical intervention. In order to justify this thesis will be considered not only what Adorno said, but also, in a different discursive level, what he was doing on having used concentrations of terms and dense and erudite declarations. This entails, then, to relate Adorno's reflections and assessments concerning to the theoretical and practical approach -specially those outlined in Negative Dialectic- to a broader contextual framework. (shrink)

This article addresses the question raised by the Anthropocene of rethinking the concept of autonomy which, in the conditions of the new geological epoch, is subject to a crisis of legitimation. It explores the ‘strong hypothesis’ according to which nature is a necessary condition of our qualitative experience of the world and a constitutive relation of autonomy defined as the self-realisation of individual identity. With this aim in mind, the article attempts to rethink the concept of recognition in order to (...) conceive a recognising attitude of nature in the form of love of nature as a form of adequate recognition. Rethinking recognition can serve as foundation of an ‘objective’ theory of autonomy, that is, a theory that explains how nature can be defined as a condition and constitutive relation of autonomy. The article, therefore, proposes to reformulate the concept of autonomy as the self-realisation of an ecological or environmental identity in the form of the self-realisation of an ecological ethos, that is, an attitude of respect and care for nature. This enquiry, ultimately, is a contribution to the task of rethinking the basis of our conceptions of autonomy and freedom in the Anthropocene, so that the idea of autonomy can legitimately constitute the central value of the social transformation that is needed to face the ecological crisis. (shrink)

Analiza la forma en que el pensamiento baconiano -alianza entre ciencia, matemática y filosofía- se instituye en ideología de la modernidad y en referente universal de todo tipo de conocimiento. La epistemología positiva pretende la depuración del conocimiento científico, la demarcación entre la ciencia y pseudociencia, así como la apoteosis de la razón instrumental. El libro analiza algunas de las alternativas al positivismo: Lakatos, Kuhn, Habermas, además de la sociología cognitiva de la ciencia. Se propone un programa basado en la (...) recuperación del control social de la ciencia y la tecnología. (shrink)

The aim of this paper is to propose a self-representational theory of phenomenal consciousness from Sartre. For it I will clarify and show the closeness of two ideas. The first of these is the so-called self-representational theory of consciousness, which holds that a mental state is conscious if and only if it represents itself in the right way. The second of these are the descriptions of consciousness from Sartre, which say that all consciousness is self-consciousness of itself, or more precisely: (...) every positional consciousness of an object is at the same time a non-positional consciousness of itself. With the above, the phenomenal consciousness would be self-consciousness of itself and the self-consciousness of itself would be self-representation. (shrink)

The aim of this paper is to propose a self-representational theory of phenomenal consciousness from Sartre. For it I will clarify and show the closeness of two ideas. The first of these is the so-called self-representational theory of consciousness, which holds that a mental state is conscious if and only if it represents itself in the right way. The second of these are the descriptions of consciousness from Sartre, which say that all consciousness is self-consciousness of itself, or more precisely: (...) every positional consciousness of an object is at the same time a non-positional consciousness of itself. With the above, the phenomenal consciousness would be self-consciousness of itself and the self-consciousness of itself would be self-representation. (shrink)

El presente trabajo aborda lo que Hegel denomina ‘método de ejecución’ en la Introducción de la Fenomenología del Espíritu. Lo que me propongo es dar una explicación acerca de cómo opera este método tal que logre cumplir las metas que Hegel mismo se propone. En particular, pretendo explicar por qué el objeto para cada figura de la conciencia es cada vez uno distinto y por qué el nuevo objeto surge a partir de la corrección del saber que se encarna en (...) una cierta figura de la conciencia. Me centro en criticar las respuestas a estas preguntas que extraigo de varios autores, con especial atención en cuatro de ellos: Kenneth Westphal (1998), Robert Brandom (2019), Stephen Houlgate (2013) y Robert Pippin (1989). Luego, propongo un bosquejo de mi propia explicación, la cual recurre al uso de un criterio interno de la verdad análogo al que Spinoza emplea para su filosofía. (shrink)

Este artículo tematiza la relevancia del Hamlet, de Shakespeare, para el pensamiento de T. W. Adorno, aun cuando este no haya escrito in extenso sobre aquel. El drama aparece sobre todo en su discurso oral como modelo para describir la relación de discontinuidad entre teoría y práctica. Aquí se desea mostrar cómo el teórico crítico del pensamiento moral abstracto piensa el paso del conocimiento a la praxis a partir del vínculo entre Hamlet y el llamado “factor añadido” (Das Hinzutretende). Desde (...) esta lectura, el Hamlet de Adorno representa un lugar clave de transiciones malogradas. (shrink)

We explore the relationship between evidence and knowledge when knowledge is described by a standard partition over a finite state space, and evidence is represented by a state-dependent collection of finite sets of messages. When the collection is measurable with respect to the partition, there is evidence for an event only if the event is self-evident—i.e., known at every one of its states. Thus, an event is commonly known in and only if there is _mutual_ evidence that implies that the (...) event has occurred, and all knowledge can be proved only when the agent is informed about the state or knows nothing. The existence of partial provability outside these two extremes hinges on the non monotonic nature of provability. (shrink)

In this paper I aim to think about a set of different issues in relation to Marx’s philosophy on the light of the experience of Paris Commune. More specifically, I would like to point out that Marx’s experience facing the Commune could be constituted as a revealing indicator of some of the most significant outlines of his philosophy. Firstly, I am proposing an analysis of the letter from Marx to Ruge in Kreuznach with the purpose of thinking over young Marx’s (...) revolution idea by identifying two critical aspects that modify and project it transformed towards the Commune. In second place, I present a re-reading of The Civil War in France crossed by an internal disjunction between the scientific, political and philosophical words that are present in Marx, but that resist to be reappropriated in a single speech. (shrink)

The use of batteries became essential in our daily life in electronic devices, electric vehicles and energy storage systems in general terms. As they play a key role in many devices, their design and implementation must follow a thorough test process to check their features at different operating points. In this circumstance, the appearance of any kind of deviation from the expected operation must be detected. This research deals with real data registered during the testing phase of a lithium iron (...) phosphate—LiFePO4—battery. The process is divided into four different working points, alternating charging, discharging and resting periods. This work proposes a hybrid classifier, based on one-class techniques, whose aim is to detect anomalous situations during the battery test. The faults are created by modifying the measured cell temperature a slight ratio from their real value. A detailed analysis of each technique performance is presented. The average performance of the chosen classifier presents successful results. (shrink)

Automatic control of physiological variables is one of the most active areas in biomedical engineering. This paper is centered in the prediction of the analgesic variables evolution in patients undergoing surgery. The proposal is based on the use of hybrid intelligent modelling methods. The study considers the Analgesia Nociception Index to assess the pain in the patient and remifentanil as intravenous analgesic. The model proposed is able to make a one-step-ahead prediction of the remifentanil dose corresponding to the current state (...) of the patient. The input information is the previous remifentanil dose, the ANI variable and the electromyogram signal. Modelling techniques used are Artificial Neural Networks and Support Vector machines for Regression combined with clustering methods. Both training and validation were done with a real dataset from different patients. Results obtained show the potential of this methodology to calculate the drug dose corresponding to a given analgesic state of the patient. (shrink)

RESUMEN Este artículo dialoga con tres importantes reflexiones estéticas procedentes de la filosofía alemana contemporánea. En primer lugar, se ocupa del trabajo de Albrecht Wellmer, representante de la “segunda generación de la Teoría Crítica”; en segundo lugar, se refiere al abordaje del actual profesor de estética en Berlín, Georg W. Bertram; y, en última instancia, indaga los aportes de Juliane Rebentisch, coeditora de la nueva versión de la Zeitschrift für Sozialforschung. Si bien los planteos de estos autores presentan matices diversos, (...) todos ellos son, de uno u otro modo, herederos de un incisivo proceso de reconsideración crítica de la teoría estética de Theodor W. Adorno que viene desarrollándose desde los años setenta. La intención del artículo es reconstruir la modalidad de crítica planteada por estos tres autores y explorar a partir de ello algunas líneas de desarrollo para un estética postadorniana. ABSTRACT This work dialogues with three important reflections on aesthetics, originating in contemporary German philosophy. First, the work of Albrecht Wellmer, representative of the "second generation of the Critical Theory," is analyzed. Second, the approach of the current professor of Aesthetics in Berlin, Georg W. Bertram, and ultimately the contributions of Juliane Rebentisch, co-editor of the new version of the "Zeitschrift für Sozialforschung". While the proposals of these authors have different nuances, they are all, in one way or another, heirs of a long process of critical review of the aesthetic theory of Theodor W. Adorno in development since the seventies. (shrink)

En las últimas décadas, la tendencia a pensar la estética a partir del carácter autónomo de su objeto ha sido dominante en la discusión filosófica alemana. Sin embargo, la crítica a la estética de la autonomía ha cobrado recientemente un nuevo aliento. Uno de los intentos más ambiciosos por destronar la centralidad de este paradigma en la estética actual corresponde al filósofo Georg W. Bertram. El propósito de este artículo es reconstruir la teoría estética de Bertram y exponer cómo ella (...) se inserta en la disciplina estética. Paralelamente, se mostrarán algunas dificultades de la revitalización de una ontología del arte basada en la continuidad entre praxis artística y vida cotidiana. (shrink)

RESUMENEl artículo se propone registrar los puntos principales de la controvertida relación que Theodor Adorno mantuvo, entre 1950 y 1966, con los jóvenes músicos reunidos en torno a los Cursos Internacionales para la Nueva Música realizados en Darmstadt. Se expondrá el modo en que en la música serial, a pesar de su progresismo, que el filósofo medía por el trato con la modernidad radical representada por la escuela vienesa de Schönberg, resonaban elementos que neutralizaban las fuerzas productivas de la nueva (...) música. Al final se elucidará la justificación política que acompañaba a los síntomas estéticos de envejecimiento que Adorno atribuía al círculo de compositores de postguerra.PALABRAS CLAVEADORNO, ESTÉTICA NEGATIVA, RACIONALIZACIÓN, ARTE AUTÓNOMO,MÚSICA SERIALABSTRACTThe paper proposes to record the main points of the controversial relationship Theodor Adorno held, between 1950 and 1966, with the young musicians gathered around the International Courses for the New Music performed in Darmstadt. Here is presented the way in which in serial music, despite its progressivism, which the philosopher measured in the treatment with the radical modernity represented by the Viennese School of Schönberg, resounded elements that neutralized the productive forces of the new music. Finally, I intend to elucidate the political justification that accompanied the aesthetics symptoms of aging that Adorno attributed to the circle of post-war composers.KEYWORDSADORNO, NEGATIVE AESTHETICS, RATIONALIZATION, AUTONOMOUS ART, SERIAL MUSIC. (shrink)